a great satisfaction to his vanity was added to the numerous other reasons gallardo had for being proud of his person.

when he spoke with the marquis de moraima he regarded him with an almost filial affection. that gentleman, dressed as a countryman, a rough centaur with "zajones" and a strong garrocha, was an illustrious personage, who could cover his breast with ribbons and crosses, and in the king's palace wore an embroidered coat, with a gold key sewn on to one flap. his remote ancestors had come to seville with that monarch who had expelled the moors, and had received as reward for their great exploits, immense territories wrested from the enemy, the remains of which were those vast plains on which the marquis now reared his cattle. and this great nobleman, frank and generous, who preserved, notwithstanding the simplicity of his country life, the distinction of his illustrious ancestry, was looked upon by gallardo as in some sort a near relation.

the cobbler's son was just as proud as if he had in reality become a member of the marquis's family. the marquis de moraima was his uncle, and though he could neither announce it publicly, nor was the relationship legitimate, he consoled himself by thinking of the ascendency he exercised over one female of the family, thanks to a love which seemed to laugh at all prejudices of rank.

all those gentlemen who up to now had treated him with the rather disdainful familiarity with which the[pg 149] patrons of the sport of rank treat toreros, were now in some sort his cousins, and he began to treat them as equals.

his life and habits had completely changed. he seldom entered the cafés in the calle de las sierpes, where most of the amateurs assembled. they were good sort of people, simple and enthusiastic, but of little importance; small tradesmen, workmen who had become employers, small clerks, nondescripts without profession, who lived miraculously by strange expedients, apparently having no other business than to talk of bulls.

gallardo passed by the windows of these cafés, saluting his admirers, who waved frantically to him to come in. "i will return presently"; he, however, did not return, he went further up the street to a very aristocratic club, decorated in the gothic style, where the servants wore knee breeches, and the tables were covered with silver plate.

the son of se?ora angustias could not repress a feeling of pride each time he passed through the rows of servants drawn up on either side like soldiers, or when a major-domo, with a silver chain round his neck, came to take his hat and stick. in one room fencing was practised, in another they gambled from the early hours of the afternoon till dawn. the members tolerated gallardo because he was a "decent" torero, who spent a good deal of money, and had powerful friends.

"he is very well educated," said the members gravely, realizing that he knew just about as much as they did.

the sympathetic personality of his well-connected manager, don josé, served the torero as a guarantee in his new existence. besides, gallardo, with the cunning of a former street urchin, knew how to make himself popular with this brilliant set, among whom he met "relations" by the dozen.

[pg 150]

he played heavily. it was the best way of drawing closer to his new friends. he played and lost, with the proverbial ill-luck of a man fortunate in other undertakings, and his ill-luck became a matter of pride to the club.

"gallardo was cleared out last night," said the members proudly. "he must have lost at least eleven thousand pesetas."

the calmness with which he lost his money made his new friends respect him, but the new passion soon grew upon him, even to the point of making him sometimes forget his great lady. to play with all the best in seville! to find himself treated as an equal by these gentlemen! thanks to the fraternity established by loans of money and common emotions!

one night a large lamp suddenly crashed down on to the green table. there was sudden darkness and wild confusion, but the imperious voice of gallardo rang out:

"calm yourselves, gentlemen. nothing much has happened. let the game go on. they are bringing candles."

and the game went on, his companions admiring him even more for his energetic speech, than for the way in which he killed his bulls.

the manager's friends questioned him as to gallardo's losses. surely he would ruin himself: everything he earned by bull-fighting he lost by gambling. but don josé smiled disdainfully.

"this year we had more corridas than anyone else. we shall become tired of killing bulls and piling up money.... let the lad enjoy himself. he works for this and is what he is ... the first man in the world."

in his new existence gallardo not only frequented this club, but some afternoons he went to the "forty-five," which was a kind of senate of tauromachia. the toreros[pg 151] as a rule did not gain easy access to its precincts, for their absence admitted of the fathers of the "sport" giving free vent to their various opinions.

during the spring and summer the members met in the vestibule, and overflowed into the street, sitting on cane chairs, waiting for telegrams about the different corridas. they believed very little in the opinions of the press; besides it was necessary for them to have the news before it got into the papers.

it was an occupation that filled them with pride and elevated them above their fellow mortals, to sit quietly at the door of their club breathing the fresh air and knowing exactly, without interested exaggerations, what had happened that afternoon in the corrida of bilbao, coru?a, barcelona, or valencia; how many ears one matador had received, how another one had been hissed, while their fellow-townsmen remained in complete ignorance, waiting about the streets till the evening papers were published. when there was "hule" and a telegram came announcing the terrible wounds of some native torero their feelings and their patriotic solidarity softened them sufficiently to admit of their imparting the momentous secret to some passing friend. the news flew instantaneously through the cafés in the calle de las sierpes, and no one could doubt it for an instant, for was it not a telegram received by the "forty-five"?

gallardo's manager, with his aggressive and noisy enthusiasm, rather disturbed the social gravity. they endured it as he was an old friend, and ended by laughing at his flights. but it was impossible for sensible men to discuss the merits of the various toreros quietly with don josé. often when they alluded to gallardo as "a very brave fellow, but without much art" they would look timorously towards the door.

[pg 152]

"hush! pepe[85] is coming," and pepe would enter waving a telegram above his head.

"is that news from santander?"... "yes! here it is: gallardo, two estocades ... two bulls ... and the ear of the second. just what i said! the first man in the world."

the telegrams to the "forty-five" often differed, but don josé would pass it over with a gesture of contempt, breaking out into noisy protests.

"lies! all envy! my wire is the true one. what is in yours is only envy because 'my lad' has lowered so many chignons."

all the members laughed at don josé, lifting a finger to their foreheads and joking about the first man in the world, and his kind manager.

little by little gallardo had succeeded, as an unheard-of privilege, in introducing himself into this society. the torero would come at first under pretext of looking for his manager, and ended by sitting down among the gentlemen, although there were many who were no friends to him and who had chosen other matadors from among his rivals.

the decoration of the house, according to don josé, was full of "character." the lower part of the walls were covered with moorish tiles, and on the immaculately white walls hung announcements of ancient corridas, stuffed bulls' heads, of animals celebrated either for the number of horses they had killed, or for having wounded some celebrated torero; together with procession capes and rapiers presented by espadas who had "cut off their pigtails" and retired from the profession.

servants in dress coats served the gentlemen in their country clothes, or possibly in their shirt sleeves, during the hot summer evenings. during the holy week and[pg 153] other great holidays in seville, when illustrious enthusiasts from every part of spain came and paid their respects to the "forty-five," the servants wore knee breeches and powdered wigs, donned the royal livery of red and yellow, and dressed thus, like servants of the royal household, handed glasses of manzanilla to these wealthy gentlemen, many of whom had even dispensed with their ties.

in the evenings when the doyen, the illustrious marquis de moraima, came in, the members in big arm-chairs formed a circle round him, and the famous breeder in a chair higher than the others presided over the conversation. for the most part they began by talking of the weather. most of them were great breeders or wealthy landed proprietors, whose living depended on the necessities of the earth, and the variations of the weather. the marquis explained the observations that his wisdom had gathered, during interminable rides over the lonely andalusian plains, so immense and solitary, with wide horizons, like the sea, on which the bulls, slowly moving among the waves of verdure, seemed like basking sharks. he could generally see some piece of paper blown about the street which served as a basis to his predictions. the drought, that cruel scourge of the andalusian plains, gave them conversation for a whole afternoon, and when after weeks of anxious expectation the overcast sky would discharge a few big hot drops, the great country gentlemen would smile, rubbing their hands, and the marquis would say sententiously, as he looked at the great round splashes on the pavement:

"glory be to god!... each drop of this is worth a five duro piece."

when they were not anxious about the weather, cattle was the subject of their conversation, and especially bulls, of whom they spoke tenderly, almost as if there[pg 154] were some relationship between them. the other breeders listened with deference to the marquis's opinions, on account of the advantage given him by his large fortune. the simple "aficionados" who never left the town admired his skill in producing fierce animals. what this man knew!... he himself, as he spoke of the extreme care required by the bulls, seemed quite convinced of the importance of his occupation. out of ten calves, at least eight or nine were fit only for the butcher, after they had been tried to judge of their fierceness. only one or two who had shown themselves brave and ready to charge against the iron of the garrocha were judged fit to pass as fighting animals; thenceforward these lived apart, with every sort of care. and what care!

"a breeding establishment of wild bulls ought not to be a business," said the marquis. "it is an expensive luxury. it is true we are paid four or five times as much for a fighting bull as for the others, but then, see what it costs to rear!"

they must be watched constantly, their food and water considered, moved from one place to another, according to variations of temperature, in fact every bull costs more than the maintenance of a family, and when at last they were brought to the highest pitch, they had still to be carefully watched up to the last moment, in order that they should not disgrace themselves in the circus, but be fit to do honour to the badge of the herd which hung round their necks.

in certain plazas the marquis had even fought with the managers and the authorities, refusing to hand over his animals, because a band was stationed just over the bulls' entrance. the noise of the instruments bewildered the noble animals, robbing them of their bravery and their calmness as they entered the plaza.

[pg 155]

"they are just like us," said he tenderly, "they only want speech. how can i say like us? many are worth more than any of us."

and he spoke of lobito,[86] the old head of the herd, swearing he would not sell him if he were offered all seville, with the giralda thrown in. as soon as the marquis, galloping across the vast plains, came in sight of the herd to which this treasure belonged, he would instantly respond to the call of "lobito."... and leaving his companions would come to meet the marquis, rubbing his muzzle against the rider's boots, and this although he was an immensely powerful animal and the terror of the rest of the herd. then the breeder would dismount, and search in his saddle bags for a piece of chocolate to give to lobito, who would gratefully shake his head, armed with those immense horns. then with one arm round the bull's neck the marquis would calmly walk in among the herd of bulls, made restless and fierce by a man's presence. there was no danger. lobito walked like a dog, covering his master with his body, looking all around him, and imposing respect on his companions with his fiery eyes. if any one, more venturesome than his comrades, approached to sniff the intruder they met with lobito's threatening horns. if several of them with heavy playfulness joined to bar his way, lobito would stretch out his armed head and force them to make way.

when the marquis related the great deeds of some of the animals reared on his pastures his white whiskers and his shaven lips would tremble with emotion.

"a bull!... he is the noblest animal in the world. if only men were more like him things would go on better in the world. there you have a portrait of poor coronel. do any of you remember that jewel?"

[pg 156]

as he spoke he pointed to a large photograph finely framed, representing himself, much younger, in peasant dress, surrounded by little girls in white, who seemed to be seated in the midst of a meadow, on a black mound, at one end of which appeared a pair of horns. this dark and shapeless bank was coronel. of enormous size and very fierce to his comrades in the herd, this beast showed the most affectionate gentleness to his master and his family. he was like one of those mastiffs who are so fierce to strangers, but who let the children of the family pull their ears and tail, and receive all their teazing with grunts of pleasure. the little girls were the marquis's daughters; the beast would sniff at their little white dresses, while they half frightened at first, clung to their father's legs, but would suddenly with childish confidence rub his muzzle. "lie down, coronel," and coronel would lie down with his feet doubled beneath him, while the children sat on his broad back heaving with his heavy breathing.

one day, after much hesitation, the marquis sold him to the plaza in pampeluna, and went himself to assist at the corrida. de moraima was deeply moved and his eyes were dim as he recalled the occurrence. never in his life had he seen a bull like that one. he rushed gallantly into the arena, though rather dazed at first by the sudden light after the darkness of his stall and the roars of thousands of people. but directly a picador pricked him, he seemed to fill the whole plaza with his magnificent onslaughts.

soon, there were neither men nor horses nor anything else left! in a moment all the horses were down and their riders tossed in the air. the peons ran, and the arena was in disarray, as if a branding[87] had been going[pg 157] on. the audience clamoured for more horses, while coronel stood in the middle of the plaza waiting to turn and rend anyone who came out against him. the slightest invitation was sufficient to make him attack, no one had ever seen anything like him for nobility and power, rushing in to his charge with a grandeur and a dash which drove the populace mad. when the death signal sounded, he had fourteen wounds in him and a complete set of banderillas, yet he was as fresh and as brave as if he had never left his pasture. then....

when the breeder reached this point he always stopped to steady his shaking voice.

then ... the marquis de moraima, who was in a box, found himself, he knew not how, behind the barrier, among the excited servants of the plaza and close to the matador, who was slowly rolling up his muleta, as though he wished to put off the moment when he should have to meet so formidable an enemy. "coronel!" ... shouted the marquis, throwing his body half over the barrier and striking the woodwork with his hands.

the animal did not move, but he raised his head, as though these shouts reminded him of the pastures he might never see again. "coronel!"... till, turning his head he saw a man leaning over the barrier calling him, and rushed straight to attack him. but he stopped half way in his wild rush, then came on slowly till he rubbed his horns against the arms stretched out to him. he came with his chest splashed with the streams of blood from the darts fixed in his neck, and his skin torn by the wounds which showed the blue muscles beneath.... "coronel! my son!..." and the bull, as if he understood these tender words, raised his muzzle and rubbed the breeder's white whiskers. "why have you brought me here?" his fierce blood-shot eyes seemed[pg 158] to say; and the marquis, no longer knowing what he did, kissed the beast's nostrils, wet with his furious snorting, again and again.

"do not kill him!" some kind soul shouted from the seats, and as though these words reflected the thoughts of the whole audience, an explosion of voices shook the plaza, and thousands of handkerchiefs waved like white doves. "do not kill him!" and at that moment the crowd, seized with a vague tenderness, despised their own amusement, abhorred the torero in his showy dress with his useless heroism, and admired the bravery of the brute, to whom they felt themselves inferior; and recognised that among those thousands of reasoning beings, nobility and affection were alone represented by this poor animal.

"i took him away," said the marquis, almost sobbing. "i returned the manager his two thousand pesetas. i would have given him my whole fortune. after a month on the pasture there was not the vestige of a scar on his neck.... i should have wished him to die of old age, but it is not always the good who prosper in this world. a sulky bull, who would not have dared to look him in the face, killed him treacherously with a blow of his horn."

the marquis and his fellow-breeders soon forgot their tender sympathy for the animals in the pride they felt at their fierceness. you should have seen the contempt with which they spoke of the enemies of bull-fighting, and of those who clamoured against this art in the name of the protection of animals.

"follies of foreigners," "ignorant errors," which confound a butcher's ox with a fighting bull! the spanish bull is a wild animal: the bravest wild beast in the world. and he recalled several fights between bulls and felines,[pg 159] which had always ended triumphantly for the national beast.

the marquis laughed as he remembered another of his animals. a fight was arranged in a certain plaza between a bull, and a lion and a tiger belonging to a celebrated tamer. the breeder sent barrabas, a vicious animal, which had to be kept apart at the farm, because he had fought with and killed several of his companions.

"i saw this myself," said the marquis. "there was a huge iron cage in the middle of the circus and inside it was barrabas. they loosed the lion first, and this accursed feline, taking advantage of a bull being unsuspicious, sprung upon his hind quarters and began to tear him with teeth and claws. barrabas bounded furiously in order to dislodge him and get him within reach of the horns, which are his defence. at last he succeeded in throwing the lion in front of him and then ... caballeros! it was just like a game of ball!... he tossed him from one horn to another, shaking him like a marionette, till at last, as if he despised him, he threw him on one side, and there lay the so-called king of animals, rolled into a ball, and lying like a cat who has just been beaten.... the second affair was much shorter. as soon as the tiger appeared barrabas caught him, tossed him in the air, and after shaking him well, threw him into the corner like the other.... then barrabas, being an evil-minded beast, trotted up and down, with every indecent display of triumph over his fallen foes."

these anecdotes always drew shouts of laughter from the "forty-five." the spanish bull!... the finest wild animal!... it seemed as if the arrogant bravery of the national animal established the superiority of the country and the race over all others.

when gallardo began to frequent the club, a fresh[pg 160] topic of conversation had arisen to interrupt the endless talk of bulls and field work.

the "forty-five," like every one else in seville, were talking of the exploits of plumitas, a brigand, celebrated for his audacity, to whom the useless efforts of his pursuers daily gave fresh fame. the papers spoke of his kindly disposition, as if he were a national personage. the government, who were questioned in the cortes, promised a speedy capture, which was never realized. the civil guard were concentrated, and a perfect army was mobilized to follow and catch him, while plumitas, always alone, with no other help but his carbine and his horse, slipped through those who were following him like a ghost; he would turn on them, when they were few in numbers, and stretch many lifeless, but he was reverenced and helped by all the poor peasantry, wretched slaves of the enormous landed interest, who looked upon the bandit as the avenger of the starving, a just but cruel justiciary, after the fashion of the ancient armour-clad knights errant. he exacted money from the rich, and then with the manner of an actor before an immense audience, he would assist some poor old woman, or some labourer with a large family. these generosities were greatly exaggerated by the gossip of the rural population, who always had the name of plumitas on their lips, but who became both blind and dumb when any enquiries were made by the government soldiers.

he went from one province to another like one perfectly acquainted with the country, and the landed proprietors of seville and cordova contributed largely to his support.... whole weeks passed and nothing would be heard of him, then suddenly he would appear in some farm or village, utterly regardless of danger.

they had direct news of him in the "forty-five," precisely as if he had been a matador.

[pg 161]

"plumitas was at my farm the day before yesterday," a rich farmer would say. "the overseer gave him thirty duros, and he went away after breakfasting."

they paid this contribution contentedly, and gave no information except to friends. giving information meant making declarations, and every sort of annoyance. and for what? the civil guard sought him without success, and had he become incensed against the informers, their goods and property would have been at his mercy, without any protection whatever from his vengeance.

the marquis spoke of plumitas and his exploits without being in the least scandalized by them, and treated them as though they were a natural and inevitable calamity.

"they are poor fellows who have had some misfortune, and have taken to the road. my father (who rests in peace) knew the famous josé maria, and had twice breakfasted with him. i have run against several of lesser fame, who went about the neighbourhood doing evil deeds. they are just the same as bulls, noble and simple creatures. they only attack when goaded, and their evil deeds increase with punishment."

he had given orders to all the overseers at his farms and in all his shepherds' hovels to give plumitas whatever he asked for; consequently, as the overseers and cowherds related, the bandit, with the respect of a country peasant for a kind and generous master, spoke of him with the greatest gratitude, offering to kill anyone who offended the "zeno marque" in the very slightest degree. poor fellow! for the wretched little sums which he demanded, when he made his appearance, wearied and starving, it was not worth while drawing down on oneself his anger and revenge.

the breeder, who was constantly galloping alone over[pg 162] the plains where his bulls grazed, suspected that he had several times come across plumitas. he was probably one of those poor-looking horsemen whom he met in the solitary plains without so much as a village on the horizon, who would raise his hand to his greasy sombrero, and say with respectful civility:

"go with god, zeno marque."

the lord of moraima, when he spoke of plumitas, looked often at gallardo, who declaimed with the vehemence of a novice, against the authorities for being unable to protect property.

"some fine day he will turn up at la rincona, my lad," said the marquis, with his grave andalusian drawl.

"curse him!... but that would not please me, zeno marque! god alive! is it for this i pay such heavy taxes?"

no, indeed. it would not please him to run against the bandit during his excursions at la rinconada. he was a brave man killing bulls, and in a plaza regardless of his own life; but this profession of killing men inspired him with all the uneasiness of the unknown.

his family were at the farm. se?ora angustias enjoyed a country life, after the miseries of an existence spent in town hovels. carmen also enjoyed it, and the saddler's children required a change, so gallardo had sent his family to la rincona, promising soon to join them. he, however, postponed the journey by every sort of pretext, living a bachelor's life (with no other companion than garabato), which left him complete liberty as to his relations with do?a sol.

he thought this the happiest time of his life, and he often quite forgot la rinconada and its inhabitants.

he and do?a sol rode together, mounted on spirited horses, dressed much the same as on the day when they first met, generally alone, but sometimes with don josé,[pg 163] whose presence was a sop to people's scandalized feelings. they would go to see bulls in the pastures round seville, or to try calves at the marquis's dairies, and do?a sol, always eager for danger, was delighted when, as he felt the prick of the garrocha, a young bull would turn and attack her, and gallardo had to come to her assistance.

at other times they would go to the station of empalme, if a boxing of bulls was announced for the different plazas which were giving special corridas at the end of the winter.

do?a sol examined this place, which was the most important centre of exportation of the taurine industry, with great interest. there were large enclosures alongside the railway siding, and dozens of huge boxes on wheels with movable doors. the bulls who were to be entrained, arrived, galloping along a dusty road edged with barbed wire. many came from distant provinces, but on getting close to empalme they were sent on with a rush, in order to get them into the enclosures with greater ease.

in front galloped the overseers and shepherds with their lances on their shoulders, and behind them the prudent "cabestros" covering the men with their huge horns. after these came the fighting bulls, well rounded up by tame bulls who prevented them straying from the road, and followed by strong cowherds ready to sling a stone at any wandering pair of horns.

arrived at the enclosures the foremost riders drew to either side, leaving the gateway open, and the whole herd, an avalanche of dust, pawings, snortings and bells, rushed in like an overwhelming torrent and the gate was immediately closed after the last animal.

they tore through the first enclosure without noticing that they were trapped, the "cabestros," taught by [pg 164]experience and obedient to the shepherds, stood aside to let them pass into the second, where the herd only stopped on finding a blank wall before them.

now the boxing began. one by one they were driven, by shouts, waving cloths, and blows from garrochas, into a narrow lane, at the end of which stood the travelling box, with both its side doors lowered. it looked like a small tunnel, through which the brutes could see a field beyond, with animals quietly grazing. the suspicious bulls guessed some danger in this small tunnel, and had to be driven on by clappings and whistlings and pricks. finally they would make a dash for the quiet pasture beyond, making the sloping platform leading to the box shake as they rushed up it, but as soon as they had mounted this, the door in front of them was suddenly closed, and then equally quickly the one behind, and the bull was caught in a cage where he could only just stand up or lie down comfortably. the box was then wheeled into the railway, and another one took its place, till all the herd were successfully entrained.

when the first intoxication of gallardo's good fortune had passed off, he looked at do?a sol with the utmost astonishment, wondering in the hours of their greatest intimacy if all great ladies were like this one. the caprices and fickleness of her character bewildered him. he had never dared to address her as "tu," indeed she had never invited him to such a familiarity, and on the one occasion when with slow and hesitating tongue he had attempted it, he had seen in her golden eyes such a gleam of anger and surprise, that he had drawn back ashamed, and had returned to the former mode of speech.

she, on the other hand, spoke to him as "tu," but only in the hours of privacy. if she had to write to him asking him not to come, or saying she was going out[pg 165] with her relations, she always used the ceremonious "uste" and there were no expressions of affection, only the cold courtesies that might be written to a friend of an inferior class.

"oh! that gachi," murmured gallardo, disheartened; "it seems as if she had always lived with rascals who showed her letters to every one. one would think she cannot believe me to be a gentleman because i am a matador."

some of her eccentricities left the torero frowning and sad. sometimes on going to the house one of the magnificent servants would coldly bar his way. "the se?ora was not at home," or "the se?ora had gone out," and he knew that it was a lie, feeling the presence of do?a sol a short distance from him, the other side of the curtained doors.

"the fuel is spent!" said the espada to himself, "i will not return. that gachi shall not laugh at me."

but when he did return, she received him with open arms, clasping him close in her firm white hands, with her eyes wide open and vague, and a strange light in them which seemed to speak of mental derangement.

"why do you perfume yourself?" she said, as if she perceived the most unpleasant smells. "it is unworthy of you. i should like you to smell of bulls, of horses. those are fine scents! don't you love them? say yes, juanin, my animal."

one night in the soft twilight of do?a sol's bedroom, gallardo felt something very like fear, hearing her speak, and watching her eyes.

"i should like to run on all fours. i should like to be a bull, and that you should stand before me rapier in hand. fine gorings i would give you! here ... and here!"

and with her clenched fist, to which her excitement[pg 166] gave fresh strength, she planted several blows on the matador's chest only covered by his thin silk vest. gallardo drew back, not wishing to admit that a woman could possibly hurt him.

"no, not a bull. i should like to be a dog ... a shepherd's dog ... one of those with long fangs, to come out and bark at you. do you see that fine fellow who kills bulls, and who the public say is so brave? well, i shall bite him. i shall bite him like this! aaaam!"

and with hysterical delight she fixed her teeth in the matador's arm, punishing his swelling biceps. exasperated by the pain the matador swore a big oath, shaking the beautiful half-dressed woman from him, whose snake-like golden hair stood up round her head like that of a drunken bacchante.

do?a sol seemed suddenly to awake.

"poor fellow! i have hurt you. and it was i!... i who am sometimes mad! let me kiss the bite to cure it. let me kiss all your glorious scars. my poor little brute, it made you cry out!"

and the beautiful fury suddenly became tender and gentle, purring round the torero like a kitten.

one evening, finding her inclined to be confidential, and feeling some curiosity as to her past, he questioned her as to the kings and other great personages, whom report said had crossed her path.

with a cold stare in her eyes she replied to his curiosity:

"what does it matter to you? are you by any chance jealous?... and if it were true ... what then?"

she remained silent a long while, with a strange look in her eyes, the look of madness, which was always accompanied by extravagant thoughts.

"you must have struck many women," she said, looking at him curiously; "do not deny it, it interests me[pg 167] greatly! no, not your wife, i know she is very good, but all those that toreros mix with; women who love better when they are beaten. no? say truly, have you never struck any one?"

gallardo protested with the dignity of a brave man, incapable of hurting those weaker than himself. do?a sol showed a certain disbelief in his asseverations.

"one day you will have to beat me.... i should like to know what it is" ... she said resolutely....

but her expression darkened, she frowned, and a steely gleam lit up the golden light in her eyes.

"no, my brute, pay no attention to me, and do not attempt it. you would be the loser."

the advice was just, and gallardo had cause to remember it. one day, in a moment of intimacy, a somewhat rough caress from his fighting hand was enough to rouse this woman's fury, who was attracted by the man, and yet hated him at the same time.

"take that." and with a fist as hard as a club she gave him a blow on the jaw from below upwards with a precision, which seemed inspired by a knowledge of the rules of boxing.

gallardo remained bewildered by pain and shame, while the lady, as if she suddenly realized her unprovoked aggression, endeavoured to justify herself with cold hostility.

"it is to teach you better. i know what you toreros are. if i were to let myself be trampled on once, for ever after you would shake me like a gipsy of triana. i am glad i did it. you must keep your distance."

one evening in early spring, they were returning from a trial of calves at one of the farms belonging to the marquis, who with some other friends was riding home along the road.

do?a sol, followed by the espada, turned her horse[pg 168] into the fields, delighting in the soft sward under their hoofs, which at this season was carpeted with spring flowers.

the setting sun dyed everything with crimson, lengthening indefinitely the shadows of the riders with their long lances over their shoulders, and the broad river half hidden among the vegetation rolled along one side of the meadows.

do?a sol looked at gallardo with imperious eyes.

"put your arm round my waist."

the espada obeyed, and so they rode on, their horses close together, the woman watching their shadows thrown as one by the setting sun on the grass.

"it seems as though we were living in another world," she murmured,—"a legendary world, something like one sees on the tapestries, the loving knight and the amazon travelling together, their lances on their shoulders in search of adventures and dangers. but you do not understand all this—dunce of my heart. answer truly, you do not understand me?"

the torero smiled, showing his beautiful strong teeth of luminous whiteness. she, as if attracted by his rough ignorance, drew closer to him, laying her head on his shoulder, shivering as she felt his breath on the back of her neck.

they rode on in silence. do?a sol seemed to have fallen asleep on the torero's shoulder. suddenly her eyes opened, flashing with that strange light which was always the precursor of the most extraordinary questions.

"say! have you never killed a man?"

gallardo started, and in his astonishment disengaged himself from do?a sol. who! he?... never. he had been a good fellow who had followed his profession without doing harm to anyone. he had scarcely even fought with his companions at the "capeas," when they[pg 169] held on to the peace because they were the strongest. he had exchanged a few blows with others of his profession, or fought a round in a café, but the life of a man inspired him with deep respect. bulls were another affair.

"so that you have never felt the slightest wish to kill a man?... and i who thought that toreros...."

the sun had set, and the landscape, which before had seemed so brilliant, now looked dull and grey; even the river had disappeared, and do?a sol spurred on her horse without saying another word, or even appearing to notice if the espada were following her.

before the holy week holidays gallardo's family returned to seville. the espada was to fight at the easter corrida. it was the first time he would kill in do?a sol's presence since he had come to know her, and it made him doubtful of his powers.

besides, he never could fight in seville without a certain disquietude. he could accept an unlucky mischance in any other plaza in spain, thinking he would probably not return there for some time. but in his own native town, where his greatest enemies lived!...

"we must see you distinguish yourself," said don josé. "think of those who will be watching you. i expect you to remain the first man in the world."

on the saturday of "gloria,"[88] during the small hours of the night, the enclosing of the cattle for the following day's corrida was to take place, and do?a sol wished to assist as picqeur at the operation, which presented the further delight of taking place in the dark. the bulls had to be brought from the pastures of tablada to the enclosures at the plaza.

in spite of gallardo's wish to accompany do?a sol[pg 170] he was unable to do so; his manager opposed it, alleging the necessity of his keeping himself fresh and vigorous for the following afternoon. at midnight the road leading from the pastures to the plaza was as lively as a fair. in the country villas the windows were lighted up, and shadows passed before them, dancing to the sound of pianos. in the little inns, whose open doors threw broad streaks of light across the road, the tinkling of guitars, the clinking of glasses, and shouts and laughter let it be known that wine was circulating freely.

about one in the morning a rider passed along the road at a slow trot. he was "el aviso,"[89] a rough shepherd, who stopped before the taverns and gay country houses, warning them that the herd would pass in less than a quarter of an hour, so that lights might be extinguished and everything be quiet.

this order, given in the name of the national sport, was obeyed with far more alacrity than any one given by the authorities. the houses remained in darkness, the whiteness of their walls confounded with the shadowy mass of trees. the invisible people, assembled behind the barred and spiked window gratings, were silent in the expectation of something extraordinary. in the walks alongside the river the gas lamps were extinguished one by one as the shepherd advanced shouting the coming of the herd.

everything was absolutely silent. above the trees the stars were shining, and below on the ground only the slightest rustle; the faintest murmur betrayed in the darkness the presence of crowds of people. the wait seemed very long, till at last in the far distance, the faint sound of deep bells was heard. "they are coming! they will soon be here!"...

the clangour of the bells became louder and at last[pg 171] deafening, accompanied by a confused galloping which shook the ground. first of all passed several riders, with lances over their shoulders, who appeared gigantic in the darkness, their horses at full stretch. these were the shepherds. then came a group of amateur garrochists, among whom galloped do?a sol, delighted at this mad ride through the darkness, in which the single false step of a horse, or a fall, meant certain death from trampling beneath the hard hoofs of the fierce herd rushing blindly on behind in their furious career.

the herd bells rang wildly; the open mouths of the spectators, hidden by the darkness, swallowed large gulps of dust, and the furious mob of cattle rushed by like a nightmare of shapeless monsters of the night, heavy but at the same time agile, giving horrible snorts, goring at the shadows with their horns, terrified and irritated by the shouts of the young shepherds following on foot, and by the galloping of the riders closing the cavalcade who drove them on with their pikes.

the transit of this ponderous and noisy troupe only lasted an instant. there was nothing more to be seen ... and the populace, satisfied by this fleeting spectacle, came out of their hiding places, and many of the enthusiasts ran after the herd, hoping to see their entrance into the enclosures.

when they arrived near the plaza the foremost riders drew on one side, making way for the animals, who, from the impetus of their rush, and their habit of following the "cabestros," engaged themselves in "la manga,"[90] a narrow lane formed of palisades leading to the plaza.

the amateur garrochists congratulated themselves on the good management of the enclosing. the herd had[pg 172] been well rounded up without a single bull being able to stray, or giving work to picqeurs or peons. they were all well-bred animals, the best from the marquis' breeding farms, and a good day might confidently be expected on the morrow. in this hope the riders and peons soon dispersed. an hour afterwards the surroundings of the plaza were completely deserted, and the fierce brutes, safe in their enclosures, lay down to enjoy their last sleep.

on the following morning juan gallardo rose early. he had slept badly, with an anxiety that peopled his dreams with nightmares.

why did they make him fight in seville? in other towns he forgot his family for the moment; he lived as a bachelor in a room in an hotel completely strange to him, that contained nothing dear to him, and that reminded him of nothing. but here—to put on his fighting costume in his own bedroom, where everything about on the table reminded him of carmen, to go out and face the danger from the house that he himself had built, and which contained all that was dearest to him in life, disconcerted him, and awoke in him as much trepidation as if he were going to kill his first bull. besides, he was afraid of his fellow-townsmen, with whom he had to live, and whose opinion was more important to him than that of all the rest of spain. ay! and that terrible moment of leaving, after garabato had put on his gala dress, and he descended into the silent courtyard.

the little children came to look at him, frightened by his brilliant clothes, touching him admiringly, but not daring to speak. his mustachioed sister kissed him with a look of terror, as if he were being taken off to die. his mother hid herself in the darkest room. no, she did not wish to see him; she felt ill. carmen, deathly pale,[pg 173] was a little braver, biting her lips white with emotion, blinking her eyes nervously to keep back the tears, but when she saw him in the courtyard she immediately raised her handkerchief to her eyes, her whole frame shaking with the sobs she tried to suppress, and her sister-in-law and other women had to support her lest she should fall to the ground.

it was enough to make a coward of even the real roger de flor!

"curse it all! come along, man," said gallardo. "i would not fight in seville for all the gold in the world, were it not to give pleasure to my fellow-townsmen, and to prevent evil speakers from saying i am afraid of the public in my own town."

after rising, the espada had wandered about the house, a cigarette in his mouth, stretching himself to see if his muscular arms still retained their suppleness. he went into the kitchen and drank a glass of cazalla, where his mother, active in spite of years and stoutness, was superintending the servants, and looking after the proper ordering of the house.

gallardo went out into the patio, so fresh and bright, the birds were singing gaily in their gilded cages, a flood of sunshine swept over the marble pavement, and on to the fountain surrounded by plants where the gold fish swam in the basin.

the espada saw kneeling on the ground a woman's figure in black, with a pail by her side, washing the marble floor. she raised her head.

"good-day, se?or juan," she said, with the affectionate familiarity that all popular heroes inspire, and she fixed on him admiringly the glance of her solitary eye. the other was lost in a multiplicity of deep wrinkles which seemed to meet in the hollow black socket.

[pg 174]

the se?or juan made no reply, but turned away nervously into the kitchen, calling out to his mother:

"little mother, who is that one-eyed woman who is washing the patio?"

"who should she be, son? a poor woman with a large family. our own charwoman is ill, so i called her in."

the torero was uneasy, and his look showed both anxiety and fear. curse it! bulls in seville, and the first person he met face to face was a one-eyed woman! certainly those things did not happen to any one else. nothing could be of worse augury. did they want his death?

the poor woman, shocked by his dismal prognostications and by his vehement anger, tried to exculpate herself. how could she think of that? the poor woman wanted to earn a peseta for her children. he must pick up a good heart and thank god, who had so often remembered them and delivered them from similar misery....

gallardo was softened by her allusion to their former poverty, which always made him very tolerant to the good woman. all right, let the one-eyed one remain, and let what god willed happen. and crossing the patio with his back turned to her so as not to see that terrible eye, the matador took refuge in his office close to the vestibule.

the white walls, panelled with moorish tiles to the height of a man, were hung with announcements of corridas printed on silks of different colours and diplomas of charitable societies with pompous titles, recording corridas in which gallardo had fought gratuitously for the benefit of the poor. innumerable portraits of himself, on foot, seated, spreading his cape, squaring himself to kill, testified to the care with which the papers [pg 175]reproduced the gestures and divers positions of the great man. above the doorway was a portrait of carmen in a white mantilla, which made her eyes appear darker than ever, with a bunch of carnations fastened in her black hair. on the opposite wall, above the arm-chair by the writing bureau, was the enormous head of a black bull, with glassy eyes, highly varnished nostrils, a spot of white hair on the forehead, and enormous horns tapering to the finest point, white as ivory at the base and gradually darkening to inky blackness at the tips. potaje, the picador, always broke out into poetic rhapsodies as he looked at those enormous wide-spreading horns, saying that a blackbird might sing on the point of one horn, without being heard from the point of the other.

gallardo sat down by the beautiful table covered with bronzes, where nothing seemed out of place save the thick coating of several days' dust. on the writing bureau, which was of immense size, the ink bottles ornamented by two metal horses, were clean and empty; the handsome pen tray, supported by dogs' heads, was also empty, the great man had no occasion to write, for don josé, his manager, brought him all contracts and other professional papers to the club in the calle de las sierpes, where on a small table the espada slowly and laboriously affixed his signature.

on one side of the room stood the library, a handsome bookcase of carved oak, through the never-opened glass doors of which could be seen imposing rows of volumes remarkable for their size and the brilliance of their bindings.

when don josé began to call gallardo "the torero of the aristocracy," the latter felt he must live up to this distinction, educating himself so that his rich friends should not laugh at his ignorance, as had happened to[pg 176] sundry of his comrades. so one day he entered a book shop with a determined air.

"send me three thousand pesetas' worth of books."

when the librarian looked slightly bewildered, as if he did not understand, the torero proceeded energetically.

"books. don't you understand me? the biggest books, and if you have no objection, i should like them gilt."

gallardo was quite pleased with the look of his library. when anything was spoken of at the club which he did not understand, he smiled knowingly, and said to himself:

"that must be in one of the books i have in the study."

one rainy afternoon when he felt rather poorly, after wandering listlessly about the house, not knowing what to do, he had opened the bookcase and taken out a book, the largest of all. but after a few lines he gave up the reading, and turned over the pages, looking at the prints like a child who wants to amuse itself. lions, elephants, wild horses with flowing manes and fiery eyes, donkeys striped in colours, regular as if done by rule.... the torero turned them all over carelessly, till his eyes fell on the painted rings of a snake. ugh! the beast! the nasty beast! and he closed convulsively the two middle fingers of his hand, throwing out the index and little finger like horns, to exorcise the evil eye. he went on a little, but all the prints represented horrible reptiles, till at last with shaking hands he shut the book and returned it to the bookcase, murmuring: "lizard, lizard," to dispel the impression of this evil encounter, and the key of the bookcase remained thenceforward in a drawer of the bureau, covered with old papers.

that morning, the time he spent in his study only served to increase his anxieties and trepidation. scarcely[pg 177] knowing why, he had been considering the bull's head, and the most painful episode of his professional life had vividly recurred to his memory. what a sweating that brute had given him in the circus at zaragoza! the bull was as intelligent as a man; motionless, and with eyes of diabolical maliciousness, he waited for the matador to approach him, when, not deceived by the red cloth, he struck underneath it directly at the man's body. the rapiers were sent flying through the air by his charges without ever succeeding in wounding him. the populace became impatient, whistling at and insulting the torero. the latter came behind the bull, following his every movement from one side of the plaza to the other, knowing full well that if he stood straight and square before the animal to kill, that he himself would be the one to die; until at last, perspiring and fatigued, he took advantage of an opportunity to finish him by a treacherous[91] side blow, to the great scandal of the mob, who pelted him with bottles and oranges; a remembrance which made him hot with shame, and which, returning unluckily at this time, seemed to him of quite as evil augury as meeting the one-eyed woman, and seeing the snake.

he breakfasted alone and ate little as was his habit on the days of a corrida, and by the time he went up to dress the women had disappeared. ay! how they hated that brilliant costume, kept so carefully wrapped up in linen. splendid tools which had built up the luxury of the family!

the farewells were, as usual, disconcerting and troubling for gallardo. the flight of the women not to see him come down, carmen's attempts at fortitude, accompanying him as far as the door, the wondering curiosity of the little nephews, everything irritated the torero,[pg 178] grown arrogant and hectoring as he saw the danger approaching.

"one would think i was being taken to the gibbet! good-bye for the present. calm yourselves. nothing will happen."

and he got into the carriage, making way for himself through the friends and neighbours assembled in front of the house to wish "se?or juan" good luck.

the afternoons when the espada fought in seville were the most agonizing for the family. when he fought away from home they were obliged to resign themselves patiently to wait for the evening telegram. here, the danger being close at hand, a desperate anxiety for news awoke, and the necessity of hearing every few minutes how the corrida was going on.

the saddler, dressed as a gentleman, in a suit of light flannel and a silky white felt hat, offered to let the women know what was happening. after every bull that juan killed he would send some urchin with news. all the same he was furious at the incivility of his illustrious brother-in-law, who had not even offered him a seat in the carriage with the cuadrilla to drive to the plaza!

gallardo knew the soil he was treading: it was familiar to him and was in a sense his own. the sand of the different plazas exercised an influence on his superstitious temperament. he recalled the large plazas of valencia and barcelona, with their white sand, the dark sand of the northern plazas, and the red sand of the huge circus in madrid. but the sand in seville was different from any other; drawn from the guadalquivir it was a bright yellow, like pulverized ochre. the architecture of the buildings, too, had a certain influence over him, some built in roman style, others again moorish, but the plaza of seville was like a cathedral full of[pg 179] memories. there the glorious inventors of different strokes had brought their art to perfection; the school of ronda with its steady and dignified fighting, and the school of seville with its light play and mobility which caught the public fancy; and it was there that he, too, this afternoon would be intoxicated by the applause, by the sun, by the roar of the crowd, possibly by the sight of a blue bodice and a white mantilla leaning over the edge of a box, and he felt capable of the most reckless hardihood.

anxious to outshine his companions, and monopolize all the applause, gallardo seemed to fill the circus with his agility and boldness. never had he been in such form. don josé, after each one of his splendid strokes, stood up shouting, challenging invisible enemies hidden among the benches. "who dares to say anything against him! the first man in the world!"

at gallardo's order, el nacional, by clever cloak-play brought his master's second bull in front of the box, where the blue bodice with the white mantilla was seated. it was do?a sol, accompanied by the marquis and his two daughters.

followed by the eyes of the audience gallardo approached the barrier holding his rapier and the muleta in one hand. when he arrived opposite the box he stopped, took off his montera, and offered the bull as homage to the marquis' niece. many people smiled maliciously. "olé! the lad has good luck." he gave a half turn, threw his montera behind him when he had ended the "brindis," and waited for the bull which the peons were bringing up to him by dexterous cloak-play.

keeping the animal in a very limited space, he prevented it moving away from that spot, and successfully accomplished his task. he wanted to kill under do?a sol's eyes, so that she should see him close at the [pg 180]moment when he defied danger. every pass from his muleta drew forth exclamations of enthusiasm and cries of anxiety. the horn seemed to graze his chest; it seemed impossible that blood should not flow after the bull's attacks. suddenly he squared himself, the rapier well in line forward, and before the public could give its advice, by shouts or counsels, he had thrown himself swiftly on the bull and for a few instants man and bull looked as one body.

when the man disengaged himself, the bull rushed forward with uncertain step bellowing, its tongue hanging from its mouth, and the red pommel of the rapier scarcely visible on the crest of its bloody neck. after a few steps it fell, the spectators rose to their feet as one man and a hail of applause and furious shouting burst from all parts of the amphitheatre. there was no one in the world as brave as gallardo! had that man ever felt fear?

the espada saluted before the box, opening his arms with the rapier and muleta in either hand, while the white-gloved hands of do?a sol clapped feverish applause.

then something small was passed down from spectator to spectator, from the box down to the barrier. it was the lady's handkerchief, the one which she had held in her hand, a small scented square of lawn and lace, passed through a diamond ring, which she presented to the torero in acknowledgment of his "brindis."

the applause broke out afresh on seeing this recognition, and the attention of the public, hitherto fixed on the matador, was now turned on do?a sol, many turning their backs on the circus to look at her, and extolling her beauty with the familiarity of andalusian gallantry. then a small hairy and still warm triangle was passed[pg 181] up from hand to hand to the box. it was the bull's ear, sent by the matador in witness of his "brindis."

before the fiesta was ended the news of gallardo's great triumph had spread all over the town, and when the espada returned to his house half the neighbourhood had assembled to applaud him, as though they had all been at the corrida.

the saddler, forgetting his annoyance with the espada, admired him even more for his friendly relations with the nobility than for his exploits in the bull-ring. he had his eyes fixed on a certain appointment, and he made very little doubt about getting it, seeing his brother-in-law's intimacy with the best people in seville.

"show them the ring. my goodness, encarnacion, what a present! it is worthy of roger de flor!"

the ring passed from hand to hand, with cries of admiration from the women. carmen only pursed up her lips on seeing it. "yes, it is very pretty," and she passed it on hurriedly to her brother-in-law, as if it burnt her fingers.

after this corrida, the travelling season began. gallardo had more engagements than in any previous year. after the corridas in madrid, he was to fight in every plaza in spain. his manager was nearly distracted over the railway time tables, making endless calculations for the future guidance of his matador.

gallardo went from triumph to triumph. never had he been in such good form! he seemed to have gained fresh strength. before the corridas, cruel doubts overwhelmed him, tremors nearly akin to fear, such as he had never known in his early days, when he was only beginning to make his name; but as soon as he found himself in the arena, these fears vanished and an almost savage bravery possessed him, which was always accompanied by fresh laurels.

[pg 182]

when his work was over in some provincial town, and he returned to the hotel with his cuadrilla, for they all lived together, he would sit down perspiring, wearied with the pleasant fatigue of triumph, and before he could change his gala dress, all the wiseacres in the locality would come to congratulate him. he had been "colossal." he was the first torero in the world! that estocada of the fourth bull!...

"yes, indeed," said gallardo, with almost childish pride. "really i was not bad in that."

with the interminable verbosity of all conversations about bulls, the time passed without either the espada or his friends wearying of talking about the afternoon's corridas, or about those of previous years. night fell, the lights were lit, but still the aficionados did not go. the cuadrilla, according to bull-fighting discipline, listened silently to all this babel of talk at the further end of the room. as long as the master had not given his permission, his "lads" could neither undress nor sup. the picadors, fatigued by the iron armour on their legs and the terrible bruises resulting from their falls from horseback, held their coarse beaver hats between their knees: the banderilleros, their skintight silk garments, wet with perspiration, were all hungry after their afternoon's violent exercise; all were thinking the same thing and casting furious looks at these enthusiasts.

"when on earth will those tiresome idiots leave? curse their hearts!"

at last the matador noticed them. "you may go," he said. and the cuadrilla escaped, pushing each other like school boys let loose, while the maestro continued listening to the praises of the connoisseurs, and garabato waited silently to undress him.

on his days of rest, the maestro, free from the excitements of danger and glory, turned his thoughts towards[pg 183] seville. now and then one of those short little perfumed notes came for him, congratulating him on his triumphs. ay! if only do?a sol were with him!

there were moments in which he felt compelled to confide his sadness to el nacional with that irresistible impulse of confession which all feel who carry a heavy weight in their hearts.

besides, now he was away from seville, he felt a greater affection for the banderillero, a kind of reflected tenderness. sebastian knew of his loves with do?a sol; he had seen her, though from afar, and she had often laughed when gallardo told her of the picador's originalities.

sebastian received his master's confidences with severe looks.

"what you have got to do, juan, is to forget this lady. family peace is worth more than anything to us who knock about the world, constantly exposed to danger and liable to be brought home any day feet foremost. see! carmen knows a great deal more than you think. she is perfectly acquainted with everything, and she has even questioned me indirectly as to your relations with the marquis' niece. poor little thing! it is a shame to make her suffer!... she has a temper, and if you arouse it, it may give you some trouble."

but gallardo, away from his family, and with his thoughts dominated by the remembrance of do?a sol, did not seem to understand the dangers of which el nacional spoke, and shrugged his shoulders at these sentimental scruples. he felt the need of speaking of his remembrances, of making his friend the confidant of his past happiness.

"you do not know what that woman is! you are an unlucky man, sebastian, who does not know what is good. take all the beautiful women in seville together[pg 184]—they are as nothing. see all those we meet on our travels—neither are they anything. there is only one—do?a sol, and when you know a woman like that, you do not want to know any others. if you only knew her as i do, gacho! women of our class reek of health and clean linen, but this one!... sebastian, this one!... picture to yourself all the roses in the gardens of the alcazar—no, something better still—jasmine, honeysuckle, all the bewildering perfumes of the gardens of paradise, and those sweet scents seem to belong to her, not as if she put them on, but as if they were flowering in her veins. besides, she is not one of those who once seen are always the same. with her there is always something still to desire, something to hope for, something which is never attained. i cannot, sebastian, express myself better.... but you do not know what a great lady is; so don't preach any more, and shut your beak."

gallardo no longer received any letters from seville. do?a sol was abroad. he saw her once when he was fighting in san sebastian. the beautiful woman was staying in biarritz and she came over with some french ladies who wished to know the torero. after that he heard very little of her; only from the few letters he got, and from the news his manager collected from the marquis de moraima.

she was at the seaside, then he heard she had gone to england, then to germany, and gallardo despaired of ever seeing her again.

this possibility saddened the torero, and revealed the ascendancy this woman had gained both over himself and his will. never to see her again! why then should he expose his life and become famous? of what use was the applause of the populace?

his manager reassured him. she would return: he[pg 185] was quite certain. even if it were only for a year, for do?a sol, with all her mad caprices, was a very practical woman, and knew how to look after what belonged to her. she needed her uncle's assistance to disentangle the most involved affairs, both of her own and her late husband's fortune, produced by their long and expensive stay abroad.

the espada returned to seville towards the end of the summer. he had still a good many corridas for the autumn, but he wanted to take advantage of a month's rest, during the absence of his family at the baths of san lucar.

gallardo shivered with emotion when one day his manager announced the unexpected return of do?a sol.

he went to see her at once, but after the first few words felt intimidated by her cold amiability and the expression of her eyes.

she looked at him as if he were different. in her glance a certain surprise at his rough exterior, at the difference between herself and this man, the matador of bulls, could be guessed.

he also felt this gulf which seemed opening between them. he looked at her as though she were another woman; a great lady of a different race and country.

they talked quietly. she seemed to have forgotten the past, and gallardo did not dare to remind her of it, nor to make the slightest advance, fearing one of her outbursts of anger.

"seville!" said do?a sol. "it is very beautiful ... very pleasant. but there is more in the world! i warn you. gallardo, that some day i shall take flight for ever. i guess that i shall be bored to death. my seville seems quite changed."

she no longer "tutoyed" him, and it was many days before the torero dared during his visits to make the[pg 186] slightest allusion to the past. he confined himself to gazing at her in silence, with his moist and adoring moorish eyes.

"i am bored. some day i shall go away," she exclaimed at all these interviews.

other times the imposing servant would receive the torero at the wicket and tell him the se?ora was out, when he knew quite certainly that she was at home.

gallardo told her one evening of a short excursion he was obliged to make to his farm of la rinconada. he wanted to see some olive yards his manager had bought for him during his absence, and added to the property. he wanted also to look after the general work.

the idea of accompanying the espada on this expedition delighted do?a sol. to go to that grange where gallardo's family spent the greater part of the year! to enter with the startling scandal of irregularity and sin into the quiet atmosphere of that country house, where the poor fellow lived with his belongings!...

the absurdity of the wish decided her. she also would go. the idea of seeing la rinconada interested her.

gallardo felt afraid. he thought of all the farm people, of the gossips who would probably tell his family of this trip, but do?a sol's glance beat down all his scruples. who could tell? ... possibly this trip might bring on a return of their former intimacy.

all the same he wished to oppose one obstacle to this wish.

"how about el plumitas?... according to what i hear, he is wandering round la rinconada."

"ah! el plumitas!" do?a sol's face, darkened by boredom, seemed to light up with an inward flame.

"how curious! i should be so delighted if you could present him to me."

gallardo arranged the journey. he had thought of[pg 187] going alone, but do?a sol's company obliged him to seek an escort, fearing some evil encounter on the road.

he looked up potaje, the picador. he was extremely rough, fearing nothing in the world but his gipsy wife, who when she was tired of being beaten would turn and bite him. there would be no need to give him any explanations, only wine in abundance. alcohol and his atrocious falls in the arena seemed to keep him in a perpetual muddle, as if his head were buzzing, and only permitted his few slow words and a cloudy vision of everything.

he ordered also el nacional to accompany them, he would be one more, and was of tried discretion.

the banderillero obeyed from subordination, but he grumbled when he knew do?a sol was going with them.

"by the life of the blue dove! to think of the father of a family mixing himself up in such ugly doings!... what will carmen and the se?ora angustias say of me when they come to hear of it?"

but when he found himself in the open country, seated by the side of potaje, in front of the espada and the great lady, his annoyance gradually vanished.

he could not see her well, wrapped up as she was in a large blue veil which covered her travelling cap, and falling over her yellow silk coat; but she was very beautiful.... and to hear them talk! what things she knew!

before the journey was half over, el nacional, in spite of his twenty-five years of conjugal fidelity, forgave his master's weakness, and quite understood his infatuation.

if ever he found himself in a like situation he would do exactly the same!

education!... it was a great thing, capable of infusing respectability even into the most heinous sins.

footnotes:

[85] diminutive of josé.

[86] little wolf.

[87] branding of young bulls on the thighs with a hot iron. an operation which is not conducted without some commotion.

[88] holy saturday, so called from a religious ceremony in the cathedral during which the "gloria" is sung.

[89] the warner.

[90] the sleeve.

[91] this is looked upon as "hitting below the belt."