as the eye glances over a map of the coasts of norway, can the imagination fail to marvel at their fantastic indentations and serrated edges, like a granite lace, against which the surges of the north sea roar incessantly? who has not dreamed of the majestic sights to be seen on those beachless shores, of that multitude of creeks and inlets and little bays, no two of them alike, yet all trackless abysses? we may almost fancy that nature took pleasure in recording by ineffaceable hieroglyphics the symbol of norwegian life, bestowing on these coasts the conformation of a fish’s spine, fishery being the staple commerce of the country, and well-nigh the only means of living of the hardy men who cling like tufts of lichen to the arid cliffs. here, through fourteen degrees of longitude, barely seven hundred thousand souls maintain existence. thanks to perils devoid of glory, to year-long snows which clothe the norway peaks and guard them from profaning foot of traveller, these sublime beauties are virgin still; they will be seen to harmonize with human phenomena, also virgin — at least to poetry — which here took place, the history of which it is our purpose to relate.

if one of these inlets, mere fissures to the eyes of the eider-ducks, is wide enough for the sea not to freeze between the prison-walls of rock against which it surges, the country-people call the little bay a “fiord,"— a word which geographers of every nation have adopted into their respective languages. though a certain resemblance exists among all these fiords, each has its own characteristics. the sea has everywhere forced its way as through a breach, yet the rocks about each fissure are diversely rent, and their tumultuous precipices defy the rules of geometric law. here the scarp is dentelled like a saw; there the narrow ledges barely allow the snow to lodge or the noble crests of the northern pines to spread themselves; farther on, some convulsion of nature may have rounded a coquettish curve into a lovely valley flanked in rising terraces with black-plumed pines. truly we are tempted to call this land the switzerland of ocean.

midway between trondhjem and christiansand lies an inlet called the strom-fiord. if the strom-fiord is not the loveliest of these rocky landscapes, it has the merit of displaying the terrestrial grandeurs of norway, and of enshrining the scenes of a history that is indeed celestial.

the general outline of the strom-fiord seems at first sight to be that of a funnel washed out by the sea. the passage which the waves have forced present to the eye an image of the eternal struggle between old ocean and the granite rock — two creations of equal power, one through inertia, the other by ceaseless motion. reefs of fantastic shape run out on either side, and bar the way of ships and forbid their entrance. the intrepid sons of norway cross these reefs on foot, springing from rock to rock, undismayed at the abyss — a hundred fathoms deep and only six feet wide — which yawns beneath them. here a tottering block of gneiss falling athwart two rocks gives an uncertain footway; there the hunters or the fishermen, carrying their loads, have flung the stems of fir-trees in guise of bridges, to join the projecting reefs, around and beneath which the surges roar incessantly. this dangerous entrance to the little bay bears obliquely to the right with a serpentine movement, and there encounters a mountain rising some twenty-five hundred feet above sea-level, the base of which is a vertical palisade of solid rock more than a mile and a half long, the inflexible granite nowhere yielding to clefts or undulations until it reaches a height of two hundred feet above the water. rushing violently in, the sea is driven back with equal violence by the inert force of the mountain to the opposite shore, gently curved by the spent force of the retreating waves.

the fiord is closed at the upper end by a vast gneiss formation crowned with forests, down which a river plunges in cascades, becomes a torrent when the snows are melting, spreads into a sheet of waters, and then falls with a roar into the bay — vomiting as it does so the hoary pines and the aged larches washed down from the forests and scarce seen amid the foam. these trees plunge headlong into the fiord and reappear after a time on the surface, clinging together and forming islets which float ashore on the beaches, where the inhabitants of a village on the left bank of the strom-fiord gather them up, split, broken (though sometimes whole), and always stripped of bark and branches. the mountain which receives at its base the assaults of ocean, and at its summit the buffeting of the wild north wind, is called the falberg. its crest, wrapped at all seasons in a mantle of snow and ice, is the sharpest peak of norway; its proximity to the pole produces, at the height of eighteen hundred feet, a degree of cold equal to that of the highest mountains of the globe. the summit of this rocky mass, rising sheer from the fiord on one side, slopes gradually downward to the east, where it joins the declivities of the sieg and forms a series of terraced valleys, the chilly temperature of which allows no growth but that of shrubs and stunted trees.

the upper end of the fiord, where the waters enter it as they come down from the forest, is called the siegdahlen — a word which may be held to mean “the shedding of the sieg,"— the river itself receiving that name. the curving shore opposite to the face of the falberg is the valley of jarvis — a smiling scene overlooked by hills clothed with firs, birch-trees, and larches, mingled with a few oaks and beeches, the richest coloring of all the varied tapestries which nature in these northern regions spreads upon the surface of her rugged rocks. the eye can readily mark the line where the soil, warmed by the rays of the sun, bears cultivation and shows the native growth of the norwegian flora. here the expanse of the fiord is broad enough to allow the sea, dashed back by the falberg, to spend its expiring force in gentle murmurs upon the lower slope of these hills — a shore bordered with finest sand, strewn with mica and sparkling pebbles, porphyry, and marbles of a thousand tints, brought from sweden by the river floods, together with ocean waifs, shells, and flowers of the sea driven in by tempests, whether of the pole or tropics.

at the foot of the hills of jarvis lies a village of some two hundred wooden houses, where an isolated population lives like a swarm of bees in a forest, without increasing or diminishing; vegetating happily, while wringing their means of living from the breast of a stern nature. the almost unknown existence of the little hamlet is readily accounted for. few of its inhabitants were bold enough to risk their lives among the reefs to reach the deep-sea fishing — the staple industry of norwegians on the least dangerous portions of their coast. the fish of the fiord were numerous enough to suffice, in part at least, for the sustenance of the inhabitants; the valley pastures provided milk and butter; a certain amount of fruitful, well-tilled soil yielded rye and hemp and vegetables, which necessity taught the people to protect against the severity of the cold and the fleeting but terrible heat of the sun with the shrewd ability which norwegians display in the two-fold struggle. the difficulty of communication with the outer world, either by land where the roads are impassable, or by sea where none but tiny boats can thread their way through the maritime defiles that guard the entrance to the bay, hinder these people from growing rich by the sale of their timber. it would cost enormous sums to either blast a channel out to sea or construct a way to the interior. the roads from christiana to trondhjem all turn toward the strom-fiord, and cross the sieg by a bridge some score of miles above its fall into the bay. the country to the north, between jarvis and trondhjem, is covered with impenetrable forests, while to the south the falberg is nearly as much separated from christiana by inaccessible precipices. the village of jarvis might perhaps have communicated with the interior of norway and sweden by the river sieg; but to do this and to be thus brought into contact with civilization, the strom-fiord needed the presence of a man of genius. such a man did actually appear there — a poet, a swede of great religious fervor, who died admiring, even reverencing this region as one of the noblest works of the creator.

minds endowed by study with an inward sight, and whose quick perceptions bring before the soul, as though painted on a canvas, the contrasting scenery of this universe, will now apprehend the general features of the strom-fiord. they alone, perhaps, can thread their way through the tortuous channels of the reef, or flee with the battling waves to the everlasting rebuff of the falberg whose white peaks mingle with the vaporous clouds of the pearl-gray sky, or watch with delight the curving sheet of waters, or hear the rushing of the sieg as it hangs for an instant in long fillets and then falls over a picturesque abatis of noble trees toppled confusedly together, sometimes upright, sometimes half-sunken beneath the rocks. it may be that such minds alone can dwell upon the smiling scenes nestling among the lower hills of jarvis; where the luscious northern vegetables spring up in families, in myriads, where the white birches bend, graceful as maidens, where colonnades of beeches rear their boles mossy with the growth of centuries, where shades of green contrast, and white clouds float amid the blackness of the distant pines, and tracts of many-tinted crimson and purple shrubs are shaded endlessly; in short, where blend all colors, all perfumes of a flora whose wonders are still ignored. widen the boundaries of this limited ampitheatre, spring upward to the clouds, lose yourself among the rocks where the seals are lying and even then your thought cannot compass the wealth of beauty nor the poetry of this norwegian coast. can your thought be as vast as the ocean that bounds it? as weird as the fantastic forms drawn by these forests, these clouds, these shadows, these changeful lights?

do you see above the meadows on that lowest slope which undulates around the higher hills of jarvis two or three hundred houses roofed with “noever,” a sort of thatch made of birch-bark — frail houses, long and low, looking like silk-worms on a mulberry-leaf tossed hither by the winds? above these humble, peaceful dwellings stands the church, built with a simplicity in keeping with the poverty of the villagers. a graveyard surrounds the chancel, and a little farther on you see the parsonage. higher up, on a projection of the mountain is a dwelling-house, the only one of stone; for which reason the inhabitants of the village call it “the swedish castle.” in fact, a wealthy swede settled in jarvis about thirty years before this history begins, and did his best to ameliorate its condition. this little house, certainly not a castle, built with the intention of leading the inhabitants to build others like it, was noticeable for its solidity and for the wall that inclosed it, a rare thing in norway where, notwithstanding the abundance of stone, wood alone is used for all fences, even those of fields. this swedish house, thus protected against the climate, stood on rising ground in the centre of an immense courtyard. the windows were sheltered by those projecting pent-house roofs supported by squared trunks of trees which give so patriarchal an air to northern dwellings. from beneath them the eye could see the savage nudity of the falberg, or compare the infinitude of the open sea with the tiny drop of water in the foaming fiord; the ear could hear the flowing of the sieg, whose white sheet far away looked motionless as it fell into its granite cup edged for miles around with glaciers — in short, from this vantage ground the whole landscape whereon our simple yet superhuman drama was about to be enacted could be seen and noted.

the winter of 1799-1800 was one of the most severe ever known to europeans. the norwegian sea was frozen in all the fiords, where, as a usual thing, the violence of the surf kept the ice from forming. a wind, whose effects were like those of the spanish levanter, swept the ice of the strom-fiord, driving the snow to the upper end of the gulf. seldom indeed could the people of jarvis see the mirror of frozen waters reflecting the colors of the sky; a wondrous site in the bosom of these mountains when all other aspects of nature are levelled beneath successive sheets of snow, and crests and valleys are alike mere folds of the vast mantle flung by winter across a landscape at once so mournfully dazzling and so monotonous. the falling volume of the sieg, suddenly frozen, formed an immense arcade beneath which the inhabitants might have crossed under shelter from the blast had any dared to risk themselves inland. but the dangers of every step away from their own surroundings kept even the boldest hunters in their homes, afraid lest the narrow paths along the precipices, the clefts and fissures among the rocks, might be unrecognizable beneath the snow.

thus it was that no human creature gave life to the white desert where boreas reigned, his voice alone resounding at distant intervals. the sky, nearly always gray, gave tones of polished steel to the ice of the fiord. perchance some ancient eider-duck crossed the expanse, trusting to the warm down beneath which dream, in other lands, the luxurious rich, little knowing of the dangers through which their luxury has come to them. like the bedouin of the desert who darts alone across the sands of africa, the bird is neither seen nor heard; the torpid atmosphere, deprived of its electrical conditions, echoes neither the whirr of its wings nor its joyous notes. besides, what human eye was strong enough to bear the glitter of those pinnacles adorned with sparkling crystals, or the sharp reflections of the snow, iridescent on the summits in the rays of a pallid sun which infrequently appeared, like a dying man seeking to make known that he still lives. often, when the flocks of gray clouds, driven in squadrons athwart the mountains and among the tree-tops, hid the sky with their triple veils earth, lacking the celestial lights, lit herself by herself.

here, then, we meet the majesty of cold, seated eternally at the pole in that regal silence which is the attribute of all absolute monarchy. every extreme principle carries with it an appearance of negation and the symptoms of death; for is not life the struggle of two forces? here in this northern nature nothing lived. one sole power — the unproductive power of ice — reigned unchallenged. the roar of the open sea no longer reached the deaf, dumb inlet, where during one short season of the year nature made haste to produce the slender harvests necessary for the food of the patient people. a few tall pine-trees lifted their black pyramids garlanded with snow, and the form of their long branches and depending shoots completed the mourning garments of those solemn heights.

each household gathered in its chimney-corner, in houses carefully closed from the outer air, and well supplied with biscuit, melted butter, dried fish, and other provisions laid in for the seven-months winter. the very smoke of these dwellings was hardly seen, half-hidden as they were beneath the snow, against the weight of which they were protected by long planks reaching from the roof and fastened at some distance to solid blocks on the ground, forming a covered way around each building.

during these terrible winter months the women spun and dyed the woollen stuffs and the linen fabrics with which they clothed their families, while the men read, or fell into those endless meditations which have given birth to so many profound theories, to the mystic dreams of the north, to its beliefs, to its studies (so full and so complete in one science, at least, sounded as with a plummet), to its manners and its morals, half-monastic, which force the soul to react and feed upon itself and make the norwegian peasant a being apart among the peoples of europe.

such was the condition of the strom-fiord in the first year of the nineteenth century and about the middle of the month of may.

on a morning when the sun burst forth upon this landscape, lighting the fires of the ephemeral diamonds produced by crystallizations of the snow and ice, two beings crossed the fiord and flew along the base of the falberg, rising thence from ledge to ledge toward the summit. what were they? human creatures, or two arrows? they might have been taken for eider-ducks sailing in consort before the wind. not the boldest hunter nor the most superstitious fisherman would have attributed to human beings the power to move safely along the slender lines traced beneath the snow by the granite ledges, where yet this couple glided with the terrifying dexterity of somnambulists who, forgetting their own weight and the dangers of the slightest deviation, hurry along a ridge-pole and keep their equilibrium by the power of some mysterious force.

“stop me, seraphitus,” said a pale young girl, “and let me breathe. i look at you, you only, while scaling these walls of the gulf; otherwise, what would become of me? i am such a feeble creature. do i tire you?”

“no,” said the being on whose arm she leaned. “but let us go on, minna; the place where we are is not firm enough to stand on.”

once more the snow creaked sharply beneath the long boards fastened to their feet, and soon they reached the upper terrace of the first ledge, clearly defined upon the flank of the precipice. the person whom minna had addressed as seraphitus threw his weight upon his right heel, arresting the plank — six and a half feet long and narrow as the foot of a child — which was fastened to his boot by a double thong of leather. this plank, two inches thick, was covered with reindeer skin, which bristled against the snow when the foot was raised, and served to stop the wearer. seraphitus drew in his left foot, furnished with another “skee,” which was only two feet long, turned swiftly where he stood, caught his timid companion in his arms, lifted her in spite of the long boards on her feet, and placed her on a projecting rock from which he brushed the snow with his pelisse.

“you are safe there, minna; you can tremble at your ease.”

“we are a third of the way up the ice-cap,” she said, looking at the peak to which she gave the popular name by which it is known in norway; “i can hardly believe it.”

too much out of breath to say more, she smiled at seraphitus, who, without answering, laid his hand upon her heart and listened to its sounding throbs, rapid as those of a frightened bird.

“it often beats as fast when i run,” she said.

seraphitus inclined his head with a gesture that was neither coldness nor indifference, and yet, despite the grace which made the movement almost tender, it none the less bespoke a certain negation, which in a woman would have seemed an exquisite coquetry. seraphitus clasped the young girl in his arms. minna accepted the caress as an answer to her words, continuing to gaze at him. as he raised his head, and threw back with impatient gesture the golden masses of his hair to free his brow, he saw an expression of joy in the eyes of his companion.

“yes, minna,” he said in a voice whose paternal accents were charming from the lips of a being who was still adolescent, “keep your eyes on me; do not look below you.”

“why not?” she asked.

“you wish to know why? then look!”

minna glanced quickly at her feet and cried out suddenly like a child who sees a tiger. the awful sensation of abysses seized her; one glance sufficed to communicate its contagion. the fiord, eager for food, bewildered her with its loud voice ringing in her ears, interposing between herself and life as though to devour her more surely. from the crown of her head to her feet and along her spine an icy shudder ran; then suddenly intolerable heat suffused her nerves, beat in her veins and overpowered her extremities with electric shocks like those of the torpedo. too feeble to resist, she felt herself drawn by a mysterious power to the depths below, wherein she fancied that she saw some monster belching its venom, a monster whose magnetic eyes were charming her, whose open jaws appeared to craunch their prey before they seized it.

“i die, my seraphitus, loving none but thee,” she said, making a mechanical movement to fling herself into the abyss.

seraphitus breathed softly on her forehead and eyes. suddenly, like a traveller relaxed after a bath, minna forgot these keen emotions, already dissipated by that caressing breath which penetrated her body and filled it with balsamic essences as quickly as the breath itself had crossed the air.

“who art thou?” she said, with a feeling of gentle terror. “ah, but i know! thou art my life. how canst thou look into that gulf and not die?” she added presently.

seraphitus left her clinging to the granite rock and placed himself at the edge of the narrow platform on which they stood, whence his eyes plunged to the depths of the fiord, defying its dazzling invitation. his body did not tremble, his brow was white and calm as that of a marble statue — an abyss facing an abyss.

“seraphitus! dost thou not love me? come back!” she cried. “thy danger renews my terror. who art thou to have such superhuman power at thy age?” she asked as she felt his arms inclosing her once more.

“but, minna,” answered seraphitus, “you look fearlessly at greater spaces far than that.”

then with raised finger, this strange being pointed upward to the blue dome, which parting clouds left clear above their heads, where stars could be seen in open day by virtue of atmospheric laws as yet unstudied.

“but what a difference!” she answered smiling.

“you are right,” he said; “we are born to stretch upward to the skies. our native land, like the face of a mother, cannot terrify her children.”

his voice vibrated through the being of his companion, who made no reply.

“come! let us go on,” he said.

the pair darted forward along the narrow paths traced back and forth upon the mountain, skimming from terrace to terrace, from line to line, with the rapidity of a barb, that bird of the desert. presently they reached an open space, carpeted with turf and moss and flowers, where no foot had ever trod.

“oh, the pretty saeter!” cried minna, giving to the upland meadow its norwegian name. “but how comes it here, at such a height?”

“vegetation ceases here, it is true,” said seraphitus. “these few plants and flowers are due to that sheltering rock which protects the meadow from the polar winds. put that tuft in your bosom, minna,” he added, gathering a flower — “that balmy creation which no eye has ever seen; keep the solitary matchless flower in memory of this one matchless morning of your life. you will find no other guide to lead you again to this saeter.”

so saying, he gave her the hybrid plant his falcon eye had seen amid the tufts of gentian acaulis and saxifrages — a marvel, brought to bloom by the breath of angels. with girlish eagerness minna seized the tufted plant of transparent green, vivid as emerald, which was formed of little leaves rolled trumpet-wise, brown at the smaller end but changing tint by tint to their delicately notched edges, which were green. these leaves were so tightly pressed together that they seemed to blend and form a mat or cluster of rosettes. here and there from this green ground rose pure white stars edged with a line of gold, and from their throats came crimson anthers but no pistils. a fragrance, blended of roses and of orange blossoms, yet ethereal and fugitive, gave something as it were celestial to that mysterious flower, which seraphitus sadly contemplated, as though it uttered plaintive thoughts which he alone could understand. but to minna this mysterious phenomenon seemed a mere caprice of nature giving to stone the freshness, softness, and perfume of plants.

“why do you call it matchless? can it not reproduce itself?” she asked, looking at seraphitus, who colored and turned away.

“let us sit down,” he said presently; “look below you, minna. see! at this height you will have no fear. the abyss is so far beneath us that we no longer have a sense of its depths; it acquires the perspective uniformity of ocean, the vagueness of clouds, the soft coloring of the sky. see, the ice of the fiord is a turquoise, the dark pine forests are mere threads of brown; for us all abysses should be thus adorned.”

seraphitus said the words with that fervor of tone and gesture seen and known only by those who have ascended the highest mountains of the globe — a fervor so involuntarily acquired that the haughtiest of men is forced to regard his guide as a brother, forgetting his own superior station till he descends to the valleys and the abodes of his kind. seraphitus unfastened the skees from minna’s feet, kneeling before her. the girl did not notice him, so absorbed was she in the marvellous view now offered of her native land, whose rocky outlines could here be seen at a glance. she felt, with deep emotion, the solemn permanence of those frozen summits, to which words could give no adequate utterance.

“we have not come here by human power alone,” she said, clasping her hands. “but perhaps i dream.”

“you think that facts the causes of which you cannot perceive are supernatural,” replied her companion.

“your replies,” she said, “always bear the stamp of some deep thought. when i am near you i understand all things without an effort. ah, i am free!”

“if so, you will not need your skees,” he answered.

“oh!” she said; “i who would fain unfasten yours and kiss your feet!”

“keep such words for wilfrid,” said seraphitus, gently.

“wilfrid!” cried minna angrily; then, softening as she glanced at her companion’s face and trying, but in vain, to take his hand, she added, “you are never angry, never; you are so hopelessly perfect in all things.”

“from which you conclude that i am unfeeling.”

minna was startled at this lucid interpretation of her thought.

“you prove to me, at any rate, that we understand each other,” she said, with the grace of a loving woman.

seraphitus softly shook his head and looked sadly and gently at her.

“you, who know all things,” said minna, “tell me why it is that the timidity i felt below is over now that i have mounted higher. why do i dare to look at you for the first time face to face, while lower down i scarcely dared to give a furtive glance?”

“perhaps because we are withdrawn from the pettiness of earth,” he answered, unfastening his pelisse.

“never, never have i seen you so beautiful!” cried minna, sitting down on a mossy rock and losing herself in contemplation of the being who had now guided her to a part of the peak hitherto supposed to be inaccessible.

never, in truth, had seraphitus shone with so bright a radiance — the only word which can render the illumination of his face and the aspect of his whole person. was this splendor due to the lustre which the pure air of mountains and the reflections of the snow give to the complexion? was it produced by the inward impulse which excites the body at the instant when exertion is arrested? did it come from the sudden contrast between the glory of the sun and the darkness of the clouds, from whose shadow the charming couple had just emerged? perhaps to all these causes we may add the effect of a phenomenon, one of the noblest which human nature has to offer. if some able physiologist had studied this being (who, judging by the pride on his brow and the lightning in his eyes seemed a youth of about seventeen years of age), and if the student had sought for the springs of that beaming life beneath the whitest skin that ever the north bestowed upon her offspring, he would undoubtedly have believed either in some phosphoric fluid of the nerves shining beneath the cuticle, or in the constant presence of an inward luminary, whose rays issued through the being of seraphitus like a light through an alabaster vase. soft and slender as were his hands, ungloved to remove his companion’s snow-boots, they seemed possessed of a strength equal to that which the creator gave to the diaphanous tentacles of the crab. the fire darting from his vivid glance seemed to struggle with the beams of the sun, not to take but to give them light. his body, slim and delicate as that of a woman, gave evidence of one of those natures which are feeble apparently, but whose strength equals their will, rendering them at times powerful. of medium height, seraphitus appeared to grow in stature as he turned fully round and seemed about to spring upward. his hair, curled by a fairy’s hand and waving to the breeze, increased the illusion produced by this aerial attitude; yet his bearing, wholly without conscious effort, was the result far more of a moral phenomenon than of a corporal habit.

minna’s imagination seconded this illusion, under the dominion of which all persons would assuredly have fallen — an illusion which gave to seraphitus the appearance of a vision dreamed of in happy sleep. no known type conveys an image of that form so majestically made to minna, but which to the eyes of a man would have eclipsed in womanly grace the fairest of raphael’s creations. that painter of heaven has ever put a tranquil joy, a loving sweetness, into the lines of his angelic conceptions; but what soul, unless it contemplated seraphitus himself, could have conceived the ineffable emotions imprinted on his face? who would have divined, even in the dreams of artists, where all things become possible, the shadow cast by some mysterious awe upon that brow, shining with intellect, which seemed to question heaven and to pity earth? the head hovered awhile disdainfully, as some majestic bird whose cries reverberate on the atmosphere, then bowed itself resignedly, like the turtledove uttering soft notes of tenderness in the depths of the silent woods. his complexion was of marvellous whiteness, which brought out vividly the coral lips, the brown eyebrows, and the silken lashes, the only colors that trenched upon the paleness of that face, whose perfect regularity did not detract from the grandeur of the sentiments expressed in it; nay, thought and emotion were reflected there, without hindrance or violence, with the majestic and natural gravity which we delight in attributing to superior beings. that face of purest marble expressed in all things strength and peace.

minna rose to take the hand of seraphitus, hoping thus to draw him to her, and to lay on that seductive brow a kiss given more from admiration than from love; but a glance at the young man’s eyes, which pierced her as a ray of sunlight penetrates a prism, paralyzed the young girl. she felt, but without comprehending, a gulf between them; then she turned away her head and wept. suddenly a strong hand seized her by the waist, and a soft voice said to her: “come!” she obeyed, resting her head, suddenly revived, upon the heart of her companion, who, regulating his step to hers with gentle and attentive conformity, led her to a spot whence they could see the radiant glories of the polar nature.

“before i look, before i listen to you, tell me, seraphitus, why you repulse me. have i displeased you? and how? tell me! i want nothing for myself; i would that all my earthly goods were yours, for the riches of my heart are yours already. i would that light came to my eyes only though your eyes just as my thought is born of your thought. i should not then fear to offend you, for i should give you back the echoes of your soul, the words of your heart, day by day — as we render to god the meditations with which his spirit nourishes our minds. i would be thine alone.”

“minna, a constant desire is that which shapes our future. hope on! but if you would be pure in heart mingle the idea of the all-powerful with your affections here below; then you will love all creatures, and your heart will rise to heights indeed.”

“i will do all you tell me,” she answered, lifting her eyes to his with a timid movement.

“i cannot be your companion,” said seraphitus sadly.

he seemed to repress some thoughts, then stretched his arms towards christiana, just visible like a speck on the horizon and said:—

“look!”

“we are very small,” she said.

“yes, but we become great through feeling and through intellect,” answered seraphitus. “with us, and us alone, minna, begins the knowledge of things; the little that we learn of the laws of the visible world enables us to apprehend the immensity of the worlds invisible. i know not if the time has come to speak thus to you, but i would, ah, i would communicate to you the flame of my hopes! perhaps we may one day be together in the world where love never dies.”

“why not here and now?” she said, murmuring.

“nothing is stable here,” he said, disdainfully. “the passing joys of earthly love are gleams which reveal to certain souls the coming of joys more durable; just as the discovery of a single law of nature leads certain privileged beings to a conception of the system of the universe. our fleeting happiness here below is the forerunning proof of another and a perfect happiness, just as the earth, a fragment of the world, attests the universe. we cannot measure the vast orbit of the divine thought of which we are but an atom as small as god is great; but we can feel its vastness, we can kneel, adore, and wait. men ever mislead themselves in science by not perceiving that all things on their globe are related and co-ordinated to the general evolution, to a constant movement and production which bring with them, necessarily, both advancement and an end. man himself is not a finished creation; if he were, god would not be.”

“how is it that in thy short life thou hast found the time to learn so many things?” said the young girl.

“i remember,” he replied.

“thou art nobler than all else i see.”

“we are the noblest of god’s greatest works. has he not given us the faculty of reflecting on nature; of gathering it within us by thought; of making it a footstool and stepping-stone from and by which to rise to him? we love according to the greater or the lesser portion of heaven our souls contain. but do not be unjust, minna; behold the magnificence spread before you. ocean expands at your feet like a carpet; the mountains resemble ampitheatres; heaven’s ether is above them like the arching folds of a stage curtain. here we may breathe the thoughts of god, as it were like a perfume. see! the angry billows which engulf the ships laden with men seem to us, where we are, mere bubbles; and if we raise our eyes and look above, all there is blue. behold that diadem of stars! here the tints of earthly impressions disappear; standing on this nature rarefied by space do you not feel within you something deeper far than mind, grander than enthusiasm, of greater energy than will? are you not conscious of emotions whose interpretation is no longer in us? do you not feel your pinions? let us pray.”

seraphitus knelt down and crossed his hands upon his breast, while minna fell, weeping, on her knees. thus they remained for a time, while the azure dome above their heads grew larger and strong rays of light enveloped them without their knowledge.

“why dost thou not weep when i weep?” said minna, in a broken voice.

“they who are all spirit do not weep,” replied seraphitus rising; “why should i weep? i see no longer human wretchedness. here, good appears in all its majesty. there, beneath us, i hear the supplications and the wailings of that harp of sorrows which vibrates in the hands of captive souls. here, i listen to the choir of harps harmonious. there, below, is hope, the glorious inception of faith; but here is faith — it reigns, hope realized!”

“you will never love me; i am too imperfect; you disdain me,” said the young girl.

“minna, the violet hidden at the feet of the oak whispers to itself: ‘the sun does not love me; he comes not.’ the sun says: ‘if my rays shine upon her she will perish, poor flower.’ friend of the flower, he sends his beams through the oak leaves, he veils, he tempers them, and thus they color the petals of his beloved. i have not veils enough, i fear lest you see me too closely; you would tremble if you knew me better. listen: i have no taste for earthly fruits. your joys, i know them all too well, and, like the sated emperors of pagan rome, i have reached disgust of all things; i have received the gift of vision. leave me! abandon me!” he murmured, sorrowfully.

seraphitus turned and seated himself on a projecting rock, dropping his head upon his breast.

“why do you drive me to despair?” said minna.

“go, go!” cried seraphitus, “i have nothing that you want of me. your love is too earthly for my love. why do you not love wilfrid? wilfrid is a man, tested by passions; he would clasp you in his vigorous arms and make you feel a hand both broad and strong. his hair is black, his eyes are full of human thoughts, his heart pours lava in every word he utters; he could kill you with caresses. let him be your beloved, your husband! yes, thine be wilfrid!”

minna wept aloud.

“dare you say that you do not love him?” he went on, in a voice which pierced her like a dagger.

“have mercy, have mercy, my seraphitus!”

“love him, poor child of earth to which thy destiny has indissolubly bound thee,” said the strange being, beckoning minna by a gesture, and forcing her to the edge of the saeter, whence he pointed downward to a scene that might well inspire a young girl full of enthusiasm with the fancy that she stood above this earth.

“i longed for a companion to the kingdom of light; i wished to show you that morsel of mud, i find you bound to it. farewell. remain on earth; enjoy through the senses; obey your nature; turn pale with pallid men; blush with women; sport with children; pray with the guilty; raise your eyes to heaven when sorrows overtake you; tremble, hope, throb in all your pulses; you will have a companion; you can laugh and weep, and give and receive. i— i am an exile, far from heaven; a monster, far from earth. i live of myself and by myself. i feel by the spirit; i breathe through my brow; i see by thought; i die of impatience and of longing. no one here below can fulfil my desires or calm my griefs. i have forgotten how to weep. i am alone. i resign myself, and i wait.”

seraphitus looked at the flowery mound on which he had seated minna; then he turned and faced the frowning heights, whose pinnacles were wrapped in clouds; to them he cast, unspoken, the remainder of his thoughts.

“minna, do you hear those delightful strains?” he said after a pause, with the voice of a dove, for the eagle’s cry was hushed; “it is like the music of those eolian harps your poets hang in forests and on the mountains. do you see the shadowy figures passing among the clouds, the winged feet of those who are making ready the gifts of heaven? they bring refreshment to the soul; the skies are about to open and shed the flowers of spring upon the earth. see, a gleam is darting from the pole. let us fly, let us fly! it is time we go!”

in a moment their skees were refastened, and the pair descended the falberg by the steep slopes which join the mountain to the valleys of the sieg. miraculous perception guided their course, or, to speak more properly, their flight. when fissures covered with snow intercepted them, seraphitus caught minna in his arms and darted with rapid motion, lightly as a bird, over the crumbling causeways of the abyss. sometimes, while propelling his companion, he deviated to the right or left to avoid a precipice, a tree, a projecting rock, which he seemed to see beneath the snow, as an old sailor, familiar with the ocean, discerns the hidden reefs by the color, the trend, or the eddying of the water. when they reached the paths of the siegdahlen, where they could fearlessly follow a straight line to regain the ice of the fiord, seraphitus stopped minna.

“you have nothing to say to me?” he asked.

“i thought you would rather think alone,” she answered respectfully.

“let us hasten, minette; it is almost night,” he said.

minna quivered as she heard the voice, now so changed, of her guide — a pure voice, like that of a young girl, which dissolved the fantastic dream through which she had been passing. seraphitus seemed to be laying aside his male force and the too keen intellect that flames from his eyes. presently the charming pair glided across the fiord and reached the snow-field which divides the shore from the first range of houses; then, hurrying forward as daylight faded, they sprang up the hill toward the parsonage, as though they were mounting the steps of a great staircase.

“my father must be anxious,” said minna.

“no,” answered seraphitus.

as he spoke the couple reached the porch of the humble dwelling where monsieur becker, the pastor of jarvis, sat reading while awaiting his daughter for the evening meal.

“dear monsieur becker,” said seraphitus, “i have brought minna back to you safe and sound.”

“thank you, mademoiselle,” said the old man, laying his spectacles on his book; “you must be very tired.”

“oh, no,” said minna, and as she spoke she felt the soft breath of her companion on her brow.

“dear heart, will you come day after to-morrow evening and take tea with me?”

“gladly, dear.”

“monsieur becker, you will bring her, will you not?”

“yes, mademoiselle.”

seraphitus inclined his head with a pretty gesture, and bowed to the old pastor as he left the house. a few moments later he reached the great courtyard of the swedish villa. an old servant, over eighty years of age, appeared in the portico bearing a lantern. seraphitus slipped off his snow-shoes with the graceful dexterity of a woman, then darting into the salon he fell exhausted and motionless on a wide divan covered with furs.

“what will you take?” asked the old man, lighting the immensely tall wax-candles that are used in norway.

“nothing, david, i am too weary.”

seraphitus unfastened his pelisse lined with sable, threw it over him, and fell asleep. the old servant stood for several minutes gazing with loving eyes at the singular being before him, whose sex it would have been difficult for any one at that moment to determine. wrapped as he was in a formless garment, which resembled equally a woman’s robe and a man’s mantle, it was impossible not to fancy that the slender feet which hung at the side of the couch were those of a woman, and equally impossible not to note how the forehead and the outlines of the head gave evidence of power brought to its highest pitch.

“she suffers, and she will not tell me,” thought the old man. “she is dying, like a flower wilted by the burning sun.”

and the old man wept.