that was the magic of it! ferrol had spoken to him. the conversation had been quite ordinary. "well, pride, i hope things are going all right?" and ferrol had nodded cheerfully and smiled as he passed into his room. perhaps, he had asked pride to come and see him.... it was not what ferrol said that mattered: it was the idea behind it—that ferrol knew and remembered his men individually.

out of the insensate tangle of machines and lives, high above the thunderous clamour of the printing-presses, the rolling of heavy vans stacked high with cylinders of paper, the ringing of telephone bells, the ticking and clicking and buzzing, floor above floor, of the great grey building in which they all lived, ferrol rises with his masterful personality and calm voice, carving the chaos of it all into discipline and order. he looms, in the imagination, powerful and omnipresent, making his desires felt in the far corners of the continents.

ferrol whispered, and berlin, vienna or san francisco gave him his needs. he was the brain and the heart of the body he had created, and his nerves and his arteries were spread over the earth. he placed his fingers on the pulse of mankind, and knew what was ailing—knew what it wanted, and found the specialist to attend to it.

[21]

his influence lay over the narrow street of tall buildings, urging men onwards and upwards with the gospel of great endeavour. some men, as their pagan ancestors worshipped the sun as the god of light, placed him on a pedestal in their hearts, and bowed down to him as the god of success, for the energy of his spirit was everywhere. if you searched behind the ponderous double octuple machines, rattling and thudding, and driving the work of their world forward, you would have found it there—the motive power of the whole. it lurked in the tap-tap of the telegraph transmitter, in the quick click of the type in the slots of the linotype machines as the aproned operators touched the keyboard; it was in the heart of the reporter groping through the day for facts, and writing them with the shadow of ferrol falling across the paper. the clerks in the counting-house, the advertising men, the grimy printers' boys in the basement, the type-setters and the block-makers on the top floors near the skylights, messengers, typists—they were all bricks in the edifice which was built up for the men who wrote the paper—the edifice of which ferrol was the keystone.

his enemies distorted the vision of him; they saw him, an inhuman, incredible monster, with neither soul nor heart, grimly eager for one end—the making of money. they wrote of him as an evil thing, brooding over sensationalism.... one must see him as tommy pride and all those who worked for him on the day saw him, eager, keen, and large-hearted, a wonderful blend of sentiment and business, torn, sometimes, between expediency and the hidden desires of his heart. one must see him reckless and, since he was only human, making mistakes, creating, destroying, living only for what the day brought forth....

[22]

the spirit of fleet street, itself.

like a silver thread woven into the texture of his character, in which good and evil were patterned as they are in most men, a streak of the sentimental was there, shining untarnished, a survival of his days of young romance. very few people knew of this trait; ferrol hugged it to himself secretly, as though it were a weakness of which he was ashamed. it came upon him at odd, unexpected moments when he was hemmed in by the gross materialism of every day, this passionate, sudden yearning for poetry and ideals. he would try to lift the latch of the door that had locked the world of beauty and art from him. swift desires would seize him to be carried away in his motor-car, as if it were a magic carpet, to some arcadia of dreaming shadows, with the sunlight splashing through the green roofs of the forests.

the sentimental in him would, at such times, find expression in many ways. he made extravagant gifts to people; he would take a sudden interest in the career of one man, and bring all that man's longings to realization by lifting him up and making his name. how glorious that power was to ferrol! the power of singling men out, finding the spark of genius that he could raise to a steady flame, fanning it with opportunity; he could make a man suddenly rich with a stroke of his pen; pack him off to arabia or south america and bid him write his best. sometimes they failed, because it was not in them to succeed, and ferrol was as merciless to failures as he was generous to those who won through.

the men he made!...

sometimes, when the waves of sentiment swept over him, he would try and materialize his ideals for a time.[23] he would commission a great poet to contribute to the day; he would open his columns to the cult of the beautiful, and then a grisly murder or a railway disaster would happen, crushing ferrol's sentiment. away with the ideal, for, after all, the world does not want it! three columns of the murder or the railway disaster, with photographs, leaders, special articles, all turning round the news itself. that was how it was done.

and now the fit was on ferrol as he sat in his room with the crimson carpet and the dark red walls, hung with contents bills of the day. he had been going over the morning letters with his secretary, listening to the applications for employment. he made a point of hearing them, now and again. there was one letter there that suddenly awoke his interest; the name touched a chord in his memory, a chord that responded with a low, tender note.... and, his mind marched back through the corridors of the past, until he came out upon the old, quiet, cathedral town of the days of his youth.

he saw himself, a slight, eager young man, long, long before his dreams of greatness came to pass, yet feeling in his heart that the plans he was making would be followed. a young ferrol plotting within himself to wrest spoils from the world, longing intolerably for power and the wealth that could give it. well did he know, even in those far-off days, that destiny was holding out her hands, laden with roses and prizes for him.... those were the days of the young heart; the days of nineteen and twenty, and the first love, scarce understood, that comes to us, mysterious and beautiful. he saw a very different ferrol then. the lip unshaven, that was now hidden with a bushy moustache turning grey; the hair, now also grey under the[24] touch of time, silky and black. he saw this boy walking the lanes that led out of easterham town, in the spring-time, with a girl at his side.

over the abyss of the years the boy beckoned to him, and ferrol looked back on a yesterday of thirty years. her name was margaret, and she was for him the beginning of things. from her he learned much of the tenderness of life, and the love of nature that had remained with him. he was a clerk in an auctioneer's office then, with most of his dreams still undreamt. he and margaret had been children together. they were children now, laughing, and walking over the fields with the spire of the cathedral, pointing like a finger to the skies, in the distant haze of the afternoon.

there was more purity in that first romance of his than in anything he had found in after years. oh! wonderful days of young unsullied hearts, and the white innocence of life. the memory of evenings came to him, of kisses in the starlight, when incomprehensible emotions surged through him, vague imaginings of what life must really be, and the torture of unrest, of something that he did not understand. her eyes were tearful, and yet she smiled, and at her smile they both laughed. and so the spell was broken, and they trudged, side by side, homeward in the silent night.

she inspired him, and in that, perhaps, she fulfilled her destiny. she sowed the seeds of ambition in his soul: he would dare anything for her, yea, reach his hand upwards, and pluck the very stars from heaven to lay at her feet. and, very gradually, a dreadful nausea of easterham came over him. his desk was by the window that looked upon the high street: he almost remembered, now, the day when it first dawned on him that the place was no longer tolerable. it was[25] mid-day and the heat quivered above the cobble-stones: two dogs were fighting with jarring yelps that could be heard all down the street; the baker's cart went by with an empty rattle, and miss martin of willow hall drove in as usual to the bank next door. an old man was herding a flock of sheep towards the market-place, and the sheep-dog ran this way and that way, barking as he ran. three sandwich-men, grotesquely hidden in boards, slouched past in frayed clothes and battered hats, with pipes in their mouths. he read their boards mechanically.... "sale at wilcox's.... ladies' undergarments.... ribbons." he had read the same thing every day in the week; he had looked out upon the same scene, every day, it seemed; the dogs had been quarrelling eternally, the shepherd passed and repassed like a never-ending silent dream; grocer, and baker, and banker, and hargrave, the farmer ... there he was again touching his hat to miss martin as she stepped from her trap.... o god! the heavy monotony of it all fell like a weight on his heart.

the nostalgia grew. the chimes of the cathedral lost their music, the stillness of the town became more unbearable than the turmoil and clatter of cities. there was something to be wrought for and fought for in the world outside. this was not life; this was a mausoleum!

the arguments with his father—his mother was dead—and the long time it took to persuade him.... the parting with margaret, and the whispered vows and promises, spoken breathlessly from their earnest young hearts. it seemed they could never be broken.

he came to london. it was in the late seventies, at the beginning of the spread of education that has resulted in the amazing flood of periodicals: it was a[26] flood that led ferrol on to fortune. his scope widened; he grew in his outlook, and saw that here was a way to power indeed. he shone like a new star over london, gathering lesser lights around him, developing that marvellous power of organization, that astonishing personality that drew men to him, until he seized his opportunity and bought the moribund day when it was a penny paper on its last legs. in ten years' time he had become wealthy and powerful, and since then he had gone on and on until no triumph was denied him.

and margaret...? the years passed, and with the passing of time, they both developed. that young love, once so irrefrangible, grew warped and misshapen, until it finally snapped. there was no quarrel; neither could reproach the other; they simply grew out of their love, as so many young people do. there was a correspondence for a time, but it slackened and presently ceased altogether. she must have felt her hold loosening on ferrol, as with a thousand new interests he came upon the wide horizon of life. she must have noticed this in his letters, and instead of seeking to bind him to her against his will, she just let him go. and ferrol must have weighed the impossibility of asking her to marry him at this point of his career, when he was striving and struggling upwards; not all men travel the fastest when they travel alone, but ferrol was one of those who could run no risk of being delayed. they had none of the pang of parting ... but years afterwards, when ferrol was a childless widower (for he married when he was thirty-five, and walked behind his wife's coffin two years afterwards), he wondered what had become of margaret, and always he cherished that memory of his one romance that had tapered away out of his life. he could never forget the sweet simplicity[27] of margaret's face, the tears on her eyelashes, and the yielding softness of her youth when he pressed her to his heart and lips with wonderful thoughts quivering through his soul.

he remembered one day in his life, a few years after the death of his wife, when a wild desire had seized him to handle his past again, as an antiquarian turns over his treasures and rejoices in some ancient relic. it was a day in summer, when the heat was heavy over london, and the city smelt of hot asphalt and tar: without a word to anybody he had left his work and taken the train, back to easterham and his youth.

the old familiar landmarks rose up before him, bringing a strange feeling of age to him. so much had happened in the interval that it seemed that year upon year had piled up a wall before him, separating him for evermore from this old world that had been. the ivy still clung to the castellated walls of the cathedral close; the clock chimed as he went by, just as he had heard it chime in the long days that were gone. the very rooks seemed unchanged as they clamoured huskily in the old beeches.

and yet, with it all, there was something different, and he knew that the difference lay not so much with the place as with himself. his entire perception had altered. he saw things through eyes that had grown older. the high street, with its brooding air of stillness, that had once seemed so stale and intolerable to him, now appealed to him with its wondrous peace, a magical spot far away from the turmoil of things. there were the same names over the grocers' and the drapers' and the ironmongers' shops, but old matthew bethell's quaint bookshop had gone, and in its place there stood a large green, flat-fronted establishment,[28] with an open window stacked high with magazines and newspapers, and a great poster above it, thus:

the day.

one halfpenny

howard

slander

case.

full report.

the sentimental in him winced, but the material business man glowed with pride as he saw the great poster, proclaiming the day paramount over its rivals. there was always a conflict between the two men that made up that complex personality known as ferrol. he went to the house where he had once lived; his father was dead now, and as he looked up at the open window and saw a strange woman doing some needle-work, it seemed to him as if the people that were living there had laid sacrilegious hands upon the holy fragrance of the past; as if their prying eyes had peered into all the hidden secrets that belonged to him. he turned away resentfully towards the old inn, the red lion, whose proprietor, old hamblin, remembered him from other days when he revealed himself, and was inclined to be overcome with the importance of the visit, until ferrol put him at his ease. they chatted together, the[29] old man, with his back to the fireplace, coat-tails lifted from habit, for the grate was empty on this hot day, ferrol sitting astride a chair, watching the blue stream of smoke that came from hamblin's lips as he puffed at his long white churchwarden.... hamblin must have stood like that during all the years that ferrol had been in london. the only change that came to the people of easterham was death.

they talked of people they had known, and so the talk came naturally to margaret. he listened unmoved to the news of her marriage, and found that nothing more than conventional phrases came from his lips when hamblin told him of her death. somehow, it seemed to him so natural. he had been away seventeen years, and easterham had lost its hold upon him now. the death of his father ... the new face at the window of their house.... the death of margaret seemed to come as a natural sequence to things.

hamblin went on talking about people. "she married mr quain, one of the college schoolmasters.... i expect he was after your time ... a good deal older than you, mr ferrol.... they had one child, a boy ... living with his aunt now. all her people left easterham years ago...." and so on.

it was in the afternoon that ferrol came back to london, feeling that he had been prodding at wet moss-grown stones in some old decayed ruin, turning them over to see what he could find, and having them crumble apart in his hands. he never went back again.

that was thirteen years ago. ferrol's memories ended abruptly. he touched a button, and a young man, with a shiny, pink face and fair hair parted in the middle, came in with a notebook and pencil in his hand. he looked as if he spent every moment of his[30] spare time in washing his face. there was a quiet, nervous air about him—the air of one who is never certain of what is going to happen next. ferrol's abrupt sentences always unnerved him.

"trinder," he said, "there was a letter among the lot to-day. quain. written on easterham gazette notepaper. asking for editorial employment."

"yes, sir." trinder had long ceased to marvel at ferrol's memory for details.

"write to him the usual letter asking him to call. wednesday at twelve."

trinder made a note and withdrew.

ferrol wondered what margaret's boy was like.