that afternoon eden bower was lying on the couch in her music room, her face turned to the window, watching the pigeons. reclining thus she could see none of the neighbouring roofs, only the sky itself and the birds that crossed and recrossed her field of vision, white as scraps of paper blowing in the wind. she was thinking that she was young and handsome and had had a good lunch, that a very easy-going, light-hearted city lay in the streets below her; and she was wondering why she found this queer painter chap, with his lean, bluish cheeks and heavy black eyebrows, more interesting than the smart young men she met at her teacher’s studio.

eden bower was, at twenty, very much the same person that we all know her to be at forty, except that she knew a great deal less. but one thing she knew: that she was to be eden bower. she was like some one standing before a great show window full of beautiful and costly things, deciding which she will order. she understands that they will not all be delivered immediately, but one by one they will arrive at her door. she already knew some of the many things that were to happen to her; for instance, that the chicago millionaire who was going to take her abroad with his sister as chaperone, would eventually press his claim in quite another manner. he was the most circumspect of bachelors, afraid of everything obvious, even of women who were too flagrantly handsome. he was a nervous collector of pictures and furniture, a nervous patron of music, and a nervous host; very cautious about his health, and about any course of conduct that might make him ridiculous. but she knew that he would at last throw all his precautions to the winds.

people like eden bower are inexplicable. her father sold farming machinery in huntington, illinois, and she had grown up with no acquaintances or experiences outside of that prairie town. yet from her earliest childhood she had not one conviction or opinion in common with the people about her, — the only people she knew. before she was out of short dresses she had made up her mind that she was going to be an actress, that she would live far away in great cities, that she would be much admired by men and would have everything she wanted. when she was thirteen, and was already singing and reciting for church entertainments, she read in some illustrated magazine a long article about the late czar of russia, then just come to the throne or about to come to it. after that, lying in the hammock on the front porch on summer evenings, or sitting through a long sermon in the family pew, she amused herself by trying to make up her mind whether she would or would not be the czar’s mistress when she played in his capital. now edna had met this fascinating word only in the novels of ouida, — her hard-worked little mother kept a long row of them in the upstairs storeroom, behind the linen chest. in huntington, women who bore that relation to men were called by a very different name, and their lot was not an enviable one; of all the shabby and poor, they were the shabbiest. but then, edna had never lived in huntington, not even before she began to find books like “sapho” and “mademoiselle de maupin,” secretly sold in paper covers throughout illinois. it was as if she had come into huntington, into the bowers family, on one of the trains that puffed over the marshes behind their back fence all day long, and was waiting for another train to take her out.

as she grew older and handsomer, she had many beaux, but these small-town boys didn’t interest her. if a lad kissed her when he brought her home from a dance, she was indulgent and she rather liked it. but if he pressed her further, she slipped away from him, laughing. after she began to sing in chicago, she was consistently discreet. she stayed as a guest in rich people’s houses, and she knew that she was being watched like a rabbit in a laboratory. covered up in bed, with the lights out, she thought her own thoughts, and laughed.

this summer in new york was her first taste of freedom. the chicago capitalist, after all his arrangements were made for sailing, had been compelled to go to mexico to look after oil interests. his sister knew an excellent singing master in new york. why should not a discreet, well-balanced girl like miss bower spend the summer there, studying quietly? the capitalist suggested that his sister might enjoy a summer on long island; he would rent the griffith’s place for her, with all the servants, and eden could stay there. but his sister met this proposal with a cold stare. so it fell out, that between selfishness and greed, eden got a summer all her own, — which really did a great deal toward making her an artist and whatever else she was afterward to become. she had time to look about, to watch without being watched; to select diamonds in one window and furs in another, to select shoulders and moustaches in the big hotels where she went to lunch. she had the easy freedom of obscurity and the consciousness of power. she enjoyed both. she was in no hurry.

while eden bower watched the pigeons, don hedger sat on the other side of the bolted doors, looking into a pool of dark turpentine, at his idle brushes, wondering why a woman could do this to him. he, too, was sure of his future and knew that he was a chosen man. he could not know, of course, that he was merely the first to fall under a fascination which was to be disastrous to a few men and pleasantly stimulating to many thousands. each of these two young people sensed the future, but not completely. don hedger knew that nothing much would ever happen to him. eden bower understood that to her a great deal would happen. but she did not guess that her neighbour would have more tempestuous adventures sitting in his dark studio than she would find in all the capitals of europe, or in all the latitude of conduct she was prepared to permit herself.