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The Long Goodbye 漫长的告别

chapter 12
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the letter was in the red and white birdhouse mailbox at the foot of my steps. a woodpecker on top of the box attached to the swing arm was raised and even at that i might not have looked inside because i never got mail at the house. but the woodpecker had lost the point of his beak quite recently. the wood was fresh broken. somesmart kid shooting off his atom gun. the letter had correo aéreo on it and, a flock of mexican stamps and writing that i might or might not have recognized if mexico hadn't been on my mind pretty constantly lately. i couldn't read the postmark. it was hand-stamped and the ink pad was pretty far gone. the letter was thick. i climbed my steps and sat down in the living room to read it. the evening seemed very silent. perhaps a letter from a dead man brings its own silence with it. it began without date and without preamble. i'm sitting beside a second-floor window in a room in a not too clean hotel in a town called otatoclán, a mountain town with a lake. there's a mailbox just below the window and when the mozo comes in with some coffee i've ordered he is going to mail the letter for me and hold it up so that i can see it before he puts it in the slot. when he does that he gets a hundred-peso note, which is a hell of a lot of money for him. why all the finagling? there's a swarthy character with pointed shoes and a dirty shirt outside the door watching it. he's waiting for something, i don't know what, but he won't let me out. it doesn't matter too much as long as the letter gets posted. i want you to have this money because i don't need it and the local gendarmerie would swipe it for sure. it is not intended to buy anything. call it an apology for making you so much trouble and a token of esteem for a pretty decent guy. i've done everything wrong as usual, but i still have the gun. my hunch is that you have probably made up your mind on a certain point. i might have killed her and perhaps i did, but i never could have done the other thing. that kind of brutality is not in my line. so something is very sour. but it doesn't matter, not in the least. the main thing now is to save an unnecessary and useless scandal. her father and her sister never did me any harm. they have their lives to live and i'm up to here in disgust with mine. sylvia didn't make a bum out of me, i was one already. i can't give you any very clean answer about why she married me. i suppose it was just a whim. at least she died young and beautiful. they say lust makes a man old, but keeps a woman young. they say a lot of nonsense. they say the rich can always protect themselves and that in their world it is always summer. i've lived with them and they are bored and lonely people. i have written a confession. i feel a little sick and more than a little scared. you read about these situations in books, but you don't read the truth. when it happens to you, when all you have left is the gun in your pocket, when you are cornered in a dirty little hotel in a strange country, and have only one way out—believe me, pal, there is nothing elevating or dramatic about it. it is just plain nasty and sordid and gray and grim. so forget it and me. but first drink a gimlet for me at victor's. and the next time you make coffee, pour me a cup and put some bourbon in it and light me a cigarette and put it beside the cup. and after that forget the whole thing. terry lennox over and out. and so goodbye. a knock at the door. i guess it will be the mozo with the coffee. if it isn't, there will be some shooting. i like mexicans, as a rule, but i don't like their jails. so long. terry that was all. i refolded the letter and put it back in the envelope. it had been the mozo with the coffee all right. otherwise i would never have had the letter. not with a portrait of madison in it. a portrait of madison is a $5000 bill. it lay in front of me green and crisp on the table top. i had never even seen one before. lots of people who work in banks haven't either. very likely characters like randy starr and menendez wear them for folding money. if you went to a bank and asked for one, they wouldn't have it. they'd have to get it for you from the federal reserve. it might take several days. there are only about a thousand of them in circulation in the whole u.s.a. mine had a nice glow around it. it created a little private sunshine all its own. i sat there and looked at it for a long time. at last i put it away in my letter case and went out to the kitchen to make that coffee. i did what he asked me to, sentimental or not. i poured two cups and added some bourbon to his and set it down on the side of the table where he had sat the morning i took him to the plane. i lit a cigarette for him and set it in an ash tray beside the cup. i watched the steam rise from the coffee and the thin thread of smoke rise from the cigarette. outside in the tecoma a bird was gassing around, talking to himself in low chirps, with an occasional brief flutter of wings. then the coffee didn't steam any more and the cigarette stopped smoking and was just a dead butt on the edge of an ash tray. i dropped it into the garbage can under the sink. i poured the coffee out and washed the cup and put it away. that was that. it didn't seem quite enough to do for five thousand dollars. i went to a late movie after a while. it meant nothing. i hardly saw what went on. it was just noise and big faces. when i got home again i set out a very dull ruy lopez and that didn't mean anything either. so i went to bed. but not to sleep. at three am i was walking the floor and listening to khachaturyan working in a tractor factory. he called it a violin concerto. i called it a loose fan belt and the hell with it. a white night for me is as rare as a fat postman. if it hadn't been for mr. howard spencer at the ritz-beverly i would have killed a bottle and knocked myself out. and the next time i saw a polite character drunk in a rolls royce silver wraith, i would depart rapidly in several directions. there is no trap so deadly as the trap you set for yourself.

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