IT was in the middle of the fifteenth century, a little before the year 1450, to be precise, that there wandered into the streets of Nuremberg a working man, a common coppersmith, one Hermann Vischer by name. He came no one knows whence. He came one can easily imagine why. Like the father of Albert Dürer, and in the same decade, he was attracted to that beautiful, busy old town by the greed of gain, as Shakespeare was drawn to London, and many another worker in other arts and crafts has been drawn to many another town.

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