As a novelist, Benjamin Disraeli belongs to the early part of the nineteenth century. “Vivian Grey” (1826-27) and “Sybil” (1845) mark the beginning and the end of his truly creative period; for the two productions of his latest years, “Lothair” (1870) and “Endymion” (1880), add nothing to the characteristics of his earlier volumes except the changes of feeling and power which accompany old age.

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