far down the valley of the avenue the traffic lights wink in unison, green, yellow, red, changing their colours with well-drilled promptness. it is cold: a great wind flaps and tangles the flags; the tops of the buses are almost empty. that brisk april air seems somehow in key with the mood of the avenue—hard, plangent, glittering, intensely material. it is a proud, exultant, exhilarating street; it fills the mind with strange liveliness. a magnificent pomp of humanity—what a flux of lacquered motors, what a twinkling of spats along the pavements! on what other of the world's great highways would one find churches named for the material of which they are built?—the brick church, the marble church! it is not a street for loitering—there is an eager, ambitious humour in its blood; one walks fast, revolving schemes of worldly dominion. only on[pg 222] the terrace in front of the public library is there any temptation for tarrying and consideration. there one may pause and study the inscription—but above all things truth beareth away the victory ... of course the true eloquence of the words lies in the but. much reason for that but, implying a previous contradiction—on the avenue's part? sometimes, pacing vigorously in that river of lovely pride and fascination, one might have suspected that other things bore away the victory—spats, diamond necklaces, smoky blue furs nestling under lovely chins.... hullo! here is a sign, “headquarters of the save new york committee.” hum! save from what? there was a time when the great charm of new york lay in the fact that it didn't want to be saved. who is it that the lions in front of the public library remind us of? we have so often pondered. let's see: the long slanting brow, the head thrown back, the haughty and yet genial abstraction—to be sure, it's vachel lindsay!

we defy the most resolute philosopher to pass along the giddy, enticing, brilliant vanity of that superb promenade and not be just a little moved by worldly temptation.