miss honey joined matilda outside the school gates and the two of them walked in silence through

the village high street. they passed the greengrocer with his window full of apples and oranges,

and the butcher with bloody lumps of meat on display and naked chickens hanging up, and the

small bank, and the grocery store and the electrical shop, and then they came out at the other side

of the village on to the narrow country road where there were no people any more and very few

motor-cars.

and now that they were alone, matilda all of a sudden became wildly animated. it seemed as

though a valve had burst inside her and a great gush of energy was being released. she trotted

beside miss honey with wild little hops and her fingers flew as if she would scatter them to the

four winds and her words went off like fireworks, with terrific speed. it was miss honey this and

miss honey that and miss honey i do honestly feel i could move almost anything in the world,

not just tipping over glasses and little things like that . . . i feel i could topple tables and chairs,

miss honey . . . even when people are sitting in the chairs i think i could push them over, and

bigger things too, much bigger things than chairs and tables . . . i only have to take a moment to

get my eyes strong and then i can push it out, this strongness, at anything at all so long as i am

staring at it hard enough . . . i have to stare at it very hard, miss honey, very very hard, and then i

can feel it all happening behind my eyes, and my eyes get hot just as though they were burning but

i don't mind that in the least, and miss honey . . .

"calm yourself down, child, calm yourself down," miss honey said. "let us not get ourselves too

worked up so early in the proceedings."

"but you do think it is interesting, don't you, miss honey?"

"oh, it is interesting all right," miss honey said. "it is more than interesting. but we must tread

very carefully from now on, matilda."

"why must we tread carefully, miss honey?"

"because we are playing with mysterious forces, my child, that we know nothing about. i do not

think they are evil. they may be good. they may even be divine. but whether they are or not, let

us handle them carefully."

these were wise words from a wise old bird, but matilda was too steamed up to see it that way. "i

don't see why we have to be so careful?" she said, still hopping about.

"i am trying to explain to you," miss honey said patiently, "that we are dealing with the unknown.

it is an unexplainable thing. the right word for it is a phenomenon. it is a phenomenon."

"am i a phenomenon?" matilda asked.

"it is quite possible that you are," miss honey said. "but i'd rather you didn't think about yourself

as anything in particular at the moment. what i thought we might do is to explore this

phenomenon a little further, just the two of us together, but making sure we take things very

carefully all the time."

"you want me to do some more of it then, miss honey?"

"that is what i am tempted to suggest," miss honey said cautiously.

"goody-good," matilda said.

"i myself," miss honey said, "am probably far more bowled over by what you did than you are,

and i am trying to find some reasonable explanation."

"such as what?" matilda asked.

"such as whether or not it's got something to do with the fact that you are quite exceptionally

precocious."

"what exactly does that word mean?" matilda said.

"a precocious child", miss honey said, "is one that shows amazing intelligence early on. you are

an unbelievably precocious child."

"am i really?" matilda asked.

"of course you are. you must be aware of that. look at your reading. look at your mathematics."

"i suppose you're right," matilda said.

miss honey marvelled at the child's lack of conceit and self-consciousness.

"i can't help wondering", she said, "whether this sudden ability that has come to you, of being able

to move an object without touching it, whether it might not have something to do with your

brainpower."

"you mean there might not be room in my head for all those brains so something has to push out?"

"that's not quite what i mean," miss honey said, smiling. "but whatever happens, and i say it

again, we must tread carefully from now on. i have not forgotten that strange and distant glimmer

on your face after you tipped over the last glass."

"do you think doing it could actually hurt me? is that what you're thinking, miss honey?"

"it made you feel pretty peculiar, didn't it?"

"it made me feel lovely," matilda said. "for a moment or two i was flying past the stars on silver

wings. i told you that. and shall i tell you something else, miss honey? it was easier the second

time, much much easier. i think it's like anything else, the more you practise it, the easier it gets."

miss honey was walking slowly so that the small child could keep up with her without trotting too

fast, and it was very peaceful out there on the narrow road now that the village was behind them. it

was one of those golden autumn afternoons and there were blackberries and splashes of old man's

beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold

winter came along. there were tall trees here and there on either side, oak and sycamore and ash

and occasionally a sweet chestnut. miss honey, wishing to change the subject for the moment,

gave the names of all these to matilda and taught her how to recognise them by the shape of their

leaves and the pattern of the bark on their trunks. matilda took all this in and stored the knowledge

away carefully in her mind.

they came finally to a gap in the hedge on the left-hand side of the road where there was a five-

barred gate. "this way," miss honey said, and she opened the gate and led matilda through and

closed it again. they were now walking along a narrow lane that was no more than a rutted cart-

track. there was a high hedge of hazel on either side and you could see clusters of ripe brown nuts

in their green jackets. the squirrels would be collecting them all very soon, miss honey said, and

storing them away carefully for the bleak months ahead.

"you mean you live down here?" matilda asked.

"i do," miss honey replied, but she said no more.

matilda had never once stopped to think about where miss honey might be living. she had always

regarded her purely as a teacher, a person who turned up out of nowhere and taught at school and

then went away again. do any of us children, she wondered, ever stop to ask ourselves where our

teachers go when school is over for the day? do we wonder if they live alone, or if there is a

mother at home or a sister or a husband? "do you

live all by yourself, miss honey?" she asked.

"yes," miss honey said. "very much so."

they were walking over the deep sun-baked mud-tracks of the lane and you had to watch where

you put your feet if you didn't want to twist your ankle. there were a few small birds around in the

hazel branches but that was all.

"it's just a farm-labourer's cottage," miss honey said. "you mustn't expect too much of it. we're

nearly there."

they came to a small green gate half-buried in the hedge on the right and almost hidden by the

overhanging hazel branches. miss honey paused with one hand on the gate and said, "there it is.

that's where i live."

matilda saw a narrow dirt-path leading to a tiny

red-brick cottage. the cottage was so small it looked more like a doll's house than a human

dwelling. the bricks it was built of were old and crumbly and very pale red. it had a grey slate

roof and one small chimney, and there were two little windows at the front. each window was no

larger than a sheet of tabloid newspaper and there was clearly no upstairs to the place. on either

side of the path there was a wilderness of nettles and blackberry thorns and long brown grass. an

enormous oak tree stood overshadowing the cottage. its massive spreading branches seemed to be

enfolding and embracing the tiny building, and perhaps hiding it as well from the rest of the world.

miss honey, with one hand on the gate which she had not yet opened, turned to matilda and said,

"a poet called dylan thomas once wrote some lines that i think of every time i walk up this

path."

matilda waited, and miss honey, in a rather wonderful slow voice, began reciting the poem:

"never and never, my girl riding far and near

in the land of the hearthstone tales, and spelled

asleep,

fear or believe that the wolf in the sheepwhite

hood

loping and bleating roughly and blithely shall

leap, my dear, my dear,

out of a lair in the flocked leaves in the dew

dipped year

to eat your heart in the house in the rosy

wood."

there was a moment of silence, and matilda, who had never before heard great romantic poetry

spoken aloud, was profoundly moved. "it's like music," she whispered.

"it is music," miss honey said. and then, as though embarrassed at having revealed such a secret

part of herself, she quickly pushed open the gate and walked up the path. matilda hung back. she

was a bit frightened of this place now. it seemed so unreal and remote and fantastic and so totally

away from this earth. it was like an illustration in grimm or hans andersen. it was the house

where the poor woodcutter lived with hansel and gretel and where red riding hood's

grandmother lived and it was also the house of the seven dwarfs and the three bears and all the

rest of them. it was straight out of a fairy-tale.

"come along, my dear," miss honey called back, and matilda followed her up the path.

the front-door was covered with flaky green paint and there was no keyhole. miss honey simply

lifted the latch and pushed open the door and went in. although she was not a tall woman, she had

to stoop low to get through the doorway. matilda went after her and found herself in what seemed

to be a dark narrow tunnel.

"you can come through to the kitchen and help me make the tea," miss honey said, and she led

the way along the tunnel into the kitchen -- that is if you could call it a kitchen. it was not much

bigger than a good-sized clothes cupboard and there was one small window in the back wall with a

sink under the window, but there were no taps over the sink. against another wall there was a

shelf, presumably for preparing food, and there was a single cupboard above the shelf. on the

shelf itself

there stood a primus stove, a saucepan and a half-full bottle of milk. a primus is a little camping-

stove that you fill with paraffin and you light it at the top and then you pump it to get pressure for

the flame.

"you can get me some water while i light the primus," miss honey said. "the well is out at the

back. take the bucket. here it is. you'll find a rope in the well. just hook the bucket on to the end

of the rope and lower it down, but don't fall in yourself." matilda, more bemused than ever now,

took the bucket and carried it out into the back garden. the well had a little wooden roof over it

and a simple winding device and there was the rope dangling down into a dark bottomless hole.

matilda pulled up the rope and hooked the handle of the bucket on to the end of it. then she

lowered it until she heard a splash and the rope went slack. she pulled it up again and lo and

behold, there was water in the bucket.

"is this enough?" she asked, carrying it in.

"just about," miss honey said. "i don't suppose you've ever done that before?"

"never," matilda said. "it's fun. how do you get enough water for your bath?"

"i don't take a bath," miss honey said. "i wash standing up. i get a bucketful of water and i heat it

on this little stove and i strip and wash myself all over."

"do you honestly do that?" matilda asked.

"of course i do," miss honey said. "every poor person in england used to wash that way until not

so very long ago. and they didn't have a primus. they had to heat the water over the fire in the

hearth."

"are you poor, miss honey?"

"yes," miss honey said. "very. it's a good little stove, isn't it?" the primus was roaring away with

a powerful blue flame and already the water in the saucepan was beginning to bubble. miss honey

got a teapot from the cupboard and put some tea leaves into it. she also found half a small loaf of

brown bread. she cut two thin slices and then, from a plastic container, she took some margarine

and spread it on the bread.

margarine, matilda thought. she really must be poor.

miss honey found a tray and on it she put two mugs, the teapot, the half bottle of milk and a plate

with the two slices of bread. "i'm afraid i don't have any sugar," she said. "i never use it."

"that's all right," matilda said. in her wisdom she seemed to be aware of the delicacy of the

situation and she was taking great care not to say anything to embarrass her companion.

"let's have it in the sitting-room," miss honey said, picking up the tray and leading the way out of

the kitchen and down the dark little tunnel into the room at the front. matilda followed her, but just

inside the doorway of the so-called sitting-room she stopped and stared around her in absolute

amazement. the room was as small and square and bare as a prison cell. the pale daylight that

entered came from a single tiny window in the front wall, but there were no curtains. the only

objects in the entire room were two upturned wooden boxes to serve as chairs and a third box

between them for a table. that was all. there were no pictures on the walls, no carpet on the floor,

only rough unpolished wooden planks, and there were gaps between the planks where dust and

bits of grime had gathered. the ceiling was so low that with a jump matilda could nearly touch it

with her finger-tips. the walls were white but the whiteness didn't look like paint. matilda rubbed

her palm against it and a white powder came off on to her skin. it was whitewash, the cheap stuff

that is used in cowsheds and stables and hen-houses.

matilda was appalled. was this really where her neat and trimly-dressed school teacher lived?

was this all she had to come back to after a day's work? it was unbelievable. and what was the

reason for it? there was something very strange going on around here, surely.

miss honey put the tray on one of the upturned boxes. "sit down, my dear, sit down," she said,

"and we'll have a nice hot cup of tea. help yourself to bread. both slices are for you. i never eat

anything when i get home. i have a good old tuck-in at the school lunch and that keeps me going

until the next morning."

matilda perched herself carefully on an upturned box and more out of politeness than anything

else she took a slice of bread and margarine and started to eat it. at home she would have been

having buttered toast and strawberry jam and probably a piece of sponge-cake to round it off. and

yet this was somehow far more fun. there was a mystery here in this house, a great mystery, there

was no doubt about that, and matilda was longing to find out what it was.

miss honey poured the tea and added a little milk to both cups. she appeared to be not in the least

ill at ease sitting on an upturned box in a bare room and drinking tea out of a mug that she

balanced on her knee.

"you know," she said, "i've been thinking very hard about what you did with that glass. it is a

great power you have been given, my child, you know that."

"yes, miss honey, i do," matilda said, chewing her bread and margarine.

"so far as i know," miss honey went on, "nobody else in the history of the world has been able to

compel an object to move without touching it or blowing on it or using any outside help at all."

matilda nodded but said nothing.

"the fascinating thing", miss honey said, "would be to find out the real limit of this power of

yours. oh, i know you think you can move just about anything there is, but i have my doubts

about that."

"i'd love to try something really huge," matilda said.

"what about distance?" miss honey asked. "would you always have to be close to the thing you

were pushing?"

"i simply don't know," matilda said. "but it would be fun to find out."