well down in the southeastern corner of new hampshire, some twenty miles inland from the sea, lies eden village. whether the first settlers added the word village to differentiate it from the garden of the same name i can't say. perhaps when the place first found a name, over two hundred years ago, it was eden, plain and simple. existence there proving conclusively the dissimilarity between it and the original eden, the new england conscience made itself heard in town meeting, and insisted on the addition of the qualifying word village, lest they appear to be practising deception toward the world at large. but this is only a theory. true it is, however, that while stepping and tottingham and little maynard and all the other settlements around are content to exist without explanatory suffixes, eden maintains and is everywhere accorded the right to be known as eden village. even as far away as redding, a good eight miles distant, where you leave the boston train, eden's prerogative is known and respected.

wade herrick discovered this when, five years after our first glimpse of him, he stepped from the express at redding, and, bag in hand, crossed the station platform and addressed himself to a wise-looking, freckle-faced youth of fourteen occupying the front seat of a rickety carryall.

"how far is it to eden, son?" asked wade.

"you mean eden village?" responded the boy, leisurely.

"i suppose so. are there two edens around here?"

"nope; just eden village."

"well, where is that, how far is it, and how do i get there?"

"about eight miles," answered the boy. "i kin take you there."

wade viewed the discouraged-looking, flea-bitten gray horse dubiously. "are you sure?" he asked. "have you ever driven that horse eight miles in one day?"

"well, i guess! there ain't a better horse in town than he is."

"how long will it take?"

"oh, about an hour; hour an' a half; two hours—"

"hold on! that's enough. this isn't exactly a sight-seeing expedition, son. we'll compromise on an hour and a half; what do you say?"

the boy examined the prospective passenger silently. then he looked at the horse. then he cocked an eye at the sun. finally he nodded his head.

"all right," he said. wade deposited his satchel in the carriage and referred to an address written on the back of a letter.

"now, where does mr. rufus lightener do business?"

"over there at the bank."

"good. and where can i get something to eat?"

"stand up or sit down?"

"well, preferably 'sit down.'"

"railroad hotel. back there about a block. dinner, fifty cents."

"i certainly am glad i found you," said wade. "i don't know what i'd have done in this great city without your assistance. now you take me over to the bank. after that we'll pay a visit to the hotel. you'd better get something to eat yourself while i'm partaking of that half-dollar banquet."

an hour later the journey began. wade, fairly comfortable on the back seat of the carryall, smoked his after-dinner pipe. the month was june, there had been recent rains and the winding, dipping country road presented new beauties to the eyes at every stage. wade, fresh from the mountains of colorado, revelled in the softer and gentler loveliness about him. the lush, level meadow, the soft contour of the distant hills, the ever-present murmur and sparkle of running water delighted him even while they brought homesick memories of his own native virginia. it was a relief to get away from the towering mountains, the eternal blue of unclouded skies, the parched, arid miles of unclothed mesa, the clang and rattle of ore cars and the incessant grinding of quartz mills. yes, it was decidedly pleasant to have a whole summer—if he wanted it—in which to go where he liked, do what he liked. one might do much worse, he reflected, than find some such spot as this and idle to one's heart's content. there would be trout, as like as not, in that stony brook back there; sunfish, probably, in that lazy stream crossing the open meadow yonder. it would be jolly to try one's luck on a day like this; jolly to lie back on the green bank with a rod beside one and watch the big white clouds sail across the wide blue of the sky. it would seem almost like being a boy again!

presently, when, after passing through the sleepy village of tottingham, the road crossed a shallow stream, wade bade the boy drive through it.

"don't have to," replied unimaginative fourteen. "there's a bridge."

"i know there is," answered wade, "but my doctor has forbidden bridges. drive through the water. i want to hear it gurgle against the wheels."

he closed his eyes, expectantly content, and so did not see the alarmed look which the boy shot at him. the horse splashed gingerly into the stream, the wheels grated musically over the little stones, and the water lapped and gurgled about the spokes. wade leaned back with closed eyes and nodded approvingly. "just the same," he murmured. "it might be the ford below major dabney's. this is surely god's own country again."

further on they rattled through the quiet streets of east tottingham, a typical new england village built around a square, elm-shaded common. it was all as ed had described it; the white church with its tall spire lost behind the high branches, the town hall guarded by an ancient black cannon, the white houses, the green blinds, the lilac hedges, the toppling hitching-post before each gate. tottingham center succeeded east tottingham and they eventually reached eden village twenty minutes behind schedule.

it was difficult to say where country left off and village began, but after passing the second modest white residence wade believed he could safely consider himself within the corporate limits. before him stretched a wide road lined with elms. so closely were they planted that their far-reaching branches formed a veritable roof overhead, through which at this time of day the sunlight barely trickled. they were sturdy trees, many of them larger in the trunk than any hogs-head, and doubtless some of them were almost as old as the village itself. the cool green-shadowed road circled slightly, so that as they travelled along it the vista always terminated in a wall of green, flecked at intervals with a gleam of white where the sun-bathed front of some house peeked through. wade viewed the quaint old place with interest, for here ed had lived when a boy, and many a story of eden village had wade listened to.

the houses were set, usually, close to the street, with sometimes a wooden fence, sometimes a hedge of lilacs before them. but more often yard and sidewalk fraternized. flowers were not numerous; undoubtedly the elms threw too much shade to allow of successful floriculture. but there were lilacs still in bloom, lavender and white, and their perfume stirred memories. the houses in eden village were not crowded; for the first quarter of a mile they passed hardly more than a dozen. after that, although they became more neighborly, each held itself well aloof. then came a small church with a disproportionately tall spire, a watering trough, the town hall, and "prout's store, zenas prout 2nd, proprietor." here the gray sidled up to the ancient hitching-post. the boy tossed the reins over the dashboard and jumped out. "you don't need to hold him," he said reassuringly. presently he was back. "it's further up the street," he announced. "but he says there ain't anybody livin' there an' the house is locked up."

"i've got the key," answered wade. "go ahead."

they went on along the leafy nave. now and then a road or grass-grown lane started off from the main highway and wandered back toward the meadow-lands. presently the street straightened out, the elms presented thinner ranks, houses stood farther apart. then the street divided to enclose a narrow strip of common adorned with a flagpole greatly in need of a new coat of white paint. the elms dwindled away and an occasional maple dotted the common with shade. the driver guided the patient gray to the left and, near the centre of the common, drew up in front of a little white house, which, like the picket fence in front of it, the flagstaff on the common, and so many other things in eden village, seemed to be patiently awaiting the painter.

inside the fence, thrusting its branches out between the pickets, ran a head-high hedge of lilac bushes, so that, unless you stood directly in front of the gate, all you saw of the first story were the tops of the front door and the close-shuttered windows. between house and hedge there was the remains of a tiny formal garden. rows of box, winter-killed in spots, circled and angled about grass-grown spaces which had once been flower-beds. the dozen feet of path from gate to steps was paved with crumbling red bricks, moss-stained and weed-embroidered. the front door had side-lights hidden by narrow, green blinds and a fan-light above. wade drew forth the key entrusted to him by the agent and tried to fit it to the lock. but although he struggled with it for several moments it refused stubbornly to have anything to do with the keyhole.

"there's a side door around there," advised the boy from the carryall. "maybe it's the key to it."

"maybe it is the key to it," responded wade, wiping the perspiration from his forehead. he pushed his way past the drooping branches of an overgrown syringa, tripped over a box-bush, and passed around the left of the house, following the remains of a path which led him to a door in an ell. back here there were gnarled apple and pear and cherry trees, a tropical clump of rhubarb, and traces of what had evidently been at one time a kitchen garden. old-fashioned perennials blossomed here and there; lupins and sweet williams and other sturdy things which had resisted the encroachment of the grass. the key fitted readily, scraped back, and the narrow door swung inward.

gloom and mustiness were his first reward, but as his eyes became accustomed to the darkness he saw that he was in the kitchen. there was the sink with a hand-pump on one side and a drain-board on the other. here a table, spread with figured yellow oil-cloth; a range, chairs, corner-cupboard, a silent, staring clock. his steps beat lonesomely on the floor. a door, reached by a single step, led to the front of the house. he pushed it open and groped his way up and in, across to the nearest window. when the blinds were thrust aside he found himself confronted by a long mahogany sideboard whose top still held an array of sheffield platters, covered dishes, candlesticks. save for the dust which lay heavily on every surface and eddied across the sunlight, there was nothing to suggest desertion. wade could fancy that the owner had stepped out of doors for the moment or had gone upstairs. he found himself listening for the sound of footsteps overhead or on the staircase or in the darkened hall. but the only sounds were faint sighs and crepitations doubtless attributable to the air from the open windows stirring through the long-closed house, but which wade, letting his fancy stray, chose to believe came from the ghosts of things past. he pictured them out there in the hall, peering through the crevice of the half-open door at the intruder with little, sad, troubled faces. he could almost hear them whispering amongst themselves. he felt a little shiver go over him, and threw back his shoulders and laughed softly at his foolishness.

but the feeling that he was an intruder, a trespasser, remained with him as he passed from room to room, throwing open windows and blinds, and now and then sneezing as the impalpable dust tickled his nostrils. in the sitting-room, as in every other apartment, everything looked as though the occupant had passed out of the room but a moment before. wade's face grew grave and tender as he looked about him. on the sewing machine a shallow basket held sewing materials and a few pairs of coarse woollen stockings, neatly rolled. the poker was laid straight along the ledge of the big "base-burner" in the corner. a table with a green cloth stood in front of a window and bore a few magazines dated almost ten years before. a set of walnut book-shelves held a few sober-clad volumes, bulfinch's "age of fable," "webster's dictionary," parker's "aids to english composition," horace's "odes" in latin, "the singer's own book," "henry esmond" and "vanity fair," "a chance acquaintance," two cook-books, a number of yellow-covered "farmer's almanacs," and "a guide to the city of boston." a sewing-stand supported a huge family bible. the walls were papered in brown and a brown ingrain carpet covered the floor. there was a couch under the side window and a few upholstered chairs were scattered about. now that the windows were open and the warm sunlight was streaming in, it was a cosy, shabby, homey little room.

wade opened the door into the hall. perhaps the ghosts of things past scampered up the winding stairway; at least, they were not to be seen. he found the front-door key in the lock and turned the bolt. when the door swung inward a little thrill touched him. for the first time in his life he was standing on his own doorsill, looking down his own front path and through his own front gate!

in every man's nature there is the desire for home-owning. it may lie dormant for many years, but sooner or later it will stir and call. wade heard its voice now, and his heart warmed to it. fortune had brought him the power to choose his home where he would, and build an abode far finer than this little cottage. and yet this place, which had come to him unexpectedly and through sorrow, seemed suddenly to lay a claim upon him. it was such a pathetic, down-at-heels, likable little house! it seemed to wade as though it were saying to him: "i'm yours now. don't turn your back on me. i've been so very, very lonesome for so many years! but now you've come, and you've opened my doors and windows and given me the beautiful sunlight again, and i shall be very happy. stay with me and love me."

in the carryall the boy was leaning back with his feet on the dasher and whistling softly through his teeth. the gray was nibbling sleepily at the decrepit hitching-post. wade glanced at his watch, and looked again in surprise. it was later than he had thought. if he meant to get out of redding that night it was time he thought of starting back. but after a moment of hesitation he turned from the door and went on with his explorations. in the parlor there was light enough from the front door to show him the long formal room with its white marble centre-table adorned with a few gilt-topped books and a spindly lamp, the square piano, the stiff-looking chairs and rockers, the few pictures against the faded gold paper, the white mantel, set with shells and vases and a few photographs, the quaint curving-backed sofa between the side windows. he closed the door again and turned down the hall.

the stairway was narrow and winding, with a mahogany rail set upon white spindles. it was uncarpeted and his feet sounded eerily on the steps. on the floor above doors opened to left and right. the first led into what had evidently been used as a spare bedroom. it was uncarpeted and but scantily furnished. the door of the opposite room was closed. wade opened it reverently and unconsciously tiptoed to the window. when the sunlight was streaming in he turned and surveyed the apartment with a catch of his breath. it had been her room. he had never seen her, yet he had heard ed speak of her so much that it seemed that he must have known her. he tried not to think of the days when, lying there on the old four-post bed with the knowledge of approaching death for company, she had waited and waited for her son to come back to her. ed had never forgiven himself that, reflected wade. he had been off in wyoming at the time, and when he had returned the two telegrams lay one upon the other with a month's dust over them, the one apprising him of his mother's illness and asking him to hurry home, the other tersely announcing her death. well, she knew all about it now, reflected wade. ed had told her long before this.

it was a pleasant little room with its sloping ceilings and cheerful pink paper. the bed was neatly spread with a patchwork quilt, and the blankets and counterpane were folded and piled upon the foot. the old mahogany bureau was just as she had left it, doubtless. the little, knick-knacks still stood upon the brackets, and in the worsted-worked pincushion a gold brooch was sticking.

he closed the window and returned to the floor below. a door under the stairway led from the hall to the kitchen. he crossed the latter and passed out into the yard. back of the house the ground sloped slightly to a distant stone wall, which apparently marked the limit there of wade's domain. at one time there had been a fence between the orchard and the meadow beyond, but now only an occasional crumbling post remained. trees had grown up here and there in the meadow, a few young maples, a patch of locusts, and some straggling sumacs. birds sang in the trees, and once, when he listened, wade thought he could hear the tinkling of a brook.

toward the centre of the village his ground ran only to a matter of ten or twelve yards from the kitchen door. there was just room for the little garden between house and fence. on that side his nearest neighbor was distant the width of several untenanted lots. on the other side, however, there was more space. there were some shade-trees here, and around one of them, an ancient elm, ran a wooden seat, much carved and lettered. the boundary here was a continuation of the lilac hedge which fronted the street, and in it was an arched gate leading to the next yard. but from the gate all wade could discern was the end of a white house and a corner of a brick chimney some forty yards distant; trees and shrubbery hid more of his neighbor's estate.

wade returned to the front of the house, hands in his pockets, a tune on his lips. he had taken his valise from the back of the carryall before the driver, who was half asleep, discovered his presence. he blinked and dropped his feet from the dashboard.

"you all ready?" he asked.

wade shook his head.

"i've changed my mind," he said. "i'm going to stay awhile."