an earthly paradise.

“oh that the desert were my dwelling-place,

with one fair spirit for my monitor!

that i might all forget the human race,

and, hating no one, love but only her.

ye elements, in whose ennobling stir

i feel myself exalted, can ye not

accord me such a being? do i err

in deeming such inhabit many a spot—

though with them to converse can rarely be our lot.”

oft during his sojourn in the sequestered valley do these lines occur to the young prairie merchant. and vividly; for, in very truth, he has realised the aspiration of the poet.

but, though dwelling in a desert, far different is the scene habitually before his eyes. from the front of the humble chalet that has so opportunely afforded him a shelter, seated under the spreading branches of a pecan-tree, he can look on a landscape lovely as ever opened to the eyes of man—almost as that closed against our first parents when expelled from paradise. above he beholds a sapphire sky, scarce ever shadowed by a cloud; a sun whose fierce, fervid beams become softened as they fall amid the foliage of evergreen oaks; among clustering groves that show all the varied tints of verdure, disporting upon green glassy glades, and glinting into arbours overshadowed by the sassafras laurel, the osage orange, and the wild china-tree, laced together by a trellis of grape vines. a lake in the centre of this luxurious vegetation, placid as sleep itself, only stirred by the webbed feet of waterfowl, or the wings of dipping swallows, with above and below a brawling rivulet, here and there showing cascades like the tails of white horses, or the skirts of ballroom belles floating through waltz or gallopade.

in correspondence with these fair sights are the sounds heard. by day the cooing of doves, the soft tones of the golden oriole, and the lively chatter of the red cardinal; by night the booming note of the bull-bat, the sonorous call of the trumpeter swan, and that lay far excelling all—the clear song of the polyglot thrush, the famed mocking-bird of america.

no wonder the invalid, recovering from his illness, after the long dark spell that has obscured his intellect, wrapping his soul, as it were, in a shroud—no wonder he fancies the scene to be a sort of paradise, worthy of being inhabited by peris. one is there he deems fair as houri or peri, unsurpassed by any ideal of hindoo or persian fable—adela miranda. in her he beholds beauty of a type striking as rare; not common anywhere, and only seen among women in whose veins courses the blue blood of andalusia—a beauty perhaps not in accordance with the standard of taste acknowledged in the icy northland. the vigolite upon her upper lip might look a little bizarre in an assemblage of saxon dames, just as her sprightly spirit would offend the sentiment of a strait-laced puritanism.

it has no such effect upon frank hamersley. the child of a land above all others free from conventionalism, with a nature attuned to the picturesque, these peculiarities, while piquing his fancy, have fixed his admiration. long before leaving his sick couch there has been but one world for him—that where dwells adela miranda; but one being in it—herself.

surely it was decreed by fate that these two should love one another! surely for them was there a marriage in heaven! else why brought together in such a strange place and by such a singular chain of circumstances?

for himself, hamersley thinks of this—builds hopes upon it deeming it an omen.

another often occurs to him, also looking like fate. he remembers that portrait on the wall at albuquerque, and how it had predisposed him in favour of the original. the features of spano-mexican type—so unlike those he had been accustomed to in his own country—had vividly impressed him. gazing upon it he had almost felt love for the likeness. then the description of the young girl given by her brother, with the incidents that led to friendly relations between him and colonel miranda, all had contributed to sow the seed of a tender sentiment in the heart of the young kentuckian. it had not died out. neither time nor absence had obliterated it. far off—even when occupied with the pressing claims of business—that portrait-face had often appeared upon the retina of his memory, and often also in the visions of dreamland. now that he has looked upon it in reality—sees it in all its blazing beauty, surrounded by scenes picturesque as its own expression, amid incidents romantic as his fancy could conjure up—now that he knows it as the face of her who has saved his life, is it any wonder the slight, tender sentiment first kindled by the painted picture should become stronger at the sight of the living original?

it has done this—become a passion that pervade his soul, filling his whole heart. all the more from its being the first he has ever felt—the first love of his life. and for this also all the more does he tremble as he thinks of the possibility of its being unreciprocated.

he has been calculating the chances in his favour every hour since consciousness returned to him. and from some words heard in that very hour has he derived greater pleasure, and draws more hope than from aught that has occurred since. constantly does he recall that soliloquy, speech spoken under the impression that it did not reach his ears.

there has been nothing afterwards—neither word nor deed—to give him proof he is beloved. the lady has been a tender nurse—a hostess apparently solicitous for the happiness of her guest—nothing more. were the words she had so thoughtlessly spoken unfelt, and without any particular meaning? or was the speech but an allusion, born from the still lingering distemper of his brain?

he yearns to know the truth. every hour that he remains ignorant of it, he is in torture equalling that of tantalus. yet he fears to ask, lest in the answer he may have a painful revelation.

he almost envies walt wilder his commonplace love, its easy conquest, and somewhat grotesque declaration. he wishes he could propose with like freedom, and receive a similar response. his comrade’s success should embolden him; but does not. there is no parallelism between the parties.

thus he delays seeking the knowledge he most desires to possess, through fear it may afflict him. not from any lack of opportunity. since almost all the time is he left alone with her he so worships. nothing stands in his way—no zealous watchfulness of a brother. don valerian neglects every step of fraternal duty—if to take such ever occurred to him. his time is fully occupied in roving around the valley, or making more distant excursions, in the companionship of the ci-devant ranger, who narrates to him a strange chapter in the life-lore of the prairies.

when walt chances to be indoors, he has companion of his own, which hinder him from too frequently intruding upon his comrade. enough for him the company of conchita.

hamersley has equally as little to dread the intrusion of don prospero. absorbed in his favourite study of nature, the ex-army surgeon passes most of his hours in communion with her. more than half the day is he out of doors, chasing lizards into their crevices among the rocks, impaling insects on the spikes of the wild maguey plant, or plucking such flowers as seem new to the classified list of the botanist. in these tranquil pursuits he is perhaps happier than all around—even those whose hearts throb with that supreme passion, full of sweetness, but too often bringing bitterness.

so ever near the shrine of his adoration, having it all to himself, hamersley worships on, but in silence.