simon and linnet doyle set off on their expedition to philae about eleven o'clock the following

morning. jacqueline de bellefort, sitting on the hotel balcony, watched them set off in the

picturesque sailing boat. what she did not see was the departure of a car - laden with luggage, and

in which sat a demure-looking maid - from the front door of the hotel. it turned to the right in the

direction of shellвl. hercule poirot decided to pass the remaining two hours before lunch on the

island of elephantine, immediately opposite the hotel.

he went down to the landing stage. there were two men just stepping into one of the hotel boats,

and poirot joined them. the men were obviously strangers to each other. the younger of them had

arrived by train the day before. he was a tall, dark-haired young man, with a thin face and a

pugnacious chin. he was wearing an extremely dirty pair of grey flannel trousers and a high-

necked polo jumper singularly unsuited to the climate. the other was a slightly podgy middle-aged

man who lost no time in entering into conversation with poirot in idiomatic but slightly broken

english. far from taking part in the conversation, the younger man merely scowled at them both

and then deliberately turned his back on them and proceeded to admire the agility with which the

nubian boatman steered the boat with his toes as he manipulated the sail with his hands.

it was very peaceful on the water, the great smooth slippery black rocks gliding by and the soft

breeze fanning their faces. elephantine was reached very quickly and on going ashore poirot and

his loquacious acquaintance made straight for the museum. by this time the latter had produced a

card which he handed to poirot with a little bow. it bore the inscription: signor guido richetti,

archeologo.

not to be outdone, poirot returned the bow and extracted his own card.

these formalities completed, the two men stepped into the museum together, the italian pouring

forth a stream of erudite information. they were by now conversing in french.

the young man in the flannel trousers strolled listlessly round the museum, yawning from time to

time, and then escaped to the outer air.

poirot and signor richetti at last followed him. the italian was energetic in examining the ruins,

but presently poirot, espying a green-lined sunshade which he recognized on the rocks down by

the river, escaped in that direction.

mrs allerton was sitting on a large rock, a sketch-book by her side and a book on her lap.

poirot removed his hat politely and mrs allerton at once entered into conversation.

"good-morning," she said. "i suppose it would be quite impossible to get rid of some of these

awful children."

a group of small black figures surrounded her, all grinning and posturing and holding out

imploring hands as they lisped "bakshish" at intervals, hopefully.

"i thought they'd get tired of me," said mrs allerton sadly. "they've been watching me for over

two hours now - and they close in on me little by little; and then i yell 'in shi' and brandish my

sunshade at them and they scatter for a minute or two. and then they come back and stare and

stare, and their eyes are simply disgusting, and so are their noses, and i don't believe i really like

children - not unless they're more or less washed and have the rudiments of manners."

she laughed ruefully.

poirot gallantly attempted to disperse the mob for her, but without avail. they scattered and then

reappeared, closing in once more.

"if there were only any peace in egypt, i should like it better," said mrs allerton. "but you can

never be alone anywhere. someone is always pestering you for money, or offering you donkeys, or

beads, or expeditions to native villages, or duck shooting."

"it is the great disadvantage, that is true," agreed poirot.

he spread his handkerchief cautiously on the rock and sat somewhat gingerly upon it.

"your son is not with you this morning?" he went on.

"no, tim had some letters to get off before we leave. we're doing the trip to the second cataract,

you know."

"i, too."

"i'm so glad. i want to tell you that i'm quite thrilled to meet you. when we were in majorca, there

was a mrs leech there, and she was telling us the most wonderful things about you. she'd lost a

ruby ring bathing, and she was just lamenting that you weren't there to find it for her."

"ah, parbleu, but i am not the diving seal!"

they both laughed.

mrs allerton went on:

"i saw you from my window walking down the drive with simon doyle this morning. do tell me

what you make of him? we're all so excited about him."

"ah? truly?"

"yes. you know his marriage to linnet ridgeway was the greatest surprise. she was supposed to

be going to marry lord windlesham and then suddenly she gets engaged to this man no one had

ever heard of!"

"you know her well, madame?"

"no, but a cousin of mine, joanna southwood, is one of her best friends."

"ah, yes, i have read that name in the papers." he was silent a moment and then went on, "she is a

young lady very much in the news, mademoiselle joanna southwood."

"oh, she knows how to advertise herself all right," snapped mrs allerton.

"you do not like her, madame?"

"that was a nasty remark of mine." mrs allerton looked penitent. "you see i'm old-fashioned. i

don't like her much. tim and she are the greatest friends, though."

"i see," said poirot.

his companion shot a quick look at him. she changed the subject.

"how very few young people there are out here! that pretty girl with the chestnut hair and the

appalling mother in the turban is almost the only young creature in the place. you have talked to

her a good deal, i notice. she interests me, that child."

"why is that, madame?"

"i feel sorry for her. you can suffer so much when you are young and sensitive. i think she is

suffering."

"yes, she is not happy, poor little one."

"tim and i call her the 'sulky girl.' i've tried to talk to her once or twice, but she's snubbed me on

each occasion. however i believe she's going on this nile trip too, and i expect we'll have to be

more or less all matey together, shan't we?"

"it is a possible contingency, madame."

"i'm very matey really - people interest me enormously. all the different types." she paused, then

said: "tim tells me that that dark girl - her name is de bellefort - is the girl who was engaged to

simon doyle. it's rather awkward for them - meeting like this."

"it is awkward - yes," agreed poirot.

mrs allerton shot a quick glance at him.

"you know, it may sound foolish, but she almost frightened me. she looked so - intense."

poirot nodded his head slowly.

"you were not far wrong, madame. a great force of emotion is always frightening."

"do people interest you too, monsieur poirot? or do you reserve your interest for potential

criminals?"

"madame - that category would not leave many people outside it."

mrs allerton looked a trifle startled.

"do you really mean that?"

"given the particular incentive, that is to say," poirot added.

"which would differ?"

"naturally."

mrs allerton hesitated - a little smile on her lips.

"even i perhaps?"

"mothers, madame, are particularly ruthless when their children are in danger."

she said gravely, "i think that's true - yes, you're quite right."

she was silent a minute or two, then she said, smiling: "i'm trying to imagine motives for crime

suitable for everyone in the hotel. it's quite entertaining. simon doyle for instance?"

poirot said, smiling: "a very simple crime - a direct shortcut to his objective. no subtlety about it."

"and therefore very easily detected?"

"yes; he would not be ingenious."

"and linnet?"

"that would be like the queen in your alice in wonderland, 'off with her head.'"

"of course. the divine right of monarchy! just a little bit of the naboth's vineyard touch. and the

dangerous girl - jacqueline de bellefort - could she do a murder?"

poirot hesitated for a minute or two, then he said doubtfully, "yes, i think she could."

"but you're not sure?"

"no. she puzzles me, that little one."

"i don't think mr pennington could do one, do you? he looks so desiccated and dyspeptic - with no

red blood in him."

"but possibly a strong sense of self-preservation."

"yes, i suppose so. and poor mrs otterbourne in her turban?"

"there is always vanity."

"as a motive for murder?" mrs allerton asked doubtfully.

"motives for murder are sometimes very trivial, madame."

"what are the most usual motives, monsieur poirot?"

"most frequent - money. that is to say, gain in its various ramifications. then there is revenge -

and love, and fear, and pure hate, and beneficence -"

"monsieur poirot!"

"oh, yes, madame. i have known of - shall we say a? - being removed by b solely in order to

benefit c. political murders often come under that heading. someone is considered to be harmful

to civilization and is removed on that account. such people forget that life and death are the affair

of the good god." he spoke gravely.

mrs allerton said quietly: "i am glad to hear you say that. all the same, god chooses his

instruments."

"there is danger in thinking like that, madame."

she adopted a lighter tone.

"after this conversation, monsieur poirot, i shall wonder that there is anyone left alive!"

she got up.

"we must be getting back. we have to start immediately after lunch."

when they reached the landing stage they found the young man in the polo jumper just taking his

place in the boat. the italian was already waiting. as the nubian boatman cast the sail loose and

they started, poirot addressed a polite remark to the stranger.

"there are very wonderful things to be seen in egypt, are there not?"

the young man was now smoking a somewhat noisome pipe. he removed it from his mouth and

remarked briefly and very emphatically, in astonishingly well-bred accents, "they make me sick."

mrs allerton put on her pince-nez and surveyed him with pleasurable interest.

"indeed? and why is that?" poirot asked.

"take the pyramids. great blocks of useless masonry, put up to minister to the egoism of a

despotic bloated king. think of the sweated masses who toiled to build them and died doing it. it

makes me sick to think of the suffering and torture they represent."

mrs allerton said cheerfully, "you'd rather have no pyramids, no parthenon, no beautiful tombs or

temples - just the solid satisfaction of knowing that people got three meals a day and died in their

beds."

the young man directed his scowl in her direction.

"i think human beings matter more than stones."

"but they do not endure as well," remarked hercule poirot.

"i'd rather see a well fed worker than any so-called work of art. what matters is the future - not the

past."

this was too much for signor richetti, who burst into a torrent of impassioned speech not too easy

to follow.

the young man retorted by telling everybody exactly what he thought of the capitalist system. he

spoke with the utmost venom.

when the tirade was over they had arrived at the hotel landing stage.

mrs allerton murmured cheerfully, "well, well," and stepped ashore. the young man directed a

baleful glance after her.

in the hall of the hotel poirot encountered jacqueline de bellefort. she was dressed in riding

clothes. she gave him an ironical little bow. "i'm going donkey riding. do you recommend the

native villages, monsieur poirot?"

"is that your excursion today, mademoiselle? eh bien, they are picturesque - but do not spend

large sums on native curios."

"which are shipped here from europe? no, i am not so easy to deceive as that." with a little nod

she passed out into the brilliant sunshine.

poirot completed his packing - a very simple affair, since his possessions were always in the most

meticulous order. then he repaired to the dining-room and ate an early lunch.

after lunch the hotel bus took the passengers for the second cataract to the station where they

were to catch the daily express from cairo on to shellвl - a ten-minute run.

the allertons, poirot, the young man in the dirty flannel trousers and the italian were the

passengers. mrs otterbourne and her daughter had made the expedition to the dam and to philae

and would join the steamer at shellвl.

the train from cairo and luxor was about twenty minutes late. however, it arrived at last, and the

usual scenes of wild activity occurred. native porters taking suitcases out of the train collided with

other porters putting them in. finally, somewhat breathless, poirot found himself, with an

assortment of his own, the allertons' and some totally unknown luggage, in one compartment,

while tim and his mother were elsewhere with the remains of the assorted baggage. the

compartment in which poirot found himself was occupied by an elderly lady with a very wrinkled

face, a stiff white stock, a good many diamonds and an expression of reptilian contempt for the

majority of mankind.

she treated poirot to an aristocratic glare and retired behind the pages of an american magazine. a

big rather clumsy young woman of under thirty was sitting opposite her. she had eager brown

eyes, rather like a dog's, untidy hair, and a terrific air of willingness to please. at intervals the old

lady looked over the top of her magazine and snapped an order at her. "cornelia, collect the rugs."

"when we arrive look after my dressing-case. on no account let anyone else handle it." "don't

forget my paper-cutter." the train run was brief. in ten minutes' time they came to rest on the jetty

where the s.s. karnak was awaiting them. the otterbournes were already on board. the karnak

was a smaller steamer than the papyrus and the lotus, the first cataract steamers, which are too

large to pass through the locks of the assuan dam. the passengers went on board and were shown

their accommodation. since the boat was not full, most of the passengers had accommodation on

the promenade deck. the entire forward part of this deck was occupied by an observation saloon,

all glass-enclosed, where the passengers could sit and watch the river unfold before them. on the

deck below were a smoking-room and a small drawing-room and on the deck below that, the

dining-saloon.

having seen his possessions disposed in his cabin, poirot came out on the deck again to watch the

process of departure. he joined rosalie otterbourne, who was leaning over the side.

"so now we journey into nubia. you are pleased, mademoiselle?"

the girl drew a deep breath.

"yes. i feel that one's really getting away from things at last."

she made a gesture with her hand. there was a savage aspect about the sheet of water in front of

them, the masses of rock without vegetation that came down to the water's edge - here and there a

trace of houses abandoned and ruined as a result of the damming up of the waters. the whole

scene had a melancholy, almost sinister charm.

"away from people," said rosalie otterbourne.

"except those of our own number, mademoiselle?"

she shrugged her shoulders. then she said: "there's something about this country that makes me

feel - wicked. it brings to the surface all the things that are boiling inside one. everything's so

unfair - so unjust."

"i wonder. you cannot judge by material evidence."

rosalie muttered: "look at - at some people's mothers - and look at mine. there is no god but sex,

and salome otterbourne is its prophet." she stopped. "i shouldn't have said that, i suppose."

poirot made a gesture with his hands.

"why not say it - to me? i am one of those who hear many things. if, as you say, you boil inside -

like the jam - eh bien, let the scum come to the surface, and then one can take it off with a spoon,

so."

he made the gesture of dropping something into the nile.

"there, it has gone."

"what an extraordinary man you are!" rosalie said. her sulky mouth twisted into a smile. then

she suddenly stiffened as she exclaimed: "why, here are mrs doyle and her husband! i'd no idea

they were coming on this trip!"

linnet had just emerged from a cabin half way down the deck. simon was behind her. poirot was

almost startled by the look of her - so radiant, so assured. she looked positively arrogant with

happiness. simon doyle, too, was a transformed being. he was grinning from ear to ear and

looking like a happy schoolboy.

"this is grand," he said as he too leaned on the rail. "i'm really looking forward to this trip, aren't

you, linnet? it feels somehow, so much less touristy - as though we were really going into the

heart of egypt."

his wife responded quickly: "i know. it's so much - wilder, somehow."

her hand slipped through his arm. he pressed it close to his side. "we're off, lin," he murmured.

the steamer was drawing away from the jetty. they had started on their seven-day journey to the

second cataract and back.

behind them a light silvery laugh rang out. linnet whipped round.

jacqueline de bellefort was standing there. she seemed amused.

"hullo, linnet! i didn't expect to find you here. i thought you said you were staying at assuan

another ten days. this is a surprise!"

"you - you didn't -" linnet's tongue stammered. she forced a ghastly conventional smile. "i - i

didn't expect to see you either."

"no?"

jacqueline moved away to the other side of the boat. linnet's grasp on her husband's arm

tightened.

"simon - simon -"

all doyle's good-natured pleasure had gone. he looked furious. his hands clenched themselves in

spite of his effort at self-control.

the two of them moved a little away. without turning his head poirot caught scraps of disjointed

words:

"... turn back... impossible... we could..." and then, slightly louder, doyle's voice, despairing but

grim: "we can't run away for ever, lin. we've got to go through with it now..."

it was some hours later. daylight was just fading. poirot stood in the glass-enclosed saloon looking

straight ahead. the karnak was going through a narrow gorge. the rocks came down with a kind

of sheer ferocity to the river flowing deep and swift between them. they were in nubia now. he

heard a movement and linnet doyle stood by his side. her fingers twisted and untwisted

themselves; she looked as he had never yet seen her look. there was about her the air of a

bewildered child. she said:

"monsieur poirot, i'm afraid - i'm afraid of everything. i've never felt like this before. all these

wild rocks and the awful grimness and starkness. where are we going? what's going to happen?

i'm afraid, i tell you. everyone hates me. i've never felt like that before. i've always been nice to

people - i've done things for them - and they hate me - lots of people hate me. except for simon,

i'm surrounded by enemies... it's terrible to feel - that there are people who hate you..."

"but what is all this, madame?"

she shook her head.

"i suppose - it's nerves... i just feel that - everything's unsafe all round me." she cast a quick

nervous glance over her shoulder. then she said abruptly: "how will all this end? we're caught

here. trapped! there's no way out. we've got to go on. i - i don't know where i am."

she slipped down onto a seat. poirot looked down on her gravely; his glance was not untinged with

compassion.

"how did she know we were coming on this boat?" she said. "how could she have known?"

poirot shook his head as he answered, "she has brains, you know."

"i feel as though i shall never escape from her."

poirot said: "there is one plan you might have adopted. in fact i am surprised that it did not occur

to you. after all, with you, madame, money is no object. why did you not engage your own

private dahabiyeh?"

linnet shook her head rather helplessly.

"if we'd known about all this - but you see we didn't - then. and it was difficult...." she flashed out

with sudden impatience: "oh! you don't understand half my difficulties. i've got to be careful with

simon... he's - he's absurdly sensitive - about money. about my having so much! he wanted me to

go to some little place in spain with him - he - he wanted to pay all our honeymoon expenses

himself. as if it mattered! men are stupid! he's got to get used to - to - living comfortably. the

mere idea of a dahabiyeh upset him - the - the needless expense. i've got to educate him -

gradually."

she looked up, bit her lip vexedly, as though feeling that she had been led into discussing her

difficulties rather too unguardedly.

she got up.

"i must change. i'm sorry, monsieur poirot. i'm afraid i've been talking a lot of foolish nonsense."