of the many ways, worthy or vile, honourable or ignoble, whereby men, as my excellent friend the prince de talmont has shown in his history, may rise to court favour, few, i think, are more curious than that by which fate led me. led me? the word is too soft, too gracious, too solicitous: fate kicked me, rather; for it was a vicious cuff of misfortune's contempt which made me a king's envoy; and a gentle stroke of the mercy of god which flung me back again to the humble obscurity of a simple gentleman.

but not without reward. and it is of that misfortune, that mercy, and that reward this story treats. god be thanked! the last was greater than the first, for love is a salve that heals all wounds the world over.

if the embassage committed to me by his late majesty finds no place in the admirable memoirs of the prince de talmont, better known it may be, as monsieur philip de commines, lord of argenton, it is because at my earnest solicitation he expunged the narrative from his records. these, in his earnest desire for accuracy, he had submitted to me for revision. but, deeply conscious of my own unskilfulness in such matters, i humbly pointed out, first, that the story did not redound to the credit or honour of the late king, his master. second, that the disclosure could not possibly gratify the son who so worthily fills his august father's throne; and, third, that monsieur de commines, having already known the cold shadows of banishment from regal favour, there was a danger—but doubtless the third reason moved him not at all. historians must be superior to considerations of private advantage.

but if these three reasons were insufficient to warrant the fearless historian to consent to such a suppression, i had yet more to urge. the inclusion of the details served no worthy purpose. no political result followed my mission, which was abortive for reasons i hope to make clear. france and navarre were neither of them a penny the better or the worse for it. why, then, stir up old ashes? many a conflagration has sprung from a fool's raking over of half dead embers, which, left to themselves, would have cooled to safety. stories that are to no man's credit are best let sleep.

that brings me to the final reason that i urged. perhaps it was the most instant of them all, and the one on which i laid the most stress, since a thorn in our own finger-tip troubles us more than a sword's thrust in our neighbour's ribs: it would give my enemies grounds for speaking ill of me. little or great, we all have gnats to bite us, and evil tongues are so many that if they burnt like fire the poor would have charcoal for nothing the winter through.

"there goes the man who stooped to such and such an infamy," they would say, wilfully ignoring—but that is the story.

why, then, do i give that to the world which i have successfully influenced monsieur de commines to suppress? just because of these same evil tongues. let no man dream that any act of his ever dies: good or bad, it is co-existent with his life, if not with the sun itself. what i had hoped was buried in the dust of the past, ghouls, infamous devourers of men's reputations, have disinterred, and for the sake of those who are to come after me the whole truth must be told. my children's love and reverence are more to me than all i possess, whether in flanders or navarre. partly i tell the tale myself, and partly it is told by another outside of myself, but whether it be gaspard de helville in person or that other who speaks, this i solemnly assert, both are alike true.