the secret which guy darrell did not confide to alban morley.

it was a serene noonday in that melancholy interlude of the seasons when autumn has really ceased—winter not yet visibly begun. the same hired vehicle which had borne lionel to fawley more than five years ago, stopped at the gate of the wild umbrageous grass-land that surrounded the antique manor-house. it had been engaged, from the nearest railway- station on the london road, by a lady, with a female companion who seemed her servant. the driver dismounted, opened the door of the vehicle, and the lady bidding him wait there till her return, and saying a few words to her companion, descended, and, drawing her cloak round her, walked on alone towards the manor-house. at first her step was firm, and her pace quick. she was still under the excitement of the resolve in which the journey from her home had been suddenly conceived and promptly accomplished. but as the path wound on through the stillness of venerable groves, her courage began to fail her. her feet loitered, her eyes wandered round vaguely, timidly. the scene was not new to her. as she gazed, rushingly gathered over her sorrowful shrinking mind memories of sportive happy summer days, spent in childhood amidst those turfs and shades-memories, more agitating, of the last visit (childhood then ripened into blooming youth) to the ancient dwelling which, yet concealed from view by the swells of the undulating ground and the yellow boughs of the giant trees, betrayed its site by the smoke rising thin and dim against the limpid atmosphere. she bent down her head, closing her eyes as if to shut out less the face of the landscape than the images that rose ghost-like up to people it, and sighed heavily, heavily. now, hard by, roused from its bed amongst the fern, the doe that darrell had tained into companionship had watched with curiosity this strange intruder on its solitary range. but at the sound of that heavy sigh, the creature, emboldened, left its halting-place, and stole close to the saddened woman, touching her very dress. doubtless, as darrell's companion in his most musing hours, the doe was familiarised to the sound of sighs, and associated the sound with its gentlest notions of humanity.

the lady, starting, raised her drooping lids, and met those soft dark eyes, dark and soft as her own. round the animal's neck there was a simple collar, with a silver plate, fresh and new, evidently placed there recently; and as the creature thrust forward its head, as if for the caress of a wonted hand, the lady read the inscription. the words were in italian, and may be construed thus: "female, yet not faithless; fostered, yet not ungrateful." as she read, her heart so swelled, and her resolve so deserted her, that she turned as if she had received a sentence of dismissal, and went back some hasty paces. the doe followed her till she paused again, and then it went slowly down a narrow path to the left, which led to the banks of the little lake.

the lady had now recovered herself. "it is a duty, and it must be done," she muttered, and letting clown the veil she had raised on entering the demesne, she hurried on, not retracing her steps in the same path, but taking that into which the doe had stricken, perhaps in the confused mistake of a mind absorbed and absent-perhaps in revived recollection of the localities, for the way thus to the house was shorter than by the weed-grown carriage-road. the lake came in view, serene and glassy; half-leafless woodlands reflected far upon its quiet waters; the doe halted, lifted its head, and sniffed the air, and, somewhat quickening its pace, vanished behind one of the hillocks clothed with brushwood, that gave so primitive and forest-like a character to the old ground. advancing still, there now,—at her right hand, grew out of the landscape the noble turrets of the unfinished pile; and, close at her left, under a gnarled fantastic thorn-tree, the still lake at his feet reflecting his stiller shadow, reclined guy darrell, the doe nestled at his side.

so unexpected this sight—he, whom she came to seek yet feared to see, so close upon her way—the lady uttered a faint but sharp cry, and darrell sprang to his feet. she stood before him, veiled, mantled, bending as a suppliant.

"avaunt!" he faltered wildly. "is this a spirit my own black solitude conjures up—or is it a delusion, a dream?" it is i—i!—the caroline dear to you once, if detested now! forgive me! not for myself i come." she flung back her veil-her eyes pleadingly sought his.

"so," said darrell, gathering his arms round his breast in the gesture peculiar to him when seeking either to calm a more turbulent movement, or to confirm a sterner resolution of his heart—"so! caroline, marchioness of montfort, we are then fated to meet face to face at last! i understand—lionel haughton sent, or showed to you, my letter?"

"oh! mr. darrell, how could you have the heart to write in such terms of one who—"

"one who had taken the heart from my bosom and trampled it into the mire. true, fribbles will say, 'fie! the vocabulary of fine gentlemen has no harsh terms for women.' gallants, to whom love is pastime, leave or are left with elegant sorrow and courtly bows. madam, i was never such airy gallant. i am but a man unhappily in earnest—a man who placed in those hands his life of life—who said to you, while yet in his prime, 'there is my future, take it, till it vanish out of earth!" you have made that life substanceless as a ghost—that future barren as the grave. and when you dare force yourself again upon my way, and would dictate laws to my very hearth—if i speak as a man what plain men must feel—'oh! mr. darrell,' says your injured ladyship, 'how can you have the heart?' woman! were you not false as the falsest? falsehood has no dignity to awe rebuke—falsehood no privilege of sex."

"darrell—darrell—darrell—spare me, spare me! i have been so punished

—i am so miserable!"

"you!—punished!—what! you sold yourself to youth, and sleek looks, and grand titles, and the flattery of a world; and your rose-leaves were crumpled in the gorgeous marriage-bed. adequate punishment!—a crumpled rose-leaf! true, the man was a—but why should i speak ill of him? it was he who was punished, if, accepting his rank, you recognised in himself a nothingness that you could neither love nor honour. false and ungrateful alike to the man you chose—to the man you forsook! and now you have buried one, and you have schemed to degrade the other."

"degrade!—oh! it is that charge which has stung me to the quick. all the others i deserve. but that charge! listen—you shall listen."

"i stand here resigned to do so. say all you will now, for it is the last time on earth i lend my ears to your voice."

"be it so—the last time." she paused to recover speech, collect thoughts, gain strength; and strange though it may seem to those who have never loved, amidst all her grief and humiliation there was a fearful delight in that presence from which she had been exiled since her youth —nay, delight unaccountable to herself, even in that rough, vehement, bitter tempest of reproach, for an instinct told her that there would have been no hatred in the language had no love been lingering in the soul.

"speak," said darrell gently, softened, despite himself, by her evident struggle to control emotion.

twice she began-twice voice failed her. at last her words came forth audibly. she began with her plea for lionel and sophy, and gathered boldness by her zeal on their behalf. she proceeded to vindicate her own motives-to acquit herself of his harsh charge. she scheme for his degradation! she had been too carried away by her desire to promote his happiness—to guard him from the possibility of a self-reproach. at first he listened to her with haughty calmness; merely saying, in reference to sophy and lionel, "i have nothing to add or to alter in the resolution i have communicated to lionel." but when she thus insensibly mingled their cause with her own, his impatience broke out. "my happiness? oh! well have you proved the sincerity with which you schemed for that! save me from self-reproach—me! has lady montfort so wholly forgotten that she was once caroline lyndsay that she can assume the part of a warning angel against the terrors of self-reproach?"

"ah!" she murmured faintly, "can you suppose, however fickle and thankless i may seem to you—"

"seem!" he repeated.

"seem!" she said again, but meekly—"seem, and seem justly;—yet can you suppose that when i became free to utter my remorse—to speak of gratitude, of reverence—i was insincere? darrell, darrell, you cannot think so! that letter which reached you abroad nearly a year ago, in which i laid my pride of woman at your feet, as i lay it now in coming here—that letter, in which i asked if it were impossible for you to pardon, too late for me to atone—was written on my knees. it was the outburst of my very heart. nay, nay, hear me out. do not imagine that i would again obtrude a hope so contemptuously crushed!" (a deep blush came over her cheek.) "i blame you not, nor, let me say it, did your severity bring that shame which i might have justly felt had i so written to any man on earth but you—you, so reverenced from my infancy, that—"

"ay," interrupted darrell fiercely, "ay, do not fear that i should misconceive you; you would not so have addressed the young, the fair, the happy. no! you, proud beauty, with hosts, no doubt, of supplicating wooers, would have thrust that hand into the flames before it wrote to a young man, loved as the young are loved, what without shame it wrote to the old man, reverenced as the old are reverenced! but my heart is not old, and your boasted reverence was a mocking insult. your letter, torn to pieces, was returned to you without a word—insult for insult! you felt no shame that i should so rudely reject your pity. why should you? rejected pity is not rejected love. the man was not less old because he was not reconciled to age."

this construction of her tender penitence—this explanation of his bitter scorn—took caroline montfort wholly by surprise. from what writhing agonies of lacerated self-love came that pride which was but self- depreciation? it was a glimpse into the deeper rents of his charred and desolate being which increased at once her yearning affection and her passionate despair. vainly she tried to utter the feelings that crowded upon her!—vainly, vainly! woman can murmur, "i have injured you— forgive!" when she cannot exclaim, "you disdain me, but love!" vainly, vainly her bosom heaved and her lips moved under the awe of his flashing eyes and the grandeur of his indignant frown.

"ah!" he resumed, pursuing his own thoughts with a sombre intensity of passion that rendered him almost unconscious of her presence—"ah! i said to myself, 'oh, she believes that she has been so mourned and missed that my soul would spring back to her false smile; that i could be so base a slave to my senses as to pardon the traitress because her face was fair enough to haunt my dreams. she dupes herself; she is no necessity to my existence—i have wrenched it from her power years, long years ago! i will show her, since again she deigns to remember me, that i am not so old as to be grateful for the leavings of a heart.

"i will love another—i will be beloved. she shall not say with secret triumph, 'the old man dotes in rejecting me'"

"darrell, darrel—unjus—cruel kill me rather than talk thus!"

he heeded not her cry. his words rolled on in that wonderful, varying music which, whether in tenderness or in wrath, gave to his voice a magical power—fascinating, hushing, overmastering human souls.

"but—you have the triumph; see, i am still alone! i sought the world of the young—the marriage mart of the beautiful once more. alas! if my eye was captured for a moment, it was by something that reminded me of you. i saw a faultless face, radiant with its virgin blush; moved to it, i drew near-sighing, turned away; it was not you! i heard the silvery laugh of a life fresh as an april morn. 'hark!' i said, 'is not that the sweet mirth-note at which all my cares were dispelled? listening, i forgot my weight of years. why? because listening, i remembered you. 'heed not the treacherous blush and the beguiling laugh,' whispered prudence. 'seek in congenial mind a calm companion to thine own.' mind! o frigid pedantry! mind!—had not yours been a volume open to my eyes; in every page, methought, some lovely poet-truth never revealed to human sense before! no; you had killed to me all womanhood! woo another!—wed another! 'hush,' i said, 'it shall be. eighteen years since we parted— seeing her not, she remains eternally the same! seeing her again, the very change that time must have brought will cure. i saw you—all the past rushed back in that stolen moment. i fled—never more to dream that i can shake off the curse of memory—blent with each drop of my blood— woven with each tissue-throbbing in each nerve-bone of my bone, and flesh of my flesh—poison-root from which every thought buds to wither—the curse to have loved and to have trusted you!"

"merciful heaven! can i bear this?" cried caroline, clasping her hands to her bosom." and is my sin so great—is it so unpardonable? oh, if in a heart so noble, in a nature so great, mine was the unspeakable honour to inspire an affection thus enduring, must it be only—only—as a curse! why can i not repair the past? you have not ceased to love me. call it hate—it is love still! and now, no barrier between our lives, can i never, never again—never, now that i know i am less unworthy of you by the very anguish i feel to have so stung you—can i never again be the caroline of old?"

"ha, ha!" burst forth the unrelenting man, with a bitter laugh—"see the real coarseness of a woman's nature under all its fine-spun frippery! behold these delicate creatures, that we scarcely dare to woo! how little they even comprehend the idolatry they inspire! the caroline of old! lo, the virgin whose hand we touched with knightly homage, whose first bashful kiss was hallowed as the gate of paradise, deserts us—sells herself at the altar—sanctifies there her very infidelity to us; and when years have passed, and a death has restored her freedom, she comes to us as if she had never pillowed her head on another's bosom, and says 'can i not again be the caroline of old?' we men are too rude to forgive the faithless. where is the caroline i loved? you—are—my lady montfort! look round. on these turfs, you, then a child, played beside my children. they are dead, but less dead to me than you. never dreamed i then that a creature so fair would be other than a child to my grave and matured existence. then, if i glanced towards your future, i felt no pang to picture you grown to womanhood—another's bride. my hearth had for years been widowed, i had no thought of second nuptials. my son would live to enjoy my wealth, and realise my cherished dreams—my son was snatched from me! who alone had the power to comfort?—who alone had the courage to steal into the darkened room where i sate mourning? sure that in her voice there would be consolation, and the sight of her sympathising tears would chide away the bitterness of mine?—who but the caroline of old! ah, you are weeping now. but lady montfort's tears have no talisman to me! you were then still a child—as a child, my soothing angel. a year or so more my daughter, to whom all my pride of house—all my hope of race, had been consigned—she whose happiness i valued so much more than my ambition, that i had refused her hand to your young lord of montfort—puppet that, stripped of the millinery of titles, was not worthy to replace a doll!—my daughter, i folded her one night in my arms,—i implored her to confide in me if ever she nursed a hope that i could further—knew a grief that i could banish; and she promised—and she bent her forehead to my blessing—and before daybreak she had fled with a man whose very touch was dishonour and pollution, and was lost to me for ever. . . . then, when i came hither to vent at my father's grave the indignant grief i suffered not the world to see, you and your mother (she who professed for me such loyal friendship, such ineffaceable gratitude), you two came kindly to share my solitude—and then, then you were a child no more!—and a sun that had never gilt my life brightened out of the face of the caroline of old!" he paused a moment, heeding not her bitter weeping; he was rapt from the present hour itself by the excess of that anguish which is to woe what ecstasy is to joy—swept along by the flood of thoughts that had been pent within his breast through the solitary days and haunted nights, which had made the long transition state from his manhood's noon to its gathering eve. and in that pause there came from afar off a melodious, melancholy strain- softly, softly borne over the cold blue waters—softly, softly through the sere autumnal leaves—the music of the magic flute!

"hark!" he said, "do you not remember? look to that beech-tree yonder! summer clothed it then! do you not remember! as under that tree we stood—that same, same note came, musical as now, undulating with rise and fall—came, as if to interpret, by a voice from fairyland, the beating of my own mysterious heart. you had been pleading for pardon to one less ungrateful—less perfidious—than my comforter proved herself. i had listened to you, wondering why anger and wrong seemed banished from the world; and i murmured, in answer, without conscious thought of myself: 'happy the man whose faults your bright charity will admonish— whose griefs your tenderness will chase away! but when, years hence, children are born to yourself, spare me the one who shall most resemble you, to replace the daughter whom i can only sincerely pardon when something else can spring up to my desolate being—something that i can cherish without the memory of falsehood and the dread of shame.' yes, as i ceased, came that music; and as it thrilled through the summer air, i turned and met your eyes—turned and saw you blush—turned and heard some faint faltering words drowning the music with diviner sweetness; and suddenly i knew, as by a revelation, that the child i had fostered had grown the woman i loved. my own soul was laid bare to me by the flash of hope. over the universe rushed light and colour! oh, the caroline of old! what wonder that she became so fatally, so unspeakably beloved! as some man in ancient story, banished from his native land, is told by an oracle to seek a happier isle in undiscovered seas—freights with his all a single bark—collects on his wandering altar the last embers of his abandoned hearth-places beside it his exiled housebold gods; so all that my life had left to me, hallowing and hallowed, i stored in you. . . . i tore myself from the old native soil, the old hardy skies. through time's wide ocean i saw but the promised golden isle. fables, fables!— lying oracle!—sunken vessel!—visionary isle! and life to me had till then been so utterly without love!—had passed in such hard labours, without a holyday of romance—all the fountains of the unknown passion sealed till the spell struck the rock, and every wave, every drop sparkled fresh to a single star. yet my boyhood, like other men's, had dreamed of its ideal. there at last that ideal, come to life, bloomed before me; there, under those beech-trees—the caroline of old. o wretched woman, now weeping at my side, well may you weep! never can earth give you back such love as you lost in mine."

"i know it, i know it—fool that i was—miserable fool!"

"ay, but comfort yourself—wilder and sadder folly in myself! your mother was right. 'the vain child,' she said, 'knows not her own heart. she is new to the world—has seen none of her own years. for your sake, as for hers, i must insist on the experiment of absence. a year's ordeal—see if she is then of the same mind.' i marvelled at her coldness; proudly i submitted to her seasonings; fearlessly i confided the result to you. ah! how radiant was your smile, when, in the parting hour, i said, 'summer and you will return again!' in vain, on pretence that the experiment should be complete, did your mother carry you abroad, and exact from us both the solemn promise that not even a letter should pass beween us—that our troth, made thus conditional, should be a secret to all—in vain, if meant to torture me with doubt. in my creed, a doubt is itself a treason. how lovely grew the stern face of ambition!—how fame seemed as a messenger from me to you! in the sound of applause i said 'they cannot shut out the air that will carry that sound to her ears! all that i can win from honour shall be my marriage gifts to my queenly bride.' see that arrested pile—begun at my son's birth, stopped awhile at his death, recommenced on a statelier plan when i thought of your footstep on its floors—your shadow on its walls. stopped now forever! architects can build a palace; can they build a home? but you —you—you, all the while—your smile on another's suit—your thoughts on another's hearth!"

"not so!—not so! your image never forsook me. i was giddy, thoughtless, dazzled, entangled; and i told you in the letter you returned to me—told you that i had been deceived!"

"patience—patience! deceived! do you imagine that i do not see all that passed as in a magician's glass? caroline montfort, you never loved me; you never knew what love was. thrown suddenly into the gay world, intoxicated by the effect of your own beauty, my sombre figure gradually faded dim—pale ghost indeed in the atmosphere of flowers and lustres, rank with the breath of flatterers. then came my lord the marquess— a cousin privileged to familiar intimacy to visit at will, to ride with you, dance with you, sit side by side with you in quiet corners of thronging ball-rooms, to call you 'caroline.' tut, tut—they are only cousins, and cousins are as brothers and sisters in the affectionate house of vipont; and gossips talk, and young ladies envy—finest match in all england is the pretty-faced lord of montfort! and your mother, who had said, 'wait a year' to guy darrell, must have dreamed of the cousin, and schemed for his coronet, when she said it. and i was unseen, and i must not write; and the absent are always in the wrong—when cousins are present! and i hear your mother speak of me—hear the soft sound of her damaging praises. 'another long speech from your clever admirer! don't fancy he frets; that kind of man thinks of nothing but blue-books and politics.' and your cousin proposes, and you say with a sigh, 'no; i am bound to guy darrell'; and your mother says to my lord, 'wait, and still come—as a cousin!' and then, day by day, the sweet mrs. lyndsay drops into your ear the hints that shall poison your heart. some fable is dressed to malign me; and you cry, "tis not true; prove it true, or i still keep my faith to guy darrell.' then comes the kind compact—'if the story be false, my cousin must go.' 'and if it be true, you will be my own duteous child. alas! your poor cousin is breaking his heart. a lawyer of forty has a heart made of parchuient!' aha! you were entangled, and of course deceived! your letter did not explain what was the tale told to you. i care not a rush what it was. it is enough for me to know that, if you had loved me, you would have loved me the more for every tale that belied me. so the tale was credited, because a relief to credit it. so the compact was kept—so the whole bargain hurried over in elegant privacy-place of barter, an ambassador's chapel. bauble for bauble—a jilt's faith for a mannikin's coronet. four days before the year of trial expired, 'only four days more!' i exclaimed, drunk with rapture. the journals lie before me. three columns to guy darrell's speech last night; a column more to its effect on a senate, on an empire; and two lines—two little lines—to the sentence that struck guy darrell out of the world of men! 'marriage in high life.—marquess of montfort-caroline lyndsay.' and the sun did not fall from heaven! vulgarest of ends to the tritest of romances! in the gay world these things happen every day. young ladies are privileged to give hopes to one man—their hands to another. 'is the sin so unpardonable?' you ask, with ingenuous simplicity. lady montfort, that depends! reflect! what was my life before i put it into your keeping? barren of happiness, i grant—saddened, solitary—to myself a thing of small value. but what was that life to others?—a thing full of warm beneficence, of active uses, of hardy powers fitted to noble ends! in paralysing that life as it was to others, there may be sin wider and darker than the mere infidelity to love. and now do you dare to ask, 'can i again be the caroline of old'?"

"i ask nothing—not even pardon," said the miserable woman. "i might say something to show where you misjudge me—something that might palliate; but no, let it be." her accents were so drearily hopeless that darrell abruptly withdrew his eyes from her face, as if fearful that the sight of her woe might weaken his resolve. she had turned mechanically back. they walked on in gloomy silence side by side, away now from the lake— back under the barbed thorn-tree-back by the moss-grown crag-back by the hollow trunks, and over the fallen leaves of trees, that had defied the storms of centuries, to drop, perhaps, brittle and sapless, some quiet day when every wind is lulled.

the flute had ceased its music; the air had grown cold and piercing; the little park was soon traversed; the gate came in sight, and the humble vehicle without it. then, involuntarily, both stopped; and on each there came at once the consciousness that they were about to part—part, never perhaps in this world to meet again; and, with all that had been said, so much unspoken—their hearts so full of what, alas! their lips could not speak.

"lady montfort," at length said darrell. at the sound of her name she shivered.

"i have addressed you rudely—harshly—"

"no—no—"

"but that was the last exercise of a right which i now resign for ever. i spoke to her who had once been caroline lyndsay; some gentler words are due to the widow of lord montfort. whatever the wrongs you have inflicted on me—wrongs inexpiable—i recognise no less in your general nature qualities that would render you, to one whom you really loved, and had never deceived, the blessing i had once hoped you would prove to me."

she shook her head impatiently, piteously.

"i know that in an ill-assorted union, and amidst all the temptations to which flattered beauty is exposed, your conduct has been without reproach. forget the old man whose thoughts should now be on his grave."

"hush, hush—have human mercy!"

"i withdraw and repent my injustice to your motives in the protection you have given to the poor girl whom lionel would wed; i thank you for that protection,—though i refuse consent to my kinsman's prayer. whatever her birth, i must be glad to know that she whom lionel so loves is safe from a wretch like losely. more—one word more—wait—it is hard for me to say it—be happy! i cannot pardon, but i can bless you. farewell for ever!" more overpoweringly crushed by his tenderness than his wrath, before caroline could recover the vehemence of her sobs, he had ceased— he was gone—lost in the close gloom of a neighbouring thicket, his hurried headlong path betrayed by the rustle of mournful boughs swinging back with their withered leaves.