half-way down fleet street, on the left-hand side, stands the church of st. dunstan-in-the-west. around its grimy foundations there seethes a struggling, toiling race of men—not only from morning till night, but throughout the twenty-four hours. within sound of this church bell a hundred printing-presses throb out their odorous broadsheets to be despatched to every part of the world. day and night, week in week out, the human writing-machines, and those other machines which are almost human (and better than human in some points) hurry through their allotted tasks, and ignore the saintly shadow cast upon them by the spire of st. dunstan. this is indeed the centre of the world: the hub from whence spring the spokes of the vast wheel of life. for to this point all things over the world converge by a vast web of wire, railroad, coach road, and steamer track. upon wings that boast of greater speed than the wind can compass come to this point the voices of our kin in farthest lands. news—news—news. news from the east of events occurring in the afternoon—scan it over and flash it westward, where it will be read on the morning of the same day! news in every tongue to be translated and brought into shape—while the solemn church clock tells his tale in deep voice, audible above the din and scurry.

from hurried scribbler to pale compositor, and behold, the news is bawled all over london! such work as this goes on for ever around the church of st. dunstan. scribblers come and scribblers go; compositors come to their work young and hopeful, they leave it bent and poisoned, yet the work goes on. each day the pace grows quicker, each day some new means of rapid propagation is discovered, and each day life becomes harder to live. one morning, perhaps, a scribbler is absent from his post—“brain-fever, complete rest; a wreck.” for years his writings have been read by thousands daily. a new man takes the vacant chair—he has been waiting more or less impatiently for this—and the thousands are none the wiser. one night the head compositor presses his black hand to his sunken chest, and staggers home. “and time too—he's had his turn,” mutters the second compositor as he thinks of the extra five shillings a week. no doubt he is right. every dog his day.

nearly opposite to the church stands a tall narrow house of dirty red brick, and it is with this house that we have to do.

at seven o'clock, one evening some years ago—when heads now grey were brown, when eyes now dim were bright—the strand was in its usual state of turmoil. carriage followed carriage. seedy clerks hustled past portly merchants—not their own masters, bien entendu, but those of other seedy clerks. carriages and foot-passengers were alike going westward. all were leaving behind them the day and the busy city—some after a few hours devoted to the perusal of times and gazette; others fagged and weary from a long day of dusty books.

ah! those were prosperous days in the city. days when men of but a few years' standing rolled out to clapham or highgate behind a pair of horses. days when books were often represented by a bank-book and a roughly-kept day-book. what need to keep mighty ledgers when profits are great and returns quick in their returning?

as the pedestrians made their way along the narrow pavement some of them glanced at the door of the tall red-brick house and read the inscription on a brass plate screwed thereon. this consisted of two mystic words: the beacon. there was, however, in reality, no mystery about it. the beacon was a newspaper, published weekly, and the clock of st. dunstan's striking seven told the end of another week. the publishing day was past; another week with its work and pleasure was to be faced.

from early morning until six o'clock in the evening this narrow doorway and passage had been crowded by a heaving, swearing, laughing mass of more or less dilapidated humanity interested in the retail sale of newspapers. at six o'clock ephraim bander, a retired constable, now on the staff of the beacon, had taken his station at the door, in order to greet would-be purchasers with the laconic and discouraging words: “sold hout!”

during the last two years ex-constable bander had announced the selling “hout” of the beacon every tuesday evening.

at seven o'clock mrs. bander emerged from her den on the fourth floor, like a portly good-natured spider, and with a broom proceeded to attack the dust shaken from the boots of the journalistic fraternity, with noisy energy. after that she polished the door-plate; and peace reigned within the narrow house.

on the second floor there was a small room with windows looking out into a narrow lane behind the house. it was a singularly quiet room; the door opened and shut without sound or vibration; double windows insured immunity from the harrowing cries of such enterprising merchants as exercised their lungs and callings in the narrow lane beneath. a certain sense of ease and comfort imperceptibly crept over the senses of persons entering this tiny apartment. it must have been in the atmosphere; for some rooms more luxuriously furnished are without it. it certainly does not lie in the furniture—this imperceptible sense of companionship; it does not lurk in the curtains. some mansions know it, and many cottages. it is even to be met with in the tiny cabin of a coasting vessel.

this diminutive room, despite its lack of sunlight, was such as one might wish to sit in. a broad low table stood in the middle of the floor, and on it lay the mellow light of a shaded lamp. at this table two men were seated opposite to each other. one was writing, slowly and easily, the other was idling with the calm restfulness of a man who has never worked very hard. he was rolling his pencil up to the top of his blotting-pad, and allowing it to come down again in accordance with the rules of gravity.

this was mr. bodery's habit when thoughtful; and after all, there was no great harm in it. mr. bodery was editor and proprietor of the beacon. the amusing and somewhat satirical article which appeared weekly under the heading of “light” was penned by the chubby hand at that moment engaged with the pencil.

mr. morgan, sub-editor, was even stouter than his chief. laughter was his most prominent characteristic. he laughed over “light” when in its embryo state, he laughed when the beacon sold out at six o'clock on tuesday evenings. he laughed when the printing-machine went wrong on monday afternoon, and—most wonderful of all—he laughed at his own jokes, in which exercise he was usually alone. his jokes were not of the first force. mr. morgan was the author of the slightly laboured and weighty parliamentary articles on the first page. he never joked on paper, which is a gift apart.

these two gentlemen were in no way of brilliant intellect. they had their share of sound, practical common-sense, which is in itself a splendid substitute. fortune had come to them (as it comes to most men when it comes at all) without any apparent reason. mr. bodery had supplied the capital, and mr. morgan's share of the undertaking was added in the form of a bustling, hollow energy. the beacon was lighted, so to speak. it burnt in a dull and somewhat flickering manner for some years; then a new hand fed the flame, and its light spread afar.

it was from pure good nature that mr. bodery held out a helping hand to the son of his old friend, walter vellacott, when that youth appeared one day at the office of the beacon, and in an off-hand manner announced that he was seeking employment. like many actions performed from a similar motive, mr. bodery's kindness of heart met with its reward. young christian vellacott developed a remarkable talent for journalistic literature—in fact, he was fortunate enough to have found, at the age of twenty-two, his avocation in life.

gradually, as the years wore on, the influence of the young fellow's superior intellect made itself felt. prom the position of a mere supernumerary, he worked his way upwards, taking on to his shoulders one duty after another—bearing the weight, quietly and confidently, of one responsibility after another. this exactly suited mr. bodery and his sub-editor. there was very little of the slave in the composition of either. they delighted in an easy, luxurious life, with just enough work to impart a pleasant feeling of self-satisfaction. it suited christian vellacott also. in a few weeks he found his level—in a few months he began rising to higher levels.

he was an only son; the only child of a brilliant father whose name was known in every court in europe as that of a harum-scarum diplomatist, who could have done great things in his short life if he had wished to. it is from only sons that fortune selects her favourites. men who have no brothers to share their amusements turn to serious matters early in life. christian vellacott soon discovered that a head was required at the office of the beacon to develop the elements of success undoubtedly lying within the journal, and that the owner of such a head could in time dictate his own terms to the easy-going proprietor.

unsparingly he devoted the whole of his exceptional energies to the work before him. he lived in and for it. each night he went home fagged and weary; but each morning saw him return to it with undaunted spirit.

human nature, however, is exhaustible. the influence of a strong mind over a strong body is great, but it is nevertheless limited. the beacon had reached a large circulation, but its slave was worn out. two years without a holiday—two years of hurried, hard brain-work had left their mark. it is often so when a man finds his avocation too early. he is too hurried, works too hard, and collapses; or he becomes self-satisfied, over-confident, and unbearable. fortunately for christian vellacott he was devoid of conceit, which is like the scaffolding round a church-spire, reaching higher and falling first.

there was also a “home” influence at work. when christian passed out of the narrow doorway, and turned his face westward, his day's work was by no means over, as will be shown hereafter.

as mr. bodery rolled his pencil up and down his blotting-pad, he was slowly realising the fact that something must be done. presently he looked up, and his pleasant eyes rested on the bent head of his sub-editor.

“morgan,” he said, “i have been thinking—seems to me vellacott wants a rest! he's played out!”

mr. morgan wiped his pen vigorously upon his coat, just beneath the shoulder, and sat back in his chair.

“yes,” he replied; “he has not been up to the mark for some time. but you will find difficulty in making him take a holiday. he is a devil for working—ha, ha!”

this “ha, ha!” did not mean very much. there was no mirth in it. it was a species of punctuation, and implied that mr. morgan had finished his remark.

“i will ring for him now and see what he says about it.”

mr. bodery extended his chubby white hand and touched a small gong. almost instantaneously the silent door opened and a voice from without said, “yess'r.” a small boy with a mobile, wicked mouth stood at attention in the doorway.

“has mr. vellacott gone?”

“no—sir!” in a tone which seemed to ask: “now is it likely?”

“where is he?”

“in the shop, sir.”

“ask him to come here, please.”

“yess'r.”

the small boy closed the door. once outside he placed his hand upon his heart and made a low bow to the handle, retreating backwards to the head of the stairs. then he proceeded to slide down the banister, to the trifling detriment of his waistcoat. as he reached the end of his perilous journey a door opened at the foot of the stairs, and a man's form became discernible in the dim light.

“is that the way you generally come downstairs, wilson?” asked a voice.

“it is the quickest way, sir!”

“not quite; there is one quicker, which you will discover some day if you overbalance at the top!”

“mr. bodery wishes to see you, please sir!” the small boy's manner was very different from what it had been outside the door upstairs.

“all right,” replied vellacott, putting on the coat he had been carrying over his arm. a peculiar smooth rapidity characterised all his movements. at school he had been considered a very “clean” fielder. the cleanness was there still.

the preternaturally sharp boy—sharp as only london boys are—watched the lithe form vanish up the stairs; then he wagged his head very wisely and said to himself in a patronising way:

“he's the right sort, he is—no chalk there!”

subsequently he balanced his diminutive person full length upon the balustrade, and proceeded to haul himself laboriously, hand over hand, to the top.

in the meantime christian vellacott had passed into the editor's room. the light of the lamp was driven downwards upon the table, but the reflection of it rose and illuminated his face. it was a fairly handsome face, with eyes just large enough to be keen and quick without being dreamy. the slight fair moustache was not enough to hide the mouth, which was refined, and singularly immobile. he glanced at mr. bodery, as he entered, quickly and comprehensively, and then turned his eyes towards mr. morgan. his face was very still and unemotional, but it was pale, and his eyes were deeply sunken. a keen observer would have noticed, in comparing the three men, that there was something about the youngest which was lacking in his elders. it lay in the direct gaze of his eyes, in the carriage of his head, in the small, motionless mouth. it was what is vaguely called “power.”

“sit down, vellacott,” said mr. brodery. “we want to have a consultation.” after a short pause he continued: “you know, of course, that it is a dull season just now. people do not seem to read the papers in august. now, we want you to take a holiday. morgan has been away; i shall go when you come back. say three weeks or a month. you've been over-working yourself a bit—burning the candle at both ends, eh?”

“hardly at both ends,” corrected vellacott, with a ready smile which entirely transformed his face. “hardly at both ends—at one end in a draught, perhaps.”

“ha, ha! very good,” chimed in mr. morgan the irrepressible. “at one end in a draught—that is like me, only the draught has got inside my cheeks and blown them out instead of in like yours, eh? ha, ha!” and he patted his cheeks affectionately.

“i don't think i care for a holiday just now, thanks,” he said slowly, without remembering to call up a smile for mr. morgan's benefit. unconsciously he put his hand to his forehead, which was damp with the heat of the printing-office which he had just left.

“my dear fellow,” said mr. bodery gravely, emphasising his remarks with the pencil, “you have one thing in life to learn yet—no doubt you have many, but this one in particular you must learn. work is not the only thing we are created for—not the only thing worth living for. it is a necessary evil, that is all. when you have reached my age you will come to look upon it as such. a little enjoyment is good for every one. there are many things to form a brighter side to life. nature—travelling—riding—rowing——”

“and love,” suggested the sub-editor, placing his hand dramatically on the right side of his broad waistcoat instead of the left. he could afford to joke on the subject now that the grass grew high in the little country churchyard where he had laid his young wife fifteen years before. in those days he was a grave, self-contained man, but that sorrow had entirely changed his nature. the true william morgan only came out on paper now.

mr. bodery was right. christian had yet to learn a great lesson, and unconsciously he was even now beginning to grasp its meaning. his whole mind was full of his work, and out of those earnest grey eyes his soul was looking at the man who was perhaps saving his life.

“we can easily manage it,” said the editor, continuing his advantage. “i will take over the foreign policy article. the reviewing you can do yourself, as we can always send you the books, and there is no pressing hurry about them. the general work we will manage somehow—won't we, morgan?”

“of course we will; as well as and perhaps better than he could do it himself, eh? ha, ha!”

“but seriously, vellacott,” continued mr. bodery, “things will go on just as well for a time. when i was young i used to make that mistake too. i thought that no one could manage things like myself, but in time i realised (as you will do some day) that things went on as smoothly when i was away. depend upon it, my boy, when a man is put on the shelf, worn out and useless, another soon fills his place. you are too young to go on the shelf yet. to please me, vellacott, go away for three weeks.”

“you are very kind, sir—” began the young fellow, but mr. bodery interrupted him.

“well, then, that is settled. shall we say this day week? that will give you time to make your plans.”

with a few words of thanks christian left the room. vaguely and mechanically he wandered upstairs to his own particular den. it was a disappointing little chamber. the chaos one expects to find on the desk of a literary man was lacking here. no papers lay on the table in artistic disorder. the presiding genius of the room was method—clear-headed, practical method. the walls were hidden by shelves of books, from the last half-hysterical production of some vain woman to the single-volume work of a man's lifetime. many of the former were uncut, the latter bore signs of having been read and studied. the companionship of these silent friends brought peace and contentment to the young man's spirit. he sat wearily down, and, leaning his chin upon his folded arms, he thought. gradually there came into his mind pictures of the fair open country, of rolling hills and quiet valleys, of quiet lanes and running waters. a sudden yearning to breathe god's pure air took possession of his faculties. mr. bodery had gained the day. in the room below mr. morgan wrote on in his easy, comfortable manner. the editor was still thoughtfully playing with his pencil. the sharp little boy was standing on his head in the passage. at last mr. bodery rose from his chair and began his preparations for leaving. as he brushed his hat he looked towards his companion and said:

“that young fellow is worth you and me rolled into one.”

“i recognised that fact some years ago,” replied the sub-editor, wiping his pen on his coat. “it is humiliating, but true. ha, ha!”