Long before the day when Fielding and Smollett began to be read on the sly, and before the comic Muse of Congreve and Wycherly began to be looked at askance, that English moral sentiment, over which
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Long before the day when Fielding and Smollett began to be read on the sly, and before the comic Muse of Congreve and Wycherly began to be looked at askance, that English moral sentiment, over which Macaulay was to philosophize more than a century later, had solidified in ignoring Rabelais. Nothing is to be said against the sentiment itself. This has always been fairly righteous, if just a bit undiscriminating. A great humorist, showing himself content to grovel in the dirt, is, beyond question, deserving of black looks and shut doors. But more than most old masters of a type, strong, albeit coarse, Rabelais—from the distinctly marked physical attributes of his chief personages—may claim certain good points which, drawn out and grouped together, ought to fall within the circle of those tales which interest children.
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- AN EXPLANATION BY WAY OF PREFACE.
- CHAPTER I. HOW THE FIRST GIANTS CAME INTO THE WORLD.
- CHAPTER II. GARGANTUA IS BORN.
- CHAPTER III. GARGANTUA AS A BABY.
- CHAPTER IV. THE ROYAL TAILOR'S BILL FOR GARGANTUA'S SUIT.
- CHAPTER V.
- HOW GARGANTUA WAS TAUGHT LATIN.
- CHAPTER VII. THE NEW MASTER FOUND FOR GARGANTUA.
- CHAPTER VIII.