"pray you, sir, how much carnation ribbon, may a man buy for a remuneration?"—comedy of errors.

the living-room at the rigs was the stage of many plays. its uses ranged from the tent of a ménagerie or the wigwam of an indian brave to the forest of arden.

this december night it was a "wood near athens," and to mhor, if to no one else, it faithfully represented the original. that true elizabethan needed no aids to his imagination. "this is a wood," said mhor, and a wood it was. "is all our company here?" and to him the wood was peopled by quince and snug, by bottom the weaver, by puck and oberon. titania and her court he reluctantly admitted were necessary to the play, but he did not try to visualise them, regarding them privately as blots. the love-scenes between hermia and lysander, helena and demetrius, were omitted, because jock said they were "awful silly."

it was friday evening, so jock had put off learning his lessons till the next day, and, as bully bottom, was calling over the names of his cast.

"are we all met?"

"pat, pat," said mhor, who combined in his person all the other parts, "and here's a marvellous convenient place for our rehearsal; this green plot shall be our stage, this hawthorn brake our tiring-house; and we will do it in action as we will do it before the duke."

pamela reston, in her usual place, the corner of the sofa beside the fire, threaded her needle with a bright silk thread, and watched the players amusedly.

"did you ever think," she asked jean, who sat on a footstool beside her—a glowing figure in a chinese coat given her by pamela, engaged rather incongruously in darning one of jock's stockings—"did you ever think what it must have been like to see a shakespeare play for the first time? was the globe filled, i wonder, with a quite unexpectant first night audience? and did they realise that the words they heard were deathless words? imagine hearing for the first time:

'when daisies pied and violets blue and lady-smocks all silver

white….'

and then—'the words of mercury are harsh after the songs of apollo.' did you ever try to write, jean?"

"pamela," said jean, "if you drop from shakespeare to me in that sudden way you'll be dizzy. i have thought of writing and trying to give a truthful picture of scottish life—a cross between drumtochty and the house with the green shutters—but i'm sure i shall never do it. and if by any chance i did accomplish it, it would probably be reviewed as a 'feebly written story of life in a scots provincial town,' and then i would beat my pen into a hatpin and retire from the literary arena. i wonder how critics can bear to do it. i couldn't sleep at nights for thinking of my victims—"

"you sentimental little absurdity! it wouldn't be honest to praise poor work."

jean shook her head. "they could always be a little kind … pamela, i love myself in this coat. you can't think what a delight colours are to me." she stopped, and then said shyly, "you have brought colour into all our lives. i can see now how drab they were before you came."

"oh dear, no, jean, your life was never drab. it could never be drab whatever your circumstances, you have so much happiness within yourself. i don't think anything in life could ever quite down you, and even death—what of death, jean?"

jean looked up from her stocking. "as boswell said to dr. johnson, 'what of death, sir?' and the great man was so angry that the little twittering genius should ask lightly of such a terrifying thing that he barked at him and frightened him out of the room! i suppose the ordinary thing is never to think about death at all, to keep the thought pushed away. but that makes people so afraid of it. it's such a bogey to them. the puritans went to the other extreme and dressed themselves in their grave-clothes every day. wasn't it samuel rutherford who advised people to 'forefancy their latter end'? i think that's where great-aunt alison got the idea; she certainly made us 'forefancy' ours! but apart from what death may mean to each of us—life itself gets all its meaning from death. if we didn't know that we had all to die we could hardly go on living, could we?"

"well," said pamela, "it would certainly be difficult to bear with people if their presence and our own were not utterly uncertain. and if we knew with surety when we rose in the morning that for another forty years we would go on getting up, and having a bath and dressing, we would be apt to expire with ennui. we rise with alacrity because we don't know if we shall ever put our clothes on again."

jean gave a little jump of expectation. "it's frightfully interesting. you never do know when you get up in the morning what will happen before night."

"most people find that a little wearing. it isn't always nice things that happen, jean."

"not always, of course, but far more nice things than nasty ones."

"jean, i'm afraid you're a chirping optimist. you'll reduce me to the depths of depression if you insist on being so bright. rather help me to rail against fate, and so cheer me."

"do you realise that davie will be home next week?" said jean, as if that were reason enough for any amount of optimism. "i think, on the whole, he has enjoyed his first term, but he was pretty homesick at first. he never actually said so, but he told us in one letter that he smelt the tea when he made it, for it was the one thing that reminded him of home. and another time he spoke with passionate dislike of the pollarded trees, because such things are unknown on tweedside. i'm so glad he has made quite a lot of friends. i was afraid he might be so shy and unforthcoming that he would put people off, but he writes enthusiastically about the men he is with. it is good for him to be made to leave his work, and play games; he is keen about his footer and they think he will row well! the man who has rooms on the same staircase seems a very good sort. i forget who he is—it's quite a well-known family—but he has been uncommonly kind to davie. he wants him to go home with him next week, but of course davie is keen to get back to priorsford. besides, you can't visit the stately homes of england on thirty shillings, and that's about davie's limit, dear lamb! jock and mhor are looking forward with joy to hear him speak. they expect his accent to have suffered an oxford change, and jock doesn't think he will be able to remain in the room with him and not laugh."

"i expect jock will be 'affronted,'" said pamela. "but you aren't the only one who is expecting a brother, jean, girl. any moment i may hear that biddy is in london. he wired from port said that he would come straight to priorsford. i wonder whether i should take rooms for him in the hydro, or in one of these nice old hotels in the nethergate? i wish i could crush him into hillview, but there isn't any room, alas!"

"i wish," said jean, and stopped. she had wanted in her hospitable way to say that pamela's brother must come to the rigs, but she checked the impulse with a fear that it was an absurd proposal. she was immensely interested in this brother of pamela's. all she had heard of him appealed to her imagination, for jean, cumbered as she was with domestic cares, had an adventurous spirit, and thrilled to hear of the perils of the mountains, the treks behind the ranges for something hidden, all the daring escapades of an adventure-loving young man with time and money at his disposal. she had made a hero of pamela's "biddy," but now that she was to see him she shrank from the meeting. suppose he were a supercilious sort of person who would be bored with the little town and the people in it. and the fact that he had a title complicated matters, jean thought. she could not imagine herself talking naturally to lord bidborough. besides, she thought, she didn't know in the least how to talk to men; she so seldom met any.

"i expect," she broke out after a silence, "your brother will take you away?"

"for christmas, i think," said pamela, "but i shall come back again. do you realise that i've been here two months, jean?"

"does it seem so short to you?"

"in a way it does; the days have passed so pleasantly. and yet i seem to have been here all my life; i feel so much a part of priorsford, so akin to the people in it. it must be the border blood in my veins. my mother loved her own country dearly. i have heard my aunt say that she never felt at home at bidborough or mintern abbas. i am sure she would have wanted us to know her scots home, so biddy and i are going to champertoun for christmas. my mother had no brothers, and everything went to a distant cousin. he and his wife seem friendly people and they urge us to visit them."

"that will mean a lovely christmas for you," jean said.

here mhor stopped being an athenian reveller to ask that the sofa might be pushed back. the scene was now the palace of theseus, and mhor, as the prologue, was addressing an imaginary audience with—"gentles, perchance you wonder at this show."

pamela and jean removed themselves to the window-seat and listened while

jock, covered with an old skin rug, gave a realistic presentment of the

lion, that very gentle beast, and of a good conscience.

the 'tedious brief' scene was drawing to an end, when the door opened and mrs. m'cosh, with a scared look in her eyes and an excited squeak in her voice, announced, "lord bidborough."

a slim, dark young man stood in the doorway, regarding the dishevelled room. jock and mhor were still writhing on the floor, the chairs were pushed anyway, pamela's embroidery frame had alighted on the bureau, the rugs were pulled here and there.

pamela gave a cry and rushed at her brother, forgetting everything in the joy of seeing him. then, remembering her hostess, she turned to jean, who still sat on the window-seat, her face flushed and her eyes dark with excitement, the blood-red mandarin's coat with its embroidery of blue and mauve and gold vivid against the dark curtains, and said, "jean, this is biddy!"

jean stood up and held out a shy hand.

"and this is jock—and mhor!"

"having a great game, aren't you?" said the newcomer.

"not a game," mhor corrected him, "a play, midsummer night's dream."

"no, are you? i once played in it at the o.u.d.s. i wanted to be bully bottom, but i wasn't much good, so they made me snug the joiner. i remember the man who played puck was a wonder, about as light on his feet and as swift as the real puck. a jolly play."

"biddy," said his sister, "why didn't you wire to me? i have taken no rooms."

"oh, that's all right—a porter at the station, a most awfully nice chap, put me into a sort of fly and sent me to one of the hotels—a jolly good little inn it is—and they can put me up. then i asked for hillview, mentioning the witching name of miss bella bathgate, and they sent a boy with me to find the place. miss bathgate sent me on here. beautifully managed, you see."

he smiled lazily at his sister, who cried:

"the same casual old biddy! what about dinner?"

"mayn't i feed with you? i think miss bathgate would like me to. and i'm devoted to stewed beef and carrots. after cold storage food it will be a most welcome change. but," turning to jean, "please forgive me arriving on you like this, and discussing board and lodgings. it's the most frightful cheek on my part, but, you see, pam's letters have made me so well acquainted with the rigs and everyone in it that i'm afraid i don't feel the need of ceremony."

"we wouldn't know what to do with ceremony here," said jean. "but i do wish the room had been tidier. you will get a bad impression of our habits—and we are really quite neat as a rule. jock, take that rug back to mrs. m'cosh and put the sofa right. and, mhor, do wash your face; you've got it all smeared with black."

as jean spoke she moved about, putting things to rights, lifting cushions, brightening the fire, brushing away fallen cinders.

"that's better. now don't stand about so uncomfortably pamela, sit in your corner; and this is a really comfortable chair, lord bidborough."

"i want to look at the books, if i may," said lord bidborough. "it's always the first thing i do in a room. you have a fine collection here."

"they are nearly all my father's books," jean explained. "we don't add to them, except, of course, on birthdays and at christmas, and never valuable books."

"you have some very rare books—this, for instance."

"yes. father treasured that—and have you seen this?"

they browsed among the books for a little, and jean, turning to pamela, said, "i remember the first time you came to see us you did this, too, walked about and looked at the books."

"i remember," said pamela; "history repeats itself."

lord bidborough stopped before a shelf. "this is a catholic selection."

"those are my favourite books," said jean—"modern books, i mean."

"i see." he went along the shelf, naming each book as he came to it. "the long roll and cease firing. two great books. i should like to read them again now."

"now one could read them," said jean. "through the war i tried to, but i had to stop. the writing was too good—too graphic, somehow…."

"yes, it would be too poignant…. john splendid. i read that one autumn in argyle—slowly—about two chapters a day, making it last as long as i could."

"isn't it fine?" said jean. "john splendid, who never spoke the truth except to an enemy! do you remember the scene with the blind widow of glencoe? and john splendid was so gallant and tactful: 'dim in the sight,' he called her, for he wouldn't say 'blind'; and then was terrified when he heard that plague had been in the house, and would have left without touching the outstretched hand, and gordon, the harsh-mannered minister, took it and kissed it, and the blind woman cried, 'o clan campbell, i'll never call ye down—ye may have the guile they claim for ye, but ye have the way with a woman's heart,' and poor john splendid went out covered with shame."

jean's eyes were shining, and she had forgotten to be awkward and tongue-tied.

"i remember," said lord bidborough. "and the wonderful descriptions—'i know corries in argyle that whisper silken' … do you remember that? and the last scene of all when john splendid rides away?"

"do you cry over books, jean?" pamela asked. she was sitting on the end of the sofa, her embroidery frame in her hand and her cloak on, ready to go when her brother had finished looking at jean's treasures.

jean shook her head. "not often. great-aunt alison said it was the sign of a feeble mind to waste tears over fiction, but i have cried. do you remember the end of the mill on the floss? tom and maggie have been estranged, and the flood comes, and tom goes to save maggie. he is rowing when he sees the great mill machinery sweeping down on them, and he takes maggie's hand, and calls her the name he had used when they were happy children together—'magsie!'"

pamela nodded. "nothing appeals to you so much as family affection,

jean, girl. what have you got now, biddy? nelly's teachers?"

"oh, that," said jean, getting pink—"that's a book i had when i was a child, and i still like it so much that i read it through every year."

"oh, jean, you babe!" pamela cried. "can you actually still read goody-goody girls' stories?"

"yes," said jean defiantly, "and enjoy them too."

"and why not?" asked lord bidborough. "i enjoy huckleberry finn as much now as i did when i was twelve; and i often yearn after the books i had as a boy and never see now. i used to lie on my face poring over them. the clipper of the clouds, and sir ludar, and a fairy story called rigmarole in search of a soul, which, i remember, was quite beautiful, but can't lay hands on anywhere."

jean looked at him gratefully, and thought to herself that he wasn't going to be a terrifying person after all. for his age—jean knew that he was thirty-five, and had expected something much more mature—he seemed oddly boyish. he had an expectant young look in his eyes, as if he were always waiting for some chance of adventure to turn up, and there were humorous lines about his mouth which seemed to say that he found the world a very funny place, and was exceedingly well amused.

he certainly seemed very much at home at the rigs, fondling the rare old books with the hands of a book lover, inspecting the coloured prints, chaffing jock and mhor, who fawned round him like two puppy dogs. peter had at once made friends with him, and mrs. m'cosh, coming into the room on some errand, edged her way out backwards, her eyes fixed on the newcomer with an approving stare. as she told jean later: "for a' andra pit me against lords, i canna see muckle wrang wi' this yin. a rale pleasant fellow i tak' him to be, lord or no lord. if they were a' like him, we wudna need to be socialists. it's queer i've aye hed a hankerin' after thae high-born kinna folk. it's that interestin' to watch them. ye niver ken whit they'll dae next, or whit they'll say—they're that audacious. we wud mak' an awfu' dull warld o' it if we pit them a' awa to ameriky or somewhere. i often tell't andra that, but he said it wud be a guid riddance … i'm wonderin' what bella bathgate thinks o' him. it'll be great to hear her breath on't. she's quite comin' roond to miss reston. she was tellin' me she disna think there's onything veecious about her, and she's gettin' quite used to her manners."

* * * * *

when pamela departed with her brother to partake of a dinner cooked by miss bathgate (a somewhat doubtful pleasure), mhor went off to bed, and jock curled himself up on the sofa with peter, for his friday night's extra hour with a story-book, while jean resumed her darning of stockings.

her thoughts were full of the sister and brother who had just left. "queer they are!" she thought to herself. "if davie came back to me after a year in india, i wouldn't have liked to meet him in somebody else's house. but they seemed quite happy to look at books, and talk about just anything and play with jock and mhor and tease peter. now i expect they'll be talking about their own affairs, but i would have rushed at the pleasure of hearing all about everything—i couldn't have waited. pamela has such a leisured air about everything she does. it's nice and sort of aloof and quiet—but i could never attain to it. i'm little and bustling and martha-like."

here jean sighed, and put her fingers through a large hole in the toe of a stocking.

"i'm only fit to keep house and darn and worry the boys about washing their ears…. anyway, i'm glad i had on my chinese coat."