circular quay—figure-heads—a derelict’s night—the world’s worst men—off to new zealand—a violin prodigy—in the new zealand bush—my maori girl—a pied piper—a recipe for the happy vagabond—the philosophical sun-downer

i had lived in sydney five or six years before, when i had run away from a ship in brisbane and had come across to sydney full of dreams and hope. i was then only fourteen years of age. how vividly i recall those days and nights.

once more i stand on old circular quay and seem again to breathe through my dreams the turbulent poetry of emigrant sin and sorrow; for ah! how many cargoes of human lives have been brought across the world and then dumped down on the quay. i dream on, and see the silent wool clipper-ships lying alongside the wharfs, the tall masts and long yards at rest beneath the sky. the fine carved figure-heads look alive, their grand, allegorical faces gazing, their outstretched arms pointing, towards sydney’s silent streets. they seem to express dimly to me some substance of great poetic thought, as though i stood on the mysterious shores of the heaven whence those spiritual minds that conceived them drew their inspiration, when with creating brain and moving fingers they carved such sad, wonderful faces; faces destined to be exiled for years on voyages across wild oceans.

i am a boy again, and am thrilled with such a feeling as a poet has when he treads visionary worlds and forgets his sad reality. how happy i feel as i move along in the white moonlight from wharf to wharf, gazing on each wooden ship and wondering on their past voyages, what seas they crossed ere i was born, and what the seaports looked like when they came sailing down, with weather-beaten sailors staring from the fo’c’sle head.

how distinctly i remember it all! i cannot move from one ship’s side: the figure-head is that of some beautiful goddess with a crown of bronzed hair, wherein a dove flutters. her face represents, exactly, my romantic ideal of all the tender beauty of woman as i dreamed of it in my early boyhood. it is a beautiful face. i gaze from the wharf at it with fascinated eyes: all is silent except for the plomp of the waters against the ship’s side as the tide ebbs. still i gaze at her praying hands, as with wide-opened eyelids she stares across the moonlit quay at the sleeping city.

i went back to my room and dreamed of that perfect face. so strangely was i impressed by its beauty that i felt a longing to find some living type resembling it. the next day i walked up the sydney streets and earnestly scanned the faces of the colonial girls. none of them seemed to me as beautiful as the thought of the artist who had fashioned the perfect outlines of my figure-head. the next night i went down to the quay and gazed once more at her, and then again the following night; but when i arrived on the wharf to my great sorrow i found her gone. she had left her beauty in my soul, and though she was only an insensate figure-head, the memory of her features and expression stirred and fired some devotional dream within me, and gave me a poetic reverence for womanhood, a gift from out the great strangeness of things, that i have ever cherished. often in seaports, on my travels from land to land, my comrades wondered why i stood a moment and gazed at the silent sailing ships by the wharf. but, though i searched, i never saw that figure-head again. i suppose they have broken those old wooden ships up now and burnt them on the hearth fires of the cities, and by them other boys have probably dreamed of strange lands, and lovers gazed in the curling flames with shining eyes. ah! little did they dream what their log of firewood had meant to me; and while they kissed with clinging lips the substance of my boyhood dreams, those features that lived spiritually in my imagination fell to ash as the flames faded in the homestead hearth fire.

the poetry of sydney harbour, with its sights and turmoil of sound, lives in my memory as though to-day is far-off yesterday. i even remember, and feel again, my strange romantic loneliness as i watch the silent ships lying out in the bay. night, like life, is on the deep, tide-moving waters; in the dark depths the fixed mirrored stars shine steadfastly like eternity, while over them the waters ebb seaward or flow towards the shore. the outline of north shore, like another continent, rises across the wide harbour, and exactly opposite are the spires of the grand, silent, sea-board city. some drunken sailor’s song floats across the bay from the wind-jammer that is lying at anchor out in the stream. several lights are twinkling across by miller’s point. the orient liner, the giant aristocrat of the quay, is agleam with shining port-holes; her funnels belch forth smoke that ascends to the silence. we creep by—three homeless men and a boy—looking for a place to sleep! our shadows suddenly hurry on with us, as in the moon’s gleam we spy the quartermaster on watch at the gangway. no hope there for us, we think, so we go round to the anchored ferry-boats and leave the great liner behind. she’s off for england to-morrow, dear old england! o magical word to how many exiles in the sleeping city, and especially to us, with our stomachs rumbling with emptiness. the big manly beach ferry-boat is moored by the wharf; our frightened eyes look carefully around, then down on board we go to seek the cushioned settees of the saloon. we slept there last night. again we creep into the saloon, four of us: roberts, the ship’s stoker, villainous-looking, old, with unshaved face; ross, the son of the right honourable, and the third man, who is a late schoolmaster from a school of great distinction. he is a pessimistic-looking chap, perhaps because he lent ross his last ten shillings on the promise of five hundred per cent. interest when ross got an expected cheque from england. “ah, woeful when!” the night is getting old and cold; how comfortably the warmth of the dim saloon strikes us as we four derelicts creep across. the moonlight is streaming through the port-holes. ross smothers a note of irresistible exultation, for he has spotted a large bunch of bananas on the saloon table! such sudden unexpected affluence is too much for me, and even as i wonder why the saloon smells so strongly of fresh tobacco smoke, i sit down plomp! on the stomach of the ferry-boat’s night watchman, who is asleep on the settee!

kawieri, n.z.

a terrible yell of pain escapes the official’s lips; like four shadows in one headlong leap we cross the saloon and rush up the gangway. how we scampered across the quay space and then rescued poor old roberts, the stoker, as he puffed behind and stumbled on the kerb-side and fell with a crash! under the trees in the domain he sat swearing terrifically, but calmed down as we held his blood-splashed face up and examined it by moonlight. the schoolmaster lent his handkerchief of other days to stanch the blood-flow. ross promised another fifteen shillings when the cheque came. then, under the big-leafed tree, with our heads pillowed on our coats or caps, we lay with our faces side by side to sleep. i can still see the many huddled derelicts under the gum-trees of sydney’s hyde park, disreputable old men, and young men, good and bad. i watch by my chums on our big bedroom floor and hear the far cry of the wild animals in the botanical gardens zoo, and smell the dew-damp leaves and domain grass, as dawn steals over the windless trees away back beyond the horizon of more years than i like to count.

some inexplicable kind of sadness comes over me as i look back to the lost splendour of my derelict days. how wealthy i was with all my youthful unfulfilled promises, and what security i found in the hopeful, manly eyes of men who went down to the sea in ships. how i stuck to them as they yarned together, or sang till the shore cave echoed. the shanty was a paradise, filled with men of mighty deeds, as i gazed with the eyes of boyish inexperience at the stalwart, unshaved men from ’frisco and london, and listened to the stories of sad self-sacrifice, or great deeds on land and sea, performed in the valiant imagination of those wonderful brains of the world’s worst men.

i often wonder what i have missed through the inherited taint of vagabondage that is in my blood. should i have been happier and gained some wealth had i gone ashore in some far country, scorning vagabonds and marching down the track on honest feet, like some dick whittington, looking for the lights of some distant city, with my violin slung beside me? i doubt it. if one is really honest, one is sure, some day, to trust the wrong man through not being dishonest oneself. but to go back to my reminiscences at the moment when i arrived in sydney from samoa.

i did not stay in sydney very long. i had three or four pounds in my pocket and did not want to get stranded, so once more i looked around and was lucky enough to secure a berth on a steamer that was going to new zealand for a cargo of meat, and from there to london. i got a job down in the engine-room as a kind of snowman to look after the refrigerators. the chief engineer was a terrible pig; he was a dutchman, and gave me no peace, but made me paint the lower-deck iron roof. we eventually had a fight, and i received a black eye which took a considerable time to cure itself. i made up my mind to leave at the first opportunity.

i smelt the freshness of the sea-water and tar when we dropped anchor in oriental bay. after the first old loafer who is always waiting in every colonial seaport to say “this is god’s own country” had said it, i looked about. oh! the splendour of those days, the glorious homelessness and the thrilling uncertainty of everything! i stood on the wharf with my violin in my hand, and, though i was almost penniless, i felt like a monarch gazing on his multitude of toiling subjects. ships of many nationalities lay alongside discharging their cargoes, and the crews mingled with the crowds of embarking or disembarking passengers, arriving from, or bound for, australia, china, japan, india; in fact everywhere wealth and poverty massed together. i saw white faces, black faces, yellowish faces, mahogany faces; glittering eyes, blue eyes, black eyes, bilious eyes; dantesque profiles, turbaned heads, thick, black lips, expressing carelessness and humour, and thin, cynical lips; also self-exiled, broken-down, sardonic-looking poets, authors and musicians from the british isles. it seemed that the drama of life was being enacted on that wharf, with its hubbub of uncouth voices: hindu men, and women with rings in their ears, multitudes from the far east, south and west. a kind of miniature parade of existence, ere time’s hand swept the whole lot like pawns off the board, it seemed to me as i watched them embark on the ships to go seaward.

i eventually secured a position as violinist in the orchestra of the opera house in wellington, and i had comfortable diggings with an english family. i think i should have settled down there, but, just as i got to like my landlady and her family, the old father made up his mind to go back to england again. this unsettled me, and i started off on my wanderings again. i got to know a man who hired concert halls. i played at many of his shows, performing paganini’s carnaval de venise, also de bériot’s and spohr’s concertos. i was received very well indeed, and i should have stopped on at the game, but i was very unfortunate. i could not live on the applause which i received through being billed as “the sailor violinist.” i wore a cheesecutter cap, at the request of my employer, who indeed tried to go on the same lines as in london, where foreign prodigies of twenty, with baby collars on, appear! i barely got any wages; my employer secured the profits.

i never knew a man who could promise so much and give so little as that particular employer of mine did. and what he did give he gave with such an air of munificence, as though he was conferring a favour on me that i had never expected, or earned, that for the moment i was completely disarmed and my protest died on my lips.

so one day i started off with my violin “up country.” the turmoil of the crowded city streets, and my commercial inability, had sickened me of trying to do well. when i got on the lonely roads the old knight-errant fever gripped me. as i stood on the bush track i saw the primeval forest trees all brightening in the sunlight, while singing winds, bending their tops, blew through them, and wings glittered where, overhead, flocks of cockatoos sped across the sky.

at midday, tired out, i came across a small bush town. it was by a river where, on the banks, maoris camped. i stopped there only for a day and night, and i lodged with two old men who lived in a small wooden house by a paddock. they were grizzled, retired shellbacks, not from the sea, but from the trackless bush-lands. i unfortunately paid them for my lodging in advance, and they at once bought some rum and sat at their little wooden bench table yarning away till their mumbling voices seemed deep down in their dirty beards.

as the rum fumes got more and more to their brains they ceased telling me their experiences, grew argumentative, and, with fierce eyes, glared at each other till they fell asleep at two o’clock in the morning. the next day i heard from the farmer who lived in a shack just across the flat that they were always drunk, and that the whole bush town thought i was some relative of theirs who had come from abroad to see them, otherwise they could not think anyone would lodge with them. once more i tramped off, and after doing about ten miles i “put up” at a homestead in which an irishman and his wife lived. i was getting short of cash and was half inclined to sleep out; but though it was very hot by day, a cold wind had blown for several nights. i have quite forgotten the name of that little bush village, but i easily recall the picturesque maoris who lived by a creek in their pah (stronghold), a beautiful spot, sheltered by karri trees.

i played the violin to them; and two old maori chiefs, aged and wrinkled, squatted, with delight beaming in their deep eyes, listening to me. they were tattooed with dark blue curves from their lips to their eyebrows, and some of the girls were also decorated with tattoo. the maori women were very cheerful, and brought me food, fresh water, fish and vegetables. an extremely beautiful maori girl, dressed in picturesque maori style, sat on the grass beside me and sang as i played the violin. the surroundings were wildly romantic, and i must confess that i almost fell in love with her. i kept thinking of her eyes as i lay sleeplessly on the extemporised bed that the irishman’s wife had made up for me in a shed adjoining their homestead. i went across to that pah several times; indeed i stopped at the irishman’s all the next day and night. when i went my maori girl bade me good-bye, and then, with some little maori children, she came to see me off, and crept by my side along the track till the pah was almost out of sight. her eyes gazed earnestly into mine as she looked up to me; the wind fluttered her blue frock; in her wealth of hair were stuck crimson and white flowers. i seemed to live once again in the romance of my faded dreams of boyhood. how beautiful she looked as sunset deepened the mystery of her eyes. gallantly i kissed her and then, on the top of the hill, waved my hand back to her, and she faded away, and mad don quixote, carrying his violin, faded away also.

before it was quite dark i sat down on the bush grass and played the song she had sung to me on my violin. i half wished i was a maori and lived in the old days. i am sure i should have gone with a tribe of warriors and attacked that pah and ridden off into the forest with that pretty maori girl!

i slept out that night. i did not fall asleep till midnight, but i made a small fire in my forest bedroom and managed to keep warm; for i opened my violin-case out and with some bush grass made a good shelter, though the slight trade wind on the weather-side blew cold. in the morning i got up without bother as i had slept “all standing,” had a wash in the stream just down by the gullies, and then tramped across the hills to where the smoke arose from a group of homesteads. i counted my money; i hadn’t much, i know; but people in the new zealand bush proved as generous to me as i had found them in the australian bush a year or so before.

as i emerged from under the gum-trees i saw that the village was a decent-sized place of some fifty houses. a main road separated wooden shop buildings, and just behind were the small homes of the population. i had slept late, and the sun was blazing over the forest trees and shining on the tin roofs of the township.

as i went across the paddocks the cows lifted their heads, stared at me, slashed their tails and moved off. i heard the voices of romping children running about in the scrub of their fenceless gardens. summing up my courage, i took up a position in the centre of the silent main street. only one or two shops had their shutters down as i stood erect and started to play the violin! i was a good player, and before the first strain of the sentimental operatic selection wailed to a close the doors of all the shops and houses around me suddenly opened, and out came rushing the children, rosy girls and boys, and women and men, who gazed at me in astonishment.

i felt like some pied piper of hamelin; but the mayor did not turn blue “to pay a sum to a wandering fellow with a gipsy coat of red and yellow” as i fiddled away. the bushmen and the whole population grinned, as though with one mouth of delight, and sunburnt little children rushed up to me with shillings and half-crowns as i moved along and they scampered behind me.

i was well dressed; my grey suit was still new looking and my collar passably clean. i appeared outwardly to have a social standing that outrivalled that of my delighted audience. the vagrancy in my blood made me perfectly happy; and when the old storekeeper tapped me on the shoulder and invited me in, i accepted with alacrity and without a blush the breakfast he gave me. the little children’s bonny brown faces looked in at the open door as i ate like a horse; then they all screamed with delight as i tossed the cat to the wooden ceiling and caught it with one hand. by midday i practically owned the township; for i played in the houses and the children invited me to stop. when i went away and passed up the track the whole population came to the end of the main street to see me go! they all waved their hands as i faded along the bush path.

one never forgets those few hours in life when one has been really happy, and so i have never forgotten that bush township.

whakarewarewa, rotorua, n.z.

to the thousands of literary and commercial vagabonds living under the guise of respectability i give a recipe—how to be happy in vagabondage. first, you must have a firm belief in god and be able to keep the belief to yourself. this belief will help you when each great scheme unexpectedly fails; for if you be a true vagabond your schemes will only benefit others. ere you go to sleep on the grass look upon the forest about you as your bedroom; examine the moon as though it were your lamp, trim it so that the shadows fall glimmering through the trees on to your face, and keep saying to yourself: “i am better off than anyone else; the world is certainly mine.” in time you will believe this, and people will see the belief in your eyes and respect you. be kind to little children you meet on the tramp, and write on your brain the wisdom they speak, for they are the cheeriest of vagabonds! avoid luggage, and throw away your conscience with all your unpaid bills. when you have cast your socks into the bush, place palm or banana leaves in your boots as substitutes: they are cool. i’ve walked for miles quite happily in banana-leaf socks. if you can possibly play a musical instrument, well, take it with you; at the worst you can pawn it. never worry; and when you have no money keep saying to yourself: “there was no money in the world for millions of years before money was invented.” have plenty of tobacco with you; and when you sit under the trees by your camp fire recall pleasant memories only; then the birds will serenade you cheerfully; and if you have a good comrade by your side you will be as two kings, your sentinels the stars, your domain extending to the sky-lines around you. remember that when beggars die, before they put them to bed they wash their feet and place half-crowns on their eyelids so as to keep them closed in deep sleep. if they do that for the dead, what will they do for the living?

as i tramped along the sun blazed down, and i left the track for the shade of some majestic trees. across the gullies i saw a camp fire burning and a man cooking food on it. i had run across a new zealand sundowner!

“hallo, matey, how goes it?” he said as i approached.

“all right,” i answered cheerfully, as he looked at my violin and then up at me and said: “want some tucker?” i accepted a lump of damper and, as his old dog greeted me affectionately and licked my hand, i sat down beside him. we tramped along together all that day and slept in a gully off the track. he was an experienced bushman, and made up two splendid soft mattresses of leaves and moss, and with the dog’s soft muzzle crouched to the ground, its sentinel eyes agleam between us, we slept, and i dreamed of the maori girl.

my companion did not seem extremely gifted, but he was a philosophical and kind companion and never argued, only listened. he had little thought of the morrow; dead yesterday was the land of his dreams, for he was generally retrospective in his conversation. nevertheless he was agreeable, and though i understood little of what he said, the note of the mumble in his beard sounded pleasant. i gathered that he had been tramping for several years, and was off to see some friends who lived up country on a farm of their own. we had a sad misfortune together: about an hour after we had left a cattle yard that was just off the track, we were tramping along, and the old fellow was mumbling, when suddenly his dog ran in front of us and started to whimper and yelp, and then fell down. it had evidently eaten something that was poisonous. before sunset it died in great agony. my friend, indeed both of us, were very much upset. the poor dog had travelled with him for some years. before it got dark we went into the forest under the gum-trees, and i dug a hole at the foot of a large blue gum, then covered our silent sentinel over, as possums leapt overhead in the trees. i did everything, for my companion was too upset. i also cut its name, “bill,” on the tree trunk. he lent me his knife, and when he spoke his voice sounded husky. “i’m a bit of a fool,” he mumbled. “no, you’re not; i understand,” i said. next day i gave him a large tobacco plug and some money; but still he walked along by my side, looking in front and never even speaking, as the flocks of parakeets shrieked across the sky.

we came to a river with rushing falls, and a lagoon beside it caused by the overflow when torrential rain fell in the mountains, which rose miles away, brightening behind us in the sunset. i bathed my feet in the cool water. the bushman looked on, and when i asked him to bathe also he mumbled out that he had bathed like that once before and was afraid. that same evening we came across a deserted maori stronghold. the whares (huts) were in ruins and overgrown. where the garden had once been, among the tall grass and crowds of everlasting flowers, blossoms like vividly coloured crimson and yellow parchment, still grew rock melons, tomatoes and other fruit and vegetables, which the maoris had cultivated. the silent old bushman, to my astonishment, joined me in my reflections as i stood and gazed on the relic of the once prosperous pah. “i guess we’ll camp here to-night, for it’s not too warm these times,” he said; and so we went into the one hut that had withstood the rotting encroaching of time and still had a roof on. the floor was carpeted with weeds and flowers; even the hollow that had served for a fireplace had burst into bloom; and as my quiet old comrade, bending by the door, gathered dead scrub and gum wood to make a fire to boil the billy-can water, the wind moaned fitfully through the forest boughs overhead: i fancied i heard the dead maoris’ voices calling and echoing in the forest depths, and the laughter of girls who were long-ago dead.[12]

12. i was told by my comrade that it was the ruins of a pah stronghold that had been attacked by an enemy tribe, all of the defenders having been killed.

as the shadows closed, and sunset left a gleam out westward, we sat together. in the corner of the whare the sundowner had made our beds, so placed by the bushman’s instinct that they were completely sheltered from the draughty weather-side. my comrade, who was so methodical in his habits, and had the night before pulled his boots off and “turned in” punctually at sunset, seemed wakeful and started talking to me. i understood all he said, for i had got used to his pronunciation, odd though it sounded, owing to his having lost all his teeth. i had been playing the violin to him, and as he sat intently listening, with his bearded chin on his hands, i played on, very pleased to find that he appreciated music. first i had played a commonplace jig, thinking that it would appeal to his uncultivated mind more than direct melody. but when i played a melody from some operatic selection he at once lifted his half-closed eyelids and said approvingly: “that’s right.” i inwardly said to myself: “he’s an ignorant, low old fellow, but there’s something in him; he’s got feeling anyway,” and i thought of his manner when i buried his dog. i had been reading a little book—i forget the name of it—but it quoted the philosophers a good deal, and dealt in such subjects as the human mind and the universe as it appeared to the senses. as i looked up at the stars i pondered, and, half in earnest and half with an idea of showing the old bushman how clever i was, i said, “all those stars out there are other worlds”; and then i used such phrases as “infinite extension”—a lot of high-toned phrases that i did not understand myself. he listened silently, and that was sufficient. i felt that, though he had no imagination, he would look upon me with wonder in his eyes and think “how clever this youth is.” so i rattled on with enthusiasm about the vastness of things and how, but for man’s consciousness, there would be no big or little, sight, sound or time, and how the immensity of space was a mighty ocean of nothingness, a fungoid growth, wherein like jelly-fish universes floated in the eternal waters of darkness, and as they twirled and flashed, their sparkles were the stars!

still he listened; and with pride i again delightedly attacked his profound inferiority, striving to explain that all material and immaterial things were chimeras of the mind’s madness, that crept on shadowy feet through a vast nothing, which was the universe! i told him that he was not then listening to me by the camp fire, but was as the image of myself, an image that i saw at that moment in his wide-open eyes, as he suddenly looked up at me and said: “that’ll do; if there’s nothing, then your opinions, and those of all the philosophers, are nothing!” my hearing seemed to have gone wrong. he mumbled off a latin phrase! i knew it was latin, but that’s about all i did know. his grey, deep-set eyes looked steadfastly at me. the lightning rapidity of intuition telegraphed to my brain a startling message, which in human speech would go this way: “tick! tick! your old bushman, whom you think you are teaching, knows more than you think he does!” two feelings struggled within me; one mockingly laughed at my discomfiture at being such a fool, and the other smiled with pleasure to find my old man was not one. i quickly recovered, and in my heart thanked the “fungoid universe” that it was dark, so that the old man could not see my blush as i dropped my pipe and groped for it in the shadows. and then i received another shock; for he quietly picked my violin up and very quietly started to play! his fingers were stiff, and the bow once slid over the bridge, but it was very evident that somewhere, back in the past, my mumbling old bushman had been a decent violin-player. removing the fiddle from the depths of his dirty beard, he said quietly: “that’s a french-made fiddle; not a bad tone either; you can tell that by the curve of the back and the shape. savez?” then he held it up in the moonlight and, moving his wrinkled finger along the fine curves of my violin, laid it down beside me. “you’ve been a good violin-player in your time,” i replied.

old maori, said to be 105 years old

“yes,” he said, and not a word more did i get out of him, except, as he knocked the ash from his corn-cob pipe, “it’s getting late, chappie”; then with a sigh he lay down in the corner on his bed and almost immediately went off to sleep. he snored vigorously as i lay beside him, quite sleepless. i looked at the outline of his sleeping face, which i could just distinguish by the stream of moonlight that came through the broken wall opposite us. whether it was because of my just acquired knowledge that he was not an uneducated derelict i don’t know, but i fancied the outline of his face looked decidedly refined, notwithstanding the grey, unkempt beard and sweaty grime.

next morning we rose early, and the bushman cooked the breakfast on a fire which he built by the deserted whare’s doorless passage; and as he poured hot tea into a mug from his big billy can, and handed it to me, he placed in it the last remaining bit of sugar, going without sugar himself.

i noticed this; but when i remonstrated he simply said: “never you mind, chappie; you’re not as hardened as i am.” i tried to learn something of his history, but to all my interrogations he was either silent or evasive. one thing i did learn, and that was that he was by birth an englishman. that same day, after crossing some very rough but wildly beautiful country, we arrived at a homestead where there were several outhouses being built. it turned out to be my comrade’s destination. the owners gave him a great welcome, took us both inside and in no time had a table laid ready and a good feed of meat and pumpkin for us. they also were emigrant english folk. as we sat at that grand table d’h?te a venerable old blind man, who had been a sailor, sat at the shanty door, secured from the blazing sun by the shade of the thickly clustered grape vines, and sang: “oh, ho! rio! we’re bound for rio grande.”

he had retired, in england, from the sea many years before, and was the father of our host, who had sent home for him and paid his passage out to new zealand. he was a jolly old fellow and, though over eighty years of age, danced a hornpipe and sang, in spite of being quite blind. how his white whiskers and red beak nose tossed as i played the fiddle and he shuffled his feet and sang, and the boys from the next homestead, a mile over the slopes, watched with delighted eyes.

“avast there! turn to!” he would say, as he asked for a bit more of anything at the table to eat; and he loved to say that his rheumatism had given him a twinge on his weather-side, or on his starboard-side or his stern, as he moved his sightless eyes about and swayed, as though he walked a rolling deck, across the shanty floor.

the last i saw of my travelling comrade the bushman was when he was sawing poles in two and carefully measuring them with his little rule. several new outhouses were being built, and his friends gave him a job for a few days. when the job was finished i have no doubt he went off once more on the track, with his home on his back. i never heard why he lived that life, or who he had been away back in the “has been” past, but i took good care after my experience with him not to try and talk philosophy or teach shabby-looking old men.

very soon after i bade the new zealand “bush-faller” good-bye i went off visiting various townships with my violin and became a wandering troubadour. i grew so well off that i was able to go on, devoid of all worries, and see a great deal of new zealand’s romantic scenery.