the blue night of the lake was embroidered with black tree forms. silver drops sprinkled from the lifted oars. somewhere in the gloom of the shore there was a dog, who from time to time raised his sad voice to the stars.

"but still, the life of the studios——" began the girl.

hawker scoffed. "there were six of us. mainly we smoked. sometimes we played hearts and at other times poker—on credit, you know—credit. and when we had the materials and got something to do, we worked. did you ever see these beautiful red and green designs that surround the common tomato can?"

"yes."

"well," he said proudly, "i have made them. whenever you come upon tomatoes, remember that they might once have been encompassed in my design. when first i came back from paris i began to paint, but nobody wanted me to paint. later, i got into green corn and asparagus——"

"truly?"

"yes, indeed. it is true."

"but still, the life of the studios——"

"there were six of us. fate ordained that only one in the crowd could have money at one time. the other five lived off him and despised themselves. we despised ourselves five times as long as we had admiration."

"and was this just because you had no money?"

"it was because we had no money in new york," said hawker.

"well, after a while something happened——"

"oh, no, it didn't. something impended always, but it never happened."

"in a case like that one's own people must be such a blessing. the sympathy——"

"one's own people!" said hawker.

"yes," she said, "one's own people and more intimate friends. the appreciation——"

"'the appreciation!'" said hawker. "yes, indeed!"

he seemed so ill-tempered that she became silent. the boat floated through the shadows of the trees and out to where the water was like a blue crystal. the dog on the shore thrashed about in the reeds and waded in the shallows, mourning his unhappy state in an occasional cry. hawker stood up and sternly shouted. thereafter silence was among the reeds. the moon slipped sharply through the little clouds.

the girl said, "i liked that last picture of yours."

"what?"

"at the last exhibition, you know, you had that one with the cows—and things—in the snow—and—and a haystack."

"yes," he said, "of course. did you like it, really? i thought it about my best. and you really remembered it? oh," he cried, "hollanden perhaps recalled it to you."

"why, no," she said. "i remembered it, of course."

"well, what made you remember it?" he demanded, as if he had cause to be indignant.

"why—i just remembered it because—i liked it, and because—well, the people with me said—said it was about the best thing in the exhibit, and they talked about it a good deal. and then i remember that hollie had spoken of you, and then i—i——"

"never mind," he said. after a moment, he added, "the confounded picture was no good, anyhow!"

the girl started. "what makes you speak so of it? it was good. of course, i don't know—i can't talk about pictures, but," she said in distress, "everybody said it was fine."

"it wasn't any good," he persisted, with dogged shakes of the head.

from off in the darkness they heard the sound of hollanden's oars splashing in the water. sometimes there was squealing by the worcester girls, and at other times loud arguments on points of navigation.

"oh," said the girl suddenly, "mr. oglethorpe is coming to-morrow!"

"mr. oglethorpe?" said hawker. "is he?"

"yes." she gazed off at the water.

"he's an old friend of ours. he is always so good, and roger and little helen simply adore him. he was my brother's chum in college, and they were quite inseparable until herbert's death. he always brings me violets. but i know you will like him."

"i shall expect to," said hawker.

"i'm so glad he is coming. what time does that morning stage get here?"

"about eleven," said hawker.

"he wrote that he would come then. i hope he won't disappoint us."

"undoubtedly he will be here," said hawker.

the wind swept from the ridge top, where some great bare pines stood in the moonlight. a loon called in its strange, unearthly note from the lakeshore. as hawker turned the boat toward the dock, the flashing rays from the boat fell upon the head of the girl in the rear seat, and he rowed very slowly.

the girl was looking away somewhere with a mystic, shining glance. she leaned her chin in her hand. hawker, facing her, merely paddled subconsciously. he seemed greatly impressed and expectant.

at last she spoke very slowly. "i wish i knew mr. oglethorpe was not going to disappoint us."

hawker said, "why, no, i imagine not."

"well, he is a trifle uncertain in matters of time. the children—and all of us—shall be anxious. i know you will like him."