while the rolling of arriving boxes filled the bell villa; while pauline, loaded with parcels, lightly came down the steps; while good madame marmet, with tranquil vigilance, supervised everything; and while miss bell finished dressing in her room, therese, dressed in gray, resting on the terrace, looked once again at the flower city.

she had decided to return home. her husband recalled her in every one of his letters. if, as he asked her to do, she returned to paris in the first days of may, they might give two or three dinners, followed by receptions. his political group was supported by public opinion. the tide was pushing him along, and garain thought the countess martin’s drawing-room might exercise an excellent influence on the future of the country. these reasons moved her not; but she felt a desire to be agreeable to her husband. she had received the day before a letter from her father, monsieur montessuy, who, without sharing the political views of his son-in-law and without giving any advice to his daughter, insinuated that society was beginning to gossip of the countess martin’s mysterious sojourn at florence among poets and artists. the bell villa took, from a distance, an air of sentimental fantasy. she felt herself that she was too closely observed at resole. madame marmet annoyed her. prince albertinelli disquieted her. the meetings in the pavilion of the via alfieri had become difficult and dangerous. professor arrighi, whom the prince often met, had seen her one night as she was walking through the deserted streets leaning on dechartre. professor arrighi, author of a treatise on agriculture, was the most amiable of wise men. he had turned his beautiful, heroic face, and said, only the next day, to the young woman “formerly, i could discern from a long distance the coming of a beautiful woman. now that i have gone beyond the age to be viewed favorably by women, heaven has pity on me. heaven prevents my seeing them. my eyes are very bad. the most charming face i can no longer recognize.” she had understood, and heeded the warning. she wished now to conceal her joy in the vastness of paris.

vivian, to whom she had announced her departure, had asked her to remain a few days longer. but therese suspected that her friend was still shocked by the advice she had received one night in the lemon-decorated room; that, at least, she did not enjoy herself entirely in the familiarity of a confidante who disapproved of her choice, and whom the prince had represented to her as a coquette, and perhaps worse. the date of her departure had been fixed for may 5th.

the day shone brilliant, pure, and charming on the arno valley. therese, dreamy, saw from the terrace the immense morning rose placed in the blue cup of florence. she leaned forward to discover, at the foot of the flowery hills, the imperceptible point where she had known infinite joys. there the cemetery garden made a small, sombre spot near which she divined the via alfieri. she saw herself again in the room wherein, doubtless, she never would enter again. the hours there passed had for her the sadness of a dream. she felt her eyes becoming veiled, her knees weaken, and her soul shudder. it seemed to her that life was no longer in her, and that she had left it in that corner where she saw the black pines raise their immovable summits. she reproached herself for feeling anxiety without reason, when, on the contrary, she should be reassured and joyful. she knew she would meet jacques dechartre in paris. they would have liked to arrive there at the same time, or, rather, to go there together. they had thought it indispensable that he should remain three or four days longer in florence, but their meeting would not be retarded beyond that. they had appointed a rendezvous, and she rejoiced in the thought of it. she wore her love mingled with her being and running in her blood. still, a part of herself remained in the pavilion decorated with goats and nymphs a part of herself which never would return to her. in the full ardor of life, she was dying for things infinitely delicate and precious. she recalled that dechartre had said to her: “love likes charms. i gathered from the terrace the leaves of a tree that you had admired.” why had she not thought of taking a stone of the pavilion wherein she had forgotten the world?

a shout from pauline drew her from her thoughts. choulette, jumping from a bush, had suddenly kissed the maid, who was carrying overcoats and bags into the carriage. now he was running through the alleys, joyful, his ears standing out like horns. he bowed to the countess martin.

“i have, then, to say farewell to you, madame.”

he intended to remain in italy. a lady was calling him, he said: it was rome. he wanted to see the cardinals. one of them, whom people praised as an old man full of sense, would perhaps share the ideas of the socialist and revolutionary church. choulette had his aim: to plant on the ruins of an unjust and cruel civilization the cross of calvary, not dead and bare, but vivid, and with its flowery arms embracing the world. he was founding with that design an order and a newspaper. madame martin knew the order. the newspaper was to be sold for one cent, and to be written in rhythmic phrases. it was a newspaper to be sung. verse, simple, violent, or joyful, was the only language that suited the people. prose pleased only people whose intelligence was very subtle. he had seen anarchists in the taverns of the rue saint jacques. they spent their evenings reciting and listening to romances.

and he added:

“a newspaper which shall be at the same time a song-book will touch the soul of the people. people say i have genius. i do not know whether they are right. but it must be admitted that i have a practical mind.”

miss bell came down the steps, putting on her gloves:

“oh, darling, the city and the mountains and the sky wish you to lament your departure. they make themselves beautiful to-day in order to make you regret quitting them and desire to see them again.”

but choulette, whom the dryness of the tuscan climate tired, regretted green umbria and its humid sky. he recalled assisi. he said:

“there are woods and rocks, a fair sky and white clouds. i have walked there in the footsteps of good saint francis, and i transcribed his canticle to the sun in old french rhymes, simple and poor.”

madame martin said she would like to hear it. miss bell was already listening, and her face wore the fervent expression of an angel sculptured by mino.

choulette told them it was a rustic and artless work. the verses were not trying to be beautiful. they were simple, although uneven, for the sake of lightness. then, in a slow and monotonous voice, he recited the canticle.

“oh, monsieur choulette,” said miss bell, “this canticle goes up to heaven, like the hermit in the campo santo of pisa, whom some one saw going up the mountain that the goats liked. i will tell you. the old hermit went up, leaning on the staff of faith, and his step was unequal because the crutch, being on one side, gave one of his feet an advantage over the other. that is the reason why your verses are unequal. i have understood it.”

the poet accepted this praise, persuaded that he had unwittingly deserved it.

“you have faith, monsieur choulette,” said therese. “of what use is it to you if not to write beautiful verses?”

“faith serves me to commit sin, madame.”

“oh, we commit sins without that.”

madame marmet appeared, equipped for the journey, in the tranquil joy of returning to her pretty apartment, her little dog toby, her old friend lagrange, and to see again, after the etruscans of fiesole, the skeleton warrior who, among the bonbon boxes, looked out of the window.

miss bell escorted her friends to the station in her carriage.