"it is the only set of the kind i ever met with in which you are neither led nor driven, but actually fall, and that imperceptibly into literary topics; and i attribute it to this, that in that house literature is not a treat for company upon invitation days, but is actually the daily bread of the family."—written of maria edgeworth's home.

pamela reston stood in bella bathgate's parlour and surveyed it disconsolately.

it was papered in a trying shade of terra-cotta and the walls were embellished by enlarged photographs of the bathgate family—decent, well-living people, but plain-headed to a degree. linoleum covered the floor. a round table with a red-and-green cloth occupied the middle of the room, and two arm-chairs and six small chairs stood about stiffly like sentinels. pamela had tried them all and found each one more unyielding than the next. the mantelshelf, painted to look like some uncommon kind of marble, supported two tall glass jars bright blue and adorned with white raised flowers, which contained bunches of dried grasses ("silver shekels" miss bathgate called them), rather dusty and tired-looking. a mahogany sideboard stood against one wall and was heavily laden with vases and photographs. hard lace curtains tinted a deep cream shaded the bow-window.

"this is grim," said pamela to herself. "something must be done. first of all, i must get them to send me some rugs—they will cover this awful floor—and half a dozen cushions and some curtains and bits of embroidery and some table linen and sheets and things. idiot that i was not to bring them with me!… and what could i do to the walls? i don't know how far one may go with landladies, but i hardly think one could ask them to repaper walls to each stray lodger's liking."

miss bathgate had not so far shown herself much inclined for conversation. she had met her lodger on the doorstep the night before, had uttered a few words of greeting, and had then confined herself to warning the man to watch the walls when he carried up the trunks, and to wondering aloud what anyone could want with so much luggage, and where in the world it was to find room. she had been asked to have dinner ready, and at eight o'clock pamela had come down to the sitting-room to find a coarse cloth folded in two and spread on one-half of the round table. a knife, a fork, a spoon lay on the cloth, flanked on one side by an enormous cruet and on the other by four large spoons, laid crosswise, and a thick tumbler. an aspidistra in a pot completed the table decorations.

the dinner consisted of stewed steak, with turnip and carrots, and a large dish of potatoes, followed by a rice pudding made without eggs and a glass dish of prunes.

pamela was determined to be pleased.

"how right it all is," she told herself—"so entirely in keeping. all so clean and—and sufficient. i am sure all the things we hang on ourselves and round ourselves to please and beautify are very clogging—this is life at its simplest," and she rang for coffee, which came in a breakfast-cup and was made of somebody's essence and boiling water.

pamela had gone to bed very early, there being absolutely nothing to sit up for; and the bed was as hard as the nether millstone. as she put her tired head on a cast-iron pillow covered by a cotton pillow-slip, and lay crushed under three pairs of hard blankets, topped by a patchwork quilt worked by bella's mother and containing samples of the clothes of all the family—from the late mrs. bathgate's wedding-gown of puce-coloured cashmere to her youngest son's first pair of "breeks," the whole smelling strongly of naphtha from the kist where it had lain—regretful thoughts of other beds came to her. she felt she had not fully appreciated them—those warm, soft, embracing beds, with satin-smooth sheets and pillow-cases smelling of lavender and other sweet things, feather-light blankets, and rose-coloured eiderdowns.

she came downstairs in the morning to the bleak sitting-room filled with a distaste for simplicity which she felt to be unworthy. for breakfast there was a whole loaf on a platter, three breakfast rolls hot from the baker, and the family toast-rack full of tough, damp toast. a large pale-green duck's egg sat heavily in an egg-cup, capped, but not covered, by a strange red flannel thing representing a cock's head, which pamela learned later was called an "egg-cosy" and had come from the sale of work for foreign missions. a metal teapot and water-jug stood in two green worsted nests.

pamela poured herself out some tea. "i'm almost sure i told her i wanted coffee in the morning," she murmured to herself, "but it doesn't matter." already she was beginning to hold bella bathgate in awe. she took the top off the duck's egg and looked at it in an interested way. "it's a beautiful colour—orange—but"—she pushed it away—"i don't think i can eat it."

she drank some tea and ate a baker's roll, which was excellent; then she rang the bell.

when bella appeared she at once noticed the headless but uneaten egg, and, taking it up, smelt it.

"what's wrang wi' the egg?" she demanded.

"oh, nothing," said pamela quickly. "it's a lovely egg really, such a beautiful colour, but"—she laughed apologetically—"you know how it is with eggs—either you can eat them or you can't. i always have to eat eggs with my head turned away so to speak. there is something about the yolk so—so——" her voice trailed away under miss bathgate's stolid, unsmiling gaze.

there was no point in going on being arch about eggs to a person who so obviously regarded one as a poor creature. but a stand must be taken.

"er—miss bathgate——" pamela began.

there was no answer from bella, who was putting the dishes on a tray.

had she addressed her rightly?

"you are miss bathgate, aren't you?"

"ou ay," said bella. "i'm no' mairret nor naething o' that kind."

"i see. well, miss bathgate, i wonder if you would mind if mawson—my maid, you know—carried away some of those ornaments and photographs to a safe place? it would be such a pity if we broke any of them, for, of course, you must value them greatly. these vases now, with the pretty grasses, it would be dreadful if anything happened to them, for i'm sure we could never, never replace them."

"uch ay," bella interrupted. "i got them at the pig-cairt in exchange for some rags. he's plenty mair o' the same kind."

"oh, really," pamela said helplessly. "the fact is, a few things of my own will be arriving in a day or two—a cushion or two and that sort of thing—to make me feel at home, you know, so if you would very kindly let us make room for them, i should be so much obliged."

bella bathgate looked round the grim chamber that was to her as the apple of her eye, and sighed for the vagaries of "the gentry."

"aweel," she said, "i'll pit them in a kist until ye gang awa'. i've never had lodgers afore." and as she carried out the tray there was a baleful gleam in her eye as if she were vowing to herself that she would never have them again.

pamela gave a gasp of relief when the door closed behind the ungracious back of her landlady, and started when it opened again, but this time it was only mawson.

she hailed her. "mawson, we must get something done to this room. lift all these vases and photographs carefully away. miss bathgate says she will put them somewhere else in the meantime. and we'll wire to grosvenor street for some cushions and rugs—this is too hopeless. are you quite comfortable mawson?"

"yes, miss. i 'ave me meals in the kitchen, miss, for miss bathgate don't want to keep another fire goin'. a nice cosy kitchen it is, miss."

"then i wish i could have my meals there, too."

"oh, miss!" cried mawson in horror.

"does miss bathgate talk to you, mawson?"

"not to say talk, miss. she don't even listen much; says she can't understand my 'tongue.' funny, ain't it? seems to me it's 'er that speaks strange. but i expect we'll be friends in time, miss. you do 'ave to give the scotch time: bit slow they are…. what i wanted to h'ask, miss, is where am i to put your things? that little wardrobe and chest of drawers 'olds next to nothing."

"keep them in the trunks," said pamela. "i think miss bathgate would like to see us departing with them to-day, but i won't be beat. in priorsford we are, in priorsford we remain…. i'll write out some wires and you will explore for a post office. i shall explore for an upholsterer who can supply me with an arm-chair not hewn from the primeval rock."

mawson smiled happily and departed to put on her hat, while pamela sat down to compose telegrams.

these finished, she began, as was her almost daily custom, to scribble a letter to her brother.

"c/o miss b. bathgate,

hillview, priorsford,

scotland.

"biddy dear,—the beds and chairs and cushions are all stuffed with cannon-balls, and the walls are covered with enlarged photographs of men with whiskers, and bella bathgate won't speak to me, partly because she evidently hates the look of me, and partly because i didn't eat the duck's egg she gave me for breakfast. but the yolk of it was orange, biddy. how could i eat it?

"i have sent out s.o.s. signals for necessaries in the way of rugs and cushions. life as bald and unadorned as it presents itself to miss bathgate is really not quite decent. i wish she would speak to me, but i fear she considers me beneath contempt.

"what happens when you arrive in a place like priorsford and stay in lodgings? do you remain seated alone with your conscience, or do people call?

"perhaps i shall only have mawson to converse with. it might be worse. i don't think i told you about mawson. she has been a housemaid in grosvenor street for some years, and she maided me once when julie was on holiday, so when that superior damsel refused to accompany me on this trek i gladly left her behind and brought mawson in her place.

"she is really very little use as a maid, but her conversation is pleasing and she has a most cheery grin. she reads the works of florence barclay, and doesn't care for music-halls—'low i call them, miss.' i asked her if she were fond of music, and she said, 'oh yes, miss,' and then with a coy glance, 'i ply the mandoline.' i think she is about fifty, and not at all good-looking, so she will be a much more comfortable person in the house than julie, who would have moped without admirers.

"well, at present mawson and i are rather like robinson crusoe and man

friday on the island…."

* * * * *

pamela stopped and looked out of the window for inspiration. miss bathgate's parlour was not alluring, but the view from it was a continual feast—spreading fields, woods that in this yellowing time of the year were a study in old gold, the winding river, and the blue hills beyond. pamela saw each detail with delight; then, letting her eyes come nearer home, she studied the well-kept garden belonging to her landlady. on the wall that separated it from the next garden a small boy and a dog were seated.

pamela liked boys, so she smiled encouragingly to this one, the boy responding by solemnly raising his cap.

pamela leaned out of the window.

"good morning," she said. "what's your name?"

"my name's gervase taunton, but i'm called 'the mhor.' this is peter

jardine," patting the dog's nose.

"i'm very glad to know you," said pamela. "isn't that wall damp?"

"it is rather," said mhor. "we came to look at you."

"oh," said pamela.

"i've never seen an honourable before, neither has peter."

"you'd better come in and see me quite close," pamela suggested. "i've got some chocolates here."

mhor and peter needed no further invitation. they sprang from the wall and in a few seconds presented themselves at the door of the sitting-room.

pamela shook hands with mhor and patted peter, and produced a box of chocolates.

"i hope they're the kind you like?" she said politely.

"i like any kind," said mhor, "but specially hard ones. i don't suppose you have anything for peter? a biscuit or a bit of cake? peter's like me. he's always hungry for cake and never hungry for porridge."

pamela, feeling extremely remiss, confessed that she had neither cake nor biscuits and dared not ask miss bathgate for any.

"but you're bigger than miss bathgate," mhor pointed out. "you needn't be afraid of her. i'll ask her, if you like."

pamela heard him cross the passage and open the kitchen door and begin politely, "good morning, miss bathgate."

"what are ye wantin' here wi' thae dirty boots?" bella demanded.

"i came in to see the honourable, and she has nothing to give poor peter to eat. could he have a tea biscuit—not an abernethy one, please, he doesn't like them—or a bit of cake?"

"of a' the impidence!" ejaculated bella. "d'ye think i keep tea biscuits and cake to feed dowgs wi'? stan' there and dinna stir." she put a bit of carpet under the small, dirty boots, and as she grumbled she wiped her hands on a coarse towel that hung behind the door, and reached up for a tin box from the top shelf of the press beside the fire.

"here, see, there's yin for yerself, an' the broken bits are for peter.

here he comes snowkin'," as peter ambled into the kitchen followed by

pamela. that lady stood in the doorway.

"do forgive me coming, but i love a kitchen. it is always the nicest place in the house, i think; the shining tins are so cheerful, and the red fire." she smiled in an engaging way at bella, who, after a second, and, as it were, reluctantly, smiled back.

"i see you have given the raider some biscuits," pamela said.

"he's an ill laddie." bella bathgate looked at the mhor standing obediently on the bit of carpet, munching his biscuit, and her face softened. "he has neither father nor mother, puir lamb, but i must say miss jean never lets him ken the want o' them."

"miss jean?"

"he bides at the rigs wi' the jardines—juist next door here. she's no a bad lassie, miss jean, and wonderfu' sensible considerin'…. are ye finished, mhor? weel, wipe yer feet and gang ben to the room an' let me get on wi' ma work."

pamela, feeling herself dismissed, took her guest back to the sitting-room, where mhor at once began to examine the books piled on the table, while peter sat himself on the rug to await developments.

"you've a lot of books," said mhor. "i've a lot of books too—as many as a hundred, perhaps. jean teaches me poetry. would you like me to say some?"

"please," said pamela, expecting to hear some childish rhymes. mhor took a long breath and began:

"'o take me to the mountain o,

past the great pines and through the wood,

up where the lean hounds softly go,

a whine for wild things' blood,

and madly flies the dappled roe.

o god, to shout and speed them there

an arrow by my chestnut hair

drawn tight, and one keen glittering spear—

ah, if i could!'"

for some reason best known to himself mhor was very sparing of breath when he repeated poetry, making one breath last so long that the end of the verse was reached in a breathless whisper—in this instance very effective.

"so that is what 'jean' teaches you," said pamela. "i should like to see jean."

"well," said mhor, "come in with me now and see her. i should be doing my lessons anyway, and you can tell her where i've been."

"won't she think me rather pushing?" pamela asked.

"oh, i don't know," said mhor carelessly. "jean's kind to everybody—tramps and people who sing in the street and little cats with no homes. hadn't you better put on your hat?"

so pamela obediently put on her hat and coat and went with her new friends down the road a few steps and up the flagged path to the front door of the funny little house that kept its back turned to its parvenu neighbours, and its eyes lifted to the hills.

in mhor led her, peter following hard behind, through a square, low-roofed entrance-hall with a polished floor, into a long room with one end coming to a point in an odd-shaped window, rather like the bow of a ship.

a girl was sitting in the window with a large basket of darning beside her.

"jean," cried mhor as he burst in, "here's the honourable. i asked her to come in and see you. she's afraid of bella bathgate."

"oh, do come in," said jean, standing up with the stocking she was darning over one hand. "take this chair; it's the most comfortable. i do hope mhor hasn't been worrying you?"

"indeed he hasn't," said pamela; "i was delighted to see him. but please don't let me interrupt your work."

"the boys make such big holes," said jean, picking up a damp handkerchief that lay beside her; and then with a tremble in her voice, "i've been crying," she added.

"so i see," said pamela. "i'm sorry. is anything wrong?"

"nothing in the least wrong," jean said, swallowing hard, "only that i'm so silly." and presently she found herself pouring out her troubled thoughts about david, about the lions that she feared stood in his path at oxford, about the hole his going made in the little household at the rigs. it was a comfort to tell it all to this delightful-looking stranger who seemed to understand in the most wonderful way.

"i remember when my brother biddy went to oxford," pamela told her. "i felt just as you do. our parents were dead, and i was five years older than my brother, and took care of him just as you do of your david. i was afraid for him, for he had too much money, and that is much worse than having too little—but he didn't get changed or spoiled, and to this day he is the same, my own old biddy."

jean dried her eyes and went on with her darning, and pamela walked about looking at the books and talking, taking in every detail of this girl and her so individual room, the golden-brown hair, thick and wavy, the golden-brown eyes, "like a trout-stream in connemara," that sparkled and lit and saddened as she talked, the mobile, humorous mouth, the short, straight nose and pointed chin, the straight-up-and-down belted brown frock, the whole toning so perfectly with the room with its polished floor and old persian rugs, the pale yellow walls (even on the dullest day they seemed to hold some sunshine) hung with coloured prints in old rosewood frames—"saturday morning," engraved (with many flourishes) by t. burke, engraver to his serene highness the reigning landgrave of hesse darmstadt; "the cut finger," by david wilkie—those and many others. the furniture was old and good, well kept and well polished, so that the shabby, friendly room had that comfortable air of well-being that only careful housekeeping can give. books were everywhere: a few precious ones behind glass doors, hundreds in low bookcases round the room.

"i needn't ask you if you are fond of reading," pamela said.

"much too fond," jean confessed. "i'm a 'rake at reading.'"

"you know the people," said pamela, "who say, 'of course i love reading, but i've no time, alas!' as if everyone who loves reading doesn't make time."

as they talked, pamela realised that this girl who lived year in and year out in a small country town was in no way provincial, for all her life she had been free of the company of the immortals. the elizabethans she knew by heart, poetry was as daily bread. rosalind in arden, viola in illyria, were as real to her as bella bathgate next door. she had taken to herself as friends (being herself all the daughters of her father's house) maggie tulliver, ethel newcome, beatrix esmond, clara middleton, elizabeth bennet——

the sound of the gong startled pamela to her feet.

"you don't mean to say it's luncheon time already? i've taken up your whole morning."

"it has been perfectly delightful," jean assured her. "do stay a long time at hillview and come in every day. don't let bella bathgate frighten you away. she isn't used to letting her rooms, and her manners are bad, and her long upper lip very quelling; but she's really the kindest soul on earth…. would you come in to tea this afternoon? mrs. m'cosh—that's our retainer—bakes rather good scones. i would ask you to stay to luncheon, but i'm afraid there mightn't be enough to go round."

pamela gratefully accepted the invitation to tea, and said as to luncheon she was sure miss bathgate would be awaiting her with a large dish of stewed steak and carrots saved from the night before—so she departed.

* * * * *

later in the day, as miss bathgate sat for ten minutes in mrs. m'cosh's shining kitchen and drank a dish of tea, she gave her opinion of the lodger.

"awfu' english an' wi' a' the queer daft ways o' gentry. 'oh, miss bathgate,' a' the time. they tell me miss reston's considered a beauty in london. it's no' ma idea o' beauty—a terrible lang neck an' a wee shilpit bit face, an' sic a height! i'm fair feared for ma gasaliers. an' forty if she's a day. but verra pleasant, ye ken. i aye think there maun be something wrang wi' folk that's as pleasant as a' that—owre sweet to be wholesome, like a frostit tattie! … the maid's ca'ed miss mawson. she speaks even on. the wumman's a fair clatter-vengeance, an' i dinna ken the one-hauf she says. i think the puir thing's defeecient!"