the two friends parted at the train that night. charles felt a pang of loneliness as his companion was borne away. he had his bag with him and he wondered what he had better do. there was a small hotel near by and he went into the office and asked for a room. the clerk handed a pen to him across the counter and turned the register around for him to inscribe his name. charles hesitated for barely an instant, then decided to make use of his own name. it looked strange to him, for he had not written it since he left home.

"c. brown," he smiled. "too common to attract notice. i've given up everything else; i will stick to my name. i can't always be lying about it."

a negro porter showed him his room. it was on the second floor and looked out toward the circus-grounds. the windows were up and he could hear the band and the clapping of hands by the audience. the air of the room was hot, and so he threw off his coat and tried to be comfortable, but he was restless and had no inclination to sleep. he knew, from the changing airs of the band, every act that was on in the ring. he could hear the familiar voice of the clown, the crack of the ringmaster's whip, and the clown's comical cry of pain, followed by the moss-grown jests charles had heard hundreds of times.

finding that he could not sleep, he put on his coat and went out. the street below was quite deserted. the stores were all closed. everybody had gone to the circus. he walked to the end of the street, then turned eastward and climbed a hill in the edge of the town. he had the square and the diverging streets before him, and an odd sense of part ownership in it all crept over him.

"it is mine, it is mine!" he whispered. "i'll live here or close by. i'll make a home of it."

the performance was over under the vast canvas. he knew it from the ceasing of the music and the far-away hum of voices as the crowd filtered back to the town. one by one the tent lights went out. he heard the rumble of the wheeled animal cages, the gilded band-wagon and gaudy chariots, as they were rolled on to the flat cars; the loud shouts of teamsters; the roar of a disturbed lion. he heard the clatter of the seat-boards and supports as they were taken down and hauled to the train, the crash of falling tent-poles, the familiar oaths of the foreman of the gang he had just left. soon the lights were all out save those moving about the train. the bell of the locomotive was ringing a hurry signal. charles had a mental picture of his former companions tumbling, half undressed, into their berths in the dimly lighted cars. there was a sound of escaping steam from the locomotive, a clanging of its bell. the train was moving. charles waved his hat in the still air as the train was passing the foot of the hill.

"good-by, boys!" he said, with feeling. "i'll never see you again."

the train moved on and disappeared in the distance. charles sat down on a boulder. for a year past he had longed for just that sort of freedom, but, now that it was within his reach, it somehow lacked the charm he had expected. suddenly he felt averse to the thought of sleeping in the room he had taken at the hotel. he wanted to lie on the grass there in the starlight, and greet the rising of the sun upon his new life. but he told himself that he had better go to the hotel. not to occupy a room after engaging it might arouse suspicion, so he went back to the deserted square.

the clerk was behind the counter and gave him his key, "you was with the circus, wasn't you?" he asked.

"yes, but how could you tell?" charles answered.

"oh, by your clothes," the young man replied. "all of you fellers look different from common folks, somehow; your hats, shirts, shoes ain't the sort we-all wear. then you are as sunburnt as gipsies. you've quit 'em, i reckon!"

"yes," charles told him. "i'm going to try something else. i want to work on a farm if i can get a job."

"easy enough, the lord knows," said the clerk, smiling broadly. "farm-hands are awfully scarce; niggers all moving off. now i come to think of it, i heard to-day of a job that is open. miss mary rowland is stopping here in the house now. in fact, i think she came in town to catch some of the floating labor brought in by the show. i know she didn't go to either performance. she is a friend of mrs. quinby, the wife of the feller that runs this hotel, and when she comes in town she always puts up with us. she is a fine girl and a hard worker. the rowlands are one of our oldest and best families, but run down at the heel, between you and me. her daddy lost a hand in the civil war, and can't work himself. he's got two boys, and take it from me they are the limit. the wildest young bucks in seven states. the old man don't know how to handle 'em, and miss mary has give up trying. if she can keep 'em out o' jail she will be satisfied."

not being in the mood to enjoy the clerk's gossip, charles sought his room and went to bed. it was somewhat cooler now and he soon fell asleep. he was waked at nine o'clock by the sound of some enormous trunks being trundled into the sample-room set aside for the use of commercial travelers across the hall from his own chamber, and, rising hurriedly, he went down-stairs. he was quite hungry and afraid that he might be too late to be served with breakfast. the same clerk was on duty; he smiled and nodded.

"i kept your breakfast for you," he said. "the dining-room is closed, but we make exceptions once in a while. walk right in—just give the door a shove. i'll go in the kitchen and have you waited on. you take coffee, i reckon?"

charles said he did, and went into the big, many-tabled room adjoining the office. the clerk followed and passed into the kitchen through a screened door.

he appeared again in a moment. "it will be right in," he said. "you can set right here by the window. this seat ain't taken. we've got a lot of town boarders. it helps out, i'm here to state. they get a low cut rate by the month, but it brings in money in the long run. say, you remember you said you were looking for a job on some farm? that young lady i was telling you about, miss mary rowland, was at breakfast just now, and i told her about you. she was powerfully interested, for, between you and me, she is in a hole for want of labor out her way. she missed fire in every attempt she made yesterday. she trotted about town all day, and had to give it up. she begged me to see you. she went out about half an hour ago to do some trading at the dry-goods stores. she said tell you she'd be at sandow & lincoln's 'most all morning, and hoped you'd come in there. i'll tell you one thing—you will be treated right out there if you do go, and they will feed you aplenty and give you a clean bed to sleep in. you just tell her sam lee sent you—everybody about here knows sam lee—and if you just said 'sam' it would do as well. i get up all the dances for the young folks here in this room. we shove the tables back ag'in' the wall, hire a nigger fiddler and guitar-picker, and have high old times at least once a month. you see mrs. quinby favors that because it makes a pile of drummers lie over here, and they pay the top rate. what do they care? expense-account stretches to any size."

charles promised to look miss rowland up, and, being needed in the office, sam lee hastened away. charles enjoyed his breakfast. the food was an agreeable change from the fare of which he had grown tired in the dining-tent of the circus. the clean white plates and dishes appealed to him by contrast to the scratched and dented tin ones the canvasmen had been obliged to use. the eggs, butter, and ham seemed to be fresh from the mountain farms; the coffee was fine, clear, and strong; the cream was thick and fresh; the bread was hot biscuits just from the range.